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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone CMYK 0 / 10 / 13 / 19 it is the complementary color CMYK 36 / 8 / 0 / 71. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color CMYK 0 / 10 / 13 / 19. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the color tone CMYK 0 / 10 / 13 / 19: CMYK 0 / 12 / 17 / 17, CMYK 0 / 11 / 15 / 10, CMYK 0 / 10 / 13 / 4, CMYK 0 / 6 / 9 / 0 and CMYK 0 / 0 / 2 / 0

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color CMYK 0 / 10 / 13 / 19. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the color tone CMYK 0 / 10 / 13 / 19: CMYK 0 / 10 / 13 / 19, CMYK 0 / 12 / 15 / 25, CMYK 0 / 13 / 18 / 32, CMYK 0 / 15 / 21 / 39 and CMYK 0 / 18 / 25 / 45

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 0 / 10 / 13 / 19

HEX #CFBAB4

RGB 207 186 180

HSL 13.33, 0.22%, 0.76%

LAB 77.09, 6.46, 5.75

 

Complementary color

CMYK 36 / 8 / 0 / 71

HEX #30454B

RGB 48 69 75

HSL 193.33, 0.22%, 0.24%

LAB 27.83, -6.47, -6.26

 

CMYK 0 / 12 / 17 / 17

HEX #D4BAAF

RGB 212 186 175

HSL 17.84, 0.3%, 0.76%

LAB 77.41, 7.5, 8.97

 

CMYK 0 / 11 / 15 / 10

HEX #E5CCC2

RGB 229 204 194

HSL 17.14, 0.4%, 0.83%

LAB 83.83, 7.13, 8.16

 

CMYK 0 / 10 / 13 / 4

HEX #F6DED5

RGB 246 222 213

HSL 16.36, 0.65%, 0.9%

LAB 90.16, 6.8, 7.4

 

CMYK 0 / 6 / 9 / 0

HEX #FFF0E8

RGB 255 240 232

HSL 20.87, 1%, 0.95%

LAB 95.75, 3.73, 5.66

 

CMYK 0 / 0 / 2 / 0

HEX #FFFFFB

RGB 255 255 251

HSL 60, 1%, 0.99%

LAB 99.9, -0.69, 1.9

 

CMYK 0 / 10 / 13 / 19

HEX #CFBAB4

RGB 207 186 180

HSL 13.33, 0.22%, 0.76%

LAB 77.09, 6.46, 5.75

 

CMYK 0 / 12 / 15 / 25

HEX #BEA8A1

RGB 190 168 161

HSL 14.48, 0.18%, 0.69%

LAB 70.54, 6.81, 6.53

 

CMYK 0 / 13 / 18 / 32

HEX #AD968E

RGB 173 150 142

HSL 15.48, 0.16%, 0.62%

LAB 63.88, 7.21, 7.36

 

CMYK 0 / 15 / 21 / 39

HEX #9C847B

RGB 156 132 123

HSL 16.36, 0.14%, 0.55%

LAB 57.08, 7.65, 8.25

 

CMYK 0 / 18 / 25 / 45

HEX #8B7268

RGB 139 114 104

HSL 17.14, 0.14%, 0.48%

LAB 50.12, 8.17, 9.22

 

CMYK 0 / 10 / 13 / 19

HEX #CFBAB4

RGB 207 186 180

HSL 13.33, 0.22%, 0.76%

LAB 77.09, 6.46, 5.75

 

CMYK 0 / 8 / 13 / 19

HEX #CFBEB4

RGB 207 190 180

HSL 22.22, 0.22%, 0.76%

LAB 78.1, 4.32, 7.21

 

CMYK 0 / 6 / 13 / 19

HEX #CFC3B4

RGB 207 195 180

HSL 33.33, 0.22%, 0.76%

LAB 79.38, 1.67, 9.03

 

CMYK 0 / 4 / 13 / 19

HEX #CFC7B4

RGB 207 199 180

HSL 42.22, 0.22%, 0.76%

LAB 80.41, -0.43, 10.5

 

CMYK 0 / 1 / 13 / 19

HEX #CFCCB4

RGB 207 204 180

HSL 53.33, 0.22%, 0.76%

LAB 81.7, -3.05, 12.33

 

CMYK 0 / 10 / 13 / 19

HEX #CFBAB4

RGB 207 186 180

HSL 13.33, 0.22%, 0.76%

LAB 77.09, 6.46, 5.75

 

CMYK 0 / 0 / 0 / 99

HEX #030303

RGB 3 3 3

HSL 0, 0%, 0.01%

LAB 0.82, 0, -0

 

CMYK 0 / 9 / 13 / 79

HEX #36312F

RGB 54 49 47

HSL 17.14, 0.07%, 0.2%

LAB 20.77, 1.8, 2.08

 

CMYK 0 / 10 / 13 / 59

HEX #695E5B

RGB 105 94 91

HSL 12.86, 0.07%, 0.38%

LAB 40.84, 3.85, 3.32

 

CMYK 0 / 10 / 13 / 39

HEX #9C8C88

RGB 156 140 136

HSL 12, 0.09%, 0.57%

LAB 59.53, 5.28, 4.31

 

CMYK 0 / 10 / 13 / 19

HEX #CFBAB4

RGB 207 186 180

HSL 13.33, 0.22%, 0.76%

LAB 77.09, 6.46, 5.75

 

CMYK 5 / 0 / 13 / 19

HEX #C4CFB4

RGB 196 207 180

HSL 84.44, 0.22%, 0.76%

LAB 81.65, -8.55, 12.15

 

CMYK 13 / 11 / 0 / 19

HEX #B4B9CF

RGB 180 185 207

HSL 228.89, 0.22%, 0.76%

LAB 75.39, 2.67, -11.66

 

CMYK 0 / 10 / 13 / 19

HEX #CFBAB4

RGB 207 186 180

HSL 13.33, 0.22%, 0.76%

LAB 77.09, 6.46, 5.75

 

CMYK 13 / 0 / 10 / 19

HEX #B4CFBA

RGB 180 207 186

HSL 133.33, 0.22%, 0.76%

LAB 80.67, -13.05, 7.4

 

CMYK 10 / 13 / 0 / 19

HEX #BAB4CF

RGB 186 180 207

HSL 253.33, 0.22%, 0.76%

LAB 74.56, 7.35, -12.86

 

CMYK 0 / 10 / 13 / 19

HEX #CFBAB4

RGB 207 186 180

HSL 13.33, 0.22%, 0.76%

LAB 77.09, 6.46, 5.75

 

CMYK 5 / 0 / 13 / 19

HEX #C4CFB4

RGB 196 207 180

HSL 84.44, 0.22%, 0.76%

LAB 81.65, -8.55, 12.15

 

CMYK 13 / 3 / 0 / 19

HEX #B4C9CF

RGB 180 201 207

HSL 193.33, 0.22%, 0.76%

LAB 79.6, -5.86, -5.41

 

CMYK 8 / 13 / 0 / 19

HEX #BFB4CF

RGB 191 180 207

HSL 264.44, 0.22%, 0.76%

LAB 74.97, 9.01, -12.21

 

CMYK 0 / 10 / 13 / 19

HEX #CFBAB4

RGB 207 186 180

HSL 13.33, 0.22%, 0.76%

LAB 77.09, 6.46, 5.75

 

CMYK 10 / 0 / 13 / 19

HEX #BBCFB4

RGB 187 207 180

HSL 104.44, 0.22%, 0.76%

LAB 81.01, -11.72, 11.15

 

CMYK 13 / 3 / 0 / 19

HEX #B4C9CF

RGB 180 201 207

HSL 193.33, 0.22%, 0.76%

LAB 79.6, -5.86, -5.41

 

CMYK 4 / 13 / 0 / 19

HEX #C7B4CF

RGB 199 180 207

HSL 282.22, 0.22%, 0.76%

LAB 75.63, 11.7, -11.15

 

Description

Color code: CMYK 0 / 10 / 13 / 19 | qconv.com Color code: CMYK 0 / 10 / 13 / 19 | qconv.com - big

Since the color values are relatively high compared to others, this hue appears lighter to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 207 red, 186 green and 180 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
207 186 180 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, none cyan, 10 magenta, 13 yellow and 19 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
0% 10% 13% 19% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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