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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone RGB 17 24 63 it is the complementary color RGB 238 231 192. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color RGB 17 24 63. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the color tone RGB 17 24 63: RGB 22 24 58, RGB 39 42 77, RGB 56 60 96, RGB 73 78 115 and RGB 90 96 134

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color RGB 17 24 63. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the color tone RGB 17 24 63: RGB 17 24 63, RGB 0 6 44, RGB 0 0 25, RGB 0 0 6

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 73 / 62 / 0 / 75

HEX #11183F

RGB 17 24 63

HSL 230.87, 0.58%, 0.16%

LAB 10.04, 11.91, -25.97

 

Complementary color

CMYK 0 / 3 / 19 / 7

HEX #EEE7C0

RGB 238 231 192

HSL 50.87, 0.58%, 0.84%

LAB 91.3, -3.85, 19.87

 

CMYK 62 / 59 / 0 / 77

HEX #16183A

RGB 22 24 58

HSL 236.67, 0.45%, 0.16%

LAB 10.03, 11, -22.41

 

CMYK 49 / 45 / 0 / 70

HEX #272A4D

RGB 39 42 77

HSL 235.26, 0.33%, 0.23%

LAB 18.47, 9.53, -22.08

 

CMYK 42 / 38 / 0 / 62

HEX #383C60

RGB 56 60 96

HSL 234, 0.26%, 0.3%

LAB 26.5, 8.54, -21.9

 

CMYK 37 / 32 / 0 / 55

HEX #494E73

RGB 73 78 115

HSL 232.86, 0.22%, 0.37%

LAB 34.2, 7.81, -21.85

 

CMYK 33 / 28 / 0 / 47

HEX #5A6086

RGB 90 96 134

HSL 231.82, 0.2%, 0.44%

LAB 41.63, 7.24, -21.88

 

CMYK 73 / 62 / 0 / 75

HEX #11183F

RGB 17 24 63

HSL 230.87, 0.58%, 0.16%

LAB 10.04, 11.91, -25.97

 

CMYK 100 / 86 / 0 / 83

HEX #00062C

RGB 0 6 44

HSL 231.82, 1%, 0.09%

LAB 2.82, 9.14, -23.75

 

CMYK 100 / 100 / 0 / 90

HEX #000019

RGB 0 0 25

HSL 240, 1%, 0.05%

LAB 0.63, 4.46, -12.12

 

CMYK 100 / 100 / 0 / 98

HEX #000006

RGB 0 0 6

HSL 240, 1%, 0.01%

LAB 0.12, 0.83, -2.27

 

CMYK 73 / 62 / 0 / 75

HEX #11183F

RGB 17 24 63

HSL 230.87, 0.58%, 0.16%

LAB 10.04, 11.91, -25.97

 

CMYK 73 / 73 / 0 / 75

HEX #111140

RGB 17 17 64

HSL 240, 0.58%, 0.16%

LAB 8.04, 17.67, -29.93

 

CMYK 61 / 73 / 0 / 75

HEX #191140

RGB 25 17 64

HSL 250.21, 0.58%, 0.16%

LAB 8.8, 19.24, -28.66

 

CMYK 50 / 73 / 0 / 75

HEX #201140

RGB 32 17 64

HSL 259.15, 0.58%, 0.16%

LAB 9.63, 20.85, -27.28

 

CMYK 38 / 73 / 0 / 75

HEX #281140

RGB 40 17 64

HSL 269.36, 0.58%, 0.16%

LAB 10.72, 22.89, -25.46

 

CMYK 73 / 62 / 0 / 75

HEX #11183F

RGB 17 24 63

HSL 230.87, 0.58%, 0.16%

LAB 10.04, 11.91, -25.97

 

CMYK 73 / 62 / 0 / 55

HEX #1F2B72

RGB 31 43 114

HSL 231.33, 0.57%, 0.28%

LAB 20.96, 21.13, -42.49

 

CMYK 73 / 62 / 0 / 35

HEX #2D3FA5

RGB 45 63 165

HSL 231, 0.57%, 0.41%

LAB 31.42, 28.89, -57.06

 

CMYK 73 / 62 / 0 / 15

HEX #3A52D8

RGB 58 82 216

HSL 230.89, 0.67%, 0.54%

LAB 41.04, 36.7, -71.21

 

CMYK 75 / 58 / 0 / 95

HEX #03050C

RGB 3 5 12

HSL 226.67, 0.6%, 0.03%

LAB 1.4, 0.47, -2.88

 

CMYK 73 / 62 / 0 / 75

HEX #11183F

RGB 17 24 63

HSL 230.87, 0.58%, 0.16%

LAB 10.04, 11.91, -25.97

 

CMYK 0 / 73 / 3 / 75

HEX #40113E

RGB 64 17 62

HSL 302.55, 0.58%, 0.16%

LAB 14.62, 29.22, -17.59

 

CMYK 33 / 0 / 73 / 75

HEX #2B4011

RGB 43 64 17

HSL 86.81, 0.58%, 0.16%

LAB 24.39, -17.3, 25.24

 

CMYK 73 / 62 / 0 / 75

HEX #11183F

RGB 17 24 63

HSL 230.87, 0.58%, 0.16%

LAB 10.04, 11.91, -25.97

 

CMYK 0 / 73 / 61 / 75

HEX #401119

RGB 64 17 25

HSL 349.79, 0.58%, 0.16%

LAB 12.99, 23.54, 6.88

 

CMYK 61 / 0 / 73 / 75

HEX #194011

RGB 25 64 17

HSL 109.79, 0.58%, 0.16%

LAB 23.38, -24.4, 23.86

 

CMYK 73 / 62 / 0 / 75

HEX #11183F

RGB 17 24 63

HSL 230.87, 0.58%, 0.16%

LAB 10.04, 11.91, -25.97

 

CMYK 0 / 73 / 3 / 75

HEX #40113E

RGB 64 17 62

HSL 302.55, 0.58%, 0.16%

LAB 14.62, 29.22, -17.59

 

CMYK 0 / 13 / 73 / 75

HEX #403811

RGB 64 56 17

HSL 49.79, 0.58%, 0.16%

LAB 23.53, -2.03, 24.89

 

CMYK 73 / 0 / 72 / 75

HEX #114012

RGB 17 64 18

HSL 121.28, 0.58%, 0.16%

LAB 23.1, -26.61, 22.94

 

CMYK 73 / 62 / 0 / 75

HEX #11183F

RGB 17 24 63

HSL 230.87, 0.58%, 0.16%

LAB 10.04, 11.91, -25.97

 

CMYK 0 / 73 / 25 / 75

HEX #401130

RGB 64 17 48

HSL 320.43, 0.58%, 0.16%

LAB 13.85, 26.63, -8.77

 

CMYK 0 / 13 / 73 / 75

HEX #403811

RGB 64 56 17

HSL 49.79, 0.58%, 0.16%

LAB 23.53, -2.03, 24.89

 

CMYK 73 / 0 / 50 / 75

HEX #114020

RGB 17 64 32

HSL 139.15, 0.58%, 0.16%

LAB 23.31, -24.27, 15.04

 

Description

Color code: RGB 17 24 63 | qconv.com Color code: RGB 17 24 63 | qconv.com - big

Since the color values are relatively low compared to others, this hue appears darker to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 17 red, 24 green and 63 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
17 24 63 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, 73 cyan, 62 magenta, none yellow and 75 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
73% 62% 0% 75% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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