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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone RGB 180.5 201 207 it is the complementary color RGB 74.5 54 48. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color RGB 180.5 201 207. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the RGB 180.5 201 207 shade: RGB 185.5 201 202, RGB 202.5 219 221, RGB 219.5 237 240, RGB 236.5 255 255 and RGB 253.5 255 255

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color RGB 180.5 201 207. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the RGB 180.5 201 207 shade: RGB 180.5 201 207, RGB 163.5 183 188, RGB 146.5 165 169, RGB 129.5 147 150 and RGB 112.5 129 131

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the RGB 180.5 201 207 shade: RGB 180 201 207, RGB 180 194 207, RGB 180 187 207, RGB 181 180 207 and RGB 189 180 207

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the RGB 180.5 201 207 shade: RGB 180 201 207, RGB 180 194 207, RGB 180 187 207 and RGB 180 180 207

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The RGB 180.5 201 207 shade matches the following richer shades: RGB 180 201 207, RGB 170 207 217, RGB 161 212 227, RGB 151 217 237 and RGB 141 223 247

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the RGB 180.5 201 207 shade: RGB 180 201 207, RGB 190 196 197, RGB 200 190 187, RGB 210 185 178 and RGB 220 179 168

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the RGB 180.5 201 207 shade: RGB 180 207 199, RGB 180 207 206, RGB 180 201 207, RGB 180 194 207 and RGB 180 187 207

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the RGB 180.5 201 207 shade: RGB 130 165 175, RGB 155 183 191, RGB 180 201 207, RGB 206 219 223 and RGB 231 237 239

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the RGB 180.5 201 207 shade: RGB 180.5 201 207, RGB 192 180 207 and RGB 207 202 180

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the RGB 180.5 201 207 shade: RGB 180.5 201 207, RGB 207 180 201 and RGB 201 207 180

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the RGB 180.5 201 207 shade: RGB 180.5 201 207, RGB 192 180 207, RGB 207 186 180 and RGB 196 207 180

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the RGB 180.5 201 207 shade: RGB 180.5 201 207, RGB 200 180 207, RGB 207 186 180 and RGB 188 207 180

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 13 / 3 / 0 / 19

HEX #B4C9CF

RGB 180.5 201 207

HSL 193.58, 0.22%, 0.76%

LAB 79.64, -5.7, -5.35

 

Complementary color

CMYK 0 / 28 / 36 / 71

HEX #4A3630

RGB 74.5 54 48

HSL 13.58, 0.22%, 0.24%

LAB 24.73, 8.18, 7.34

 

CMYK 8 / 0 / 0 / 21

HEX #B9C9CA

RGB 185.5 201 202

HSL 183.64, 0.13%, 0.76%

LAB 79.85, -5.05, -2.31

 

CMYK 8 / 1 / 0 / 13

HEX #CADBDD

RGB 202.5 219 221

HSL 186.49, 0.21%, 0.83%

LAB 86.26, -5.12, -2.88

 

CMYK 9 / 1 / 0 / 6

HEX #DBEDF0

RGB 219.5 237 240

HSL 188.78, 0.41%, 0.9%

LAB 92.57, -5.18, -3.44

 

CMYK 7 / 0 / 0 / 0

HEX #ECFFFF

RGB 236.5 255 255

HSL 180, 1%, 0.96%

LAB 98.69, -6, -2.08

 

CMYK 1 / 0 / 0 / 0

HEX #FDFFFF

RGB 253.5 255 255

HSL 180, 1%, 1%

LAB 99.89, -0.49, -0.18

 

CMYK 13 / 3 / 0 / 19

HEX #B4C9CF

RGB 180.5 201 207

HSL 193.58, 0.22%, 0.76%

LAB 79.64, -5.7, -5.35

 

CMYK 13 / 3 / 0 / 26

HEX #A3B7BC

RGB 163.5 183 188

HSL 192.24, 0.15%, 0.69%

LAB 73.11, -5.65, -4.82

 

CMYK 13 / 2 / 0 / 34

HEX #92A5A9

RGB 146.5 165 169

HSL 190.67, 0.12%, 0.62%

LAB 66.47, -5.61, -4.27

 

CMYK 14 / 2 / 0 / 41

HEX #819396

RGB 129.5 147 150

HSL 188.78, 0.09%, 0.55%

LAB 59.69, -5.58, -3.71

 

CMYK 14 / 2 / 0 / 49

HEX #708183

RGB 112.5 129 131

HSL 186.49, 0.08%, 0.48%

LAB 52.75, -5.56, -3.12

 

CMYK 13 / 3 / 0 / 19

HEX #B4C9CF

RGB 180 201 207

HSL 193.33, 0.22%, 0.76%

LAB 79.6, -5.86, -5.41

 

CMYK 13 / 6 / 0 / 19

HEX #B4C2CF

RGB 180 194 207

HSL 208.89, 0.22%, 0.76%

LAB 77.75, -2.16, -8.15

 

CMYK 13 / 10 / 0 / 19

HEX #B4BBCF

RGB 180 187 207

HSL 224.44, 0.22%, 0.76%

LAB 75.91, 1.59, -10.88

 

CMYK 13 / 13 / 0 / 19

HEX #B5B4CF

RGB 181 180 207

HSL 242.22, 0.22%, 0.76%

LAB 74.17, 5.71, -13.48

 

CMYK 9 / 13 / 0 / 19

HEX #BDB4CF

RGB 189 180 207

HSL 260, 0.22%, 0.76%

LAB 74.8, 8.35, -12.47

 

CMYK 13 / 3 / 0 / 19

HEX #B4C9CF

RGB 180 201 207

HSL 193.33, 0.22%, 0.76%

LAB 79.6, -5.86, -5.41

 

CMYK 13 / 6 / 0 / 19

HEX #B4C2CF

RGB 180 194 207

HSL 208.89, 0.22%, 0.76%

LAB 77.75, -2.16, -8.15

 

CMYK 13 / 10 / 0 / 19

HEX #B4BBCF

RGB 180 187 207

HSL 224.44, 0.22%, 0.76%

LAB 75.91, 1.59, -10.88

 

CMYK 13 / 13 / 0 / 19

HEX #B4B4CF

RGB 180 180 207

HSL 240, 0.22%, 0.76%

LAB 74.09, 5.38, -13.61

 

CMYK 13 / 3 / 0 / 19

HEX #B4C9CF

RGB 180 201 207

HSL 193.33, 0.22%, 0.76%

LAB 79.6, -5.86, -5.41

 

CMYK 22 / 5 / 0 / 15

HEX #AACFD9

RGB 170 207 217

HSL 192.77, 0.38%, 0.76%

LAB 80.84, -10.01, -9.01

 

CMYK 29 / 7 / 0 / 11

HEX #A1D4E3

RGB 161 212 227

HSL 193.64, 0.54%, 0.76%

LAB 81.95, -12.99, -12.74

 

CMYK 36 / 8 / 0 / 7

HEX #97D9ED

RGB 151 217 237

HSL 193.95, 0.7%, 0.76%

LAB 83.08, -15.9, -16.42

 

CMYK 43 / 10 / 0 / 3

HEX #8DDFF7

RGB 141 223 247

HSL 193.58, 0.87%, 0.76%

LAB 84.56, -18.93, -19.53

 

CMYK 13 / 3 / 0 / 19

HEX #B4C9CF

RGB 180 201 207

HSL 193.33, 0.22%, 0.76%

LAB 79.6, -5.86, -5.41

 

CMYK 4 / 1 / 0 / 23

HEX #BEC4C5

RGB 190 196 197

HSL 188.57, 0.06%, 0.76%

LAB 78.73, -1.87, -1.23

 

CMYK 0 / 5 / 7 / 22

HEX #C8BEBB

RGB 200 190 187

HSL 13.85, 0.11%, 0.76%

LAB 77.69, 2.98, 2.76

 

CMYK 0 / 12 / 15 / 18

HEX #D2B9B2

RGB 210 185 178

HSL 13.13, 0.26%, 0.76%

LAB 77.05, 7.77, 6.81

 

CMYK 0 / 19 / 24 / 14

HEX #DCB3A8

RGB 220 179 168

HSL 12.69, 0.43%, 0.76%

LAB 76.24, 13.18, 11.21

 

CMYK 13 / 0 / 4 / 19

HEX #B4CFC7

RGB 180 207 199

HSL 162.22, 0.22%, 0.76%

LAB 80.99, -10.58, 0.92

 

CMYK 13 / 0 / 0 / 19

HEX #B4CFCE

RGB 180 207 206

HSL 177.78, 0.22%, 0.76%

LAB 81.17, -9.19, -2.56

 

CMYK 13 / 3 / 0 / 19

HEX #B4C9CF

RGB 180 201 207

HSL 193.33, 0.22%, 0.76%

LAB 79.6, -5.86, -5.41

 

CMYK 13 / 6 / 0 / 19

HEX #B4C2CF

RGB 180 194 207

HSL 208.89, 0.22%, 0.76%

LAB 77.75, -2.16, -8.15

 

CMYK 13 / 10 / 0 / 19

HEX #B4BBCF

RGB 180 187 207

HSL 224.44, 0.22%, 0.76%

LAB 75.91, 1.59, -10.88

 

CMYK 26 / 6 / 0 / 31

HEX #82A5AF

RGB 130 165 175

HSL 193.33, 0.22%, 0.6%

LAB 65.55, -9.59, -9.09

 

CMYK 19 / 4 / 0 / 25

HEX #9BB7BF

RGB 155 183 191

HSL 193.33, 0.22%, 0.68%

LAB 72.63, -7.77, -7.24

 

CMYK 13 / 3 / 0 / 19

HEX #B4C9CF

RGB 180 201 207

HSL 193.33, 0.22%, 0.76%

LAB 79.6, -5.86, -5.41

 

CMYK 8 / 2 / 0 / 13

HEX #CEDBDF

RGB 206 219 223

HSL 194.12, 0.21%, 0.84%

LAB 86.56, -3.58, -3.47

 

CMYK 3 / 1 / 0 / 6

HEX #E7EDEF

RGB 231 237 239

HSL 195, 0.2%, 0.92%

LAB 93.36, -1.62, -1.67

 

CMYK 13 / 3 / 0 / 19

HEX #B4C9CF

RGB 180.5 201 207

HSL 193.58, 0.22%, 0.76%

LAB 79.64, -5.7, -5.35

 

CMYK 7 / 13 / 0 / 19

HEX #C0B4CF

RGB 192 180 207

HSL 266.67, 0.22%, 0.76%

LAB 75.05, 9.35, -12.08

 

CMYK 0 / 2 / 13 / 19

HEX #CFCAB4

RGB 207 202 180

HSL 48.89, 0.22%, 0.76%

LAB 81.18, -2, 11.6

 

CMYK 13 / 3 / 0 / 19

HEX #B4C9CF

RGB 180.5 201 207

HSL 193.58, 0.22%, 0.76%

LAB 79.64, -5.7, -5.35

 

CMYK 0 / 13 / 3 / 19

HEX #CFB4C9

RGB 207 180 201

HSL 313.33, 0.22%, 0.76%

LAB 76.15, 13.31, -7.04

 

CMYK 3 / 0 / 13 / 19

HEX #C9CFB4

RGB 201 207 180

HSL 73.33, 0.22%, 0.76%

LAB 82.02, -6.77, 12.73

 

CMYK 13 / 3 / 0 / 19

HEX #B4C9CF

RGB 180.5 201 207

HSL 193.58, 0.22%, 0.76%

LAB 79.64, -5.7, -5.35

 

CMYK 7 / 13 / 0 / 19

HEX #C0B4CF

RGB 192 180 207

HSL 266.67, 0.22%, 0.76%

LAB 75.05, 9.35, -12.08

 

CMYK 0 / 10 / 13 / 19

HEX #CFBAB4

RGB 207 186 180

HSL 13.33, 0.22%, 0.76%

LAB 77.09, 6.46, 5.75

 

CMYK 5 / 0 / 13 / 19

HEX #C4CFB4

RGB 196 207 180

HSL 84.44, 0.22%, 0.76%

LAB 81.65, -8.55, 12.15

 

CMYK 13 / 3 / 0 / 19

HEX #B4C9CF

RGB 180.5 201 207

HSL 193.58, 0.22%, 0.76%

LAB 79.64, -5.7, -5.35

 

CMYK 3 / 13 / 0 / 19

HEX #C8B4CF

RGB 200 180 207

HSL 284.44, 0.22%, 0.76%

LAB 75.72, 12.04, -11.01

 

CMYK 0 / 10 / 13 / 19

HEX #CFBAB4

RGB 207 186 180

HSL 13.33, 0.22%, 0.76%

LAB 77.09, 6.46, 5.75

 

CMYK 9 / 0 / 13 / 19

HEX #BCCFB4

RGB 188 207 180

HSL 102.22, 0.22%, 0.76%

LAB 81.08, -11.37, 11.26

 

Description

Color code: RGB 180.5 201 207 | qconv.com Color code: RGB 180.5 201 207 | qconv.com - big

Bright color: high color values create a bright impression.

The breakdown of the color into the RGB color system: of 255 maximum color components, 180.5 red, 201 green and 207 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
180.5 201 207 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, 13 cyan, 3 magenta, none yellow and 19 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
13% 3% 0% 19% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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