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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone RGB 17 196 131 it is the complementary color RGB 238 59 124. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color RGB 17 196 131. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the color tone RGB 17 196 131: RGB 22 196 126, RGB 39 214 145, RGB 56 232 164, RGB 73 250 183 and RGB 90 255 202

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color RGB 17 196 131. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the color tone RGB 17 196 131: RGB 17 196 131, RGB 0 178 112, RGB 0 160 93, RGB 0 142 74 and RGB 0 124 55

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 91 / 0 / 33 / 23

HEX #11C483

RGB 17 196 131

HSL 158.21, 0.84%, 0.42%

LAB 70.34, -55.84, 21.44

 

Complementary color

CMYK 0 / 75 / 48 / 7

HEX #EE3B7C

RGB 238 59 124

HSL 338.21, 0.84%, 0.58%

LAB 54.82, 70.85, 5.96

 

CMYK 89 / 0 / 36 / 23

HEX #16C47E

RGB 22 196 126

HSL 155.86, 0.8%, 0.43%

LAB 70.29, -56.61, 24.01

 

CMYK 82 / 0 / 32 / 16

HEX #27D691

RGB 39 214 145

HSL 156.34, 0.69%, 0.5%

LAB 76.42, -57.94, 22.38

 

CMYK 76 / 0 / 29 / 9

HEX #38E8A4

RGB 56 232 164

HSL 156.82, 0.79%, 0.56%

LAB 82.5, -58.89, 20.88

 

CMYK 71 / 0 / 27 / 2

HEX #49FAB7

RGB 73 250 183

HSL 157.29, 0.95%, 0.63%

LAB 88.55, -59.55, 19.5

 

CMYK 65 / 0 / 21 / 0

HEX #5AFFCA

RGB 90 255 202

HSL 160.73, 1%, 0.68%

LAB 90.76, -54.84, 12.9

 

CMYK 91 / 0 / 33 / 23

HEX #11C483

RGB 17 196 131

HSL 158.21, 0.84%, 0.42%

LAB 70.34, -55.84, 21.44

 

CMYK 100 / 0 / 37 / 30

HEX #00B270

RGB 0 178 112

HSL 157.75, 1%, 0.35%

LAB 64.17, -54, 23.21

 

CMYK 100 / 0 / 42 / 37

HEX #00A05D

RGB 0 160 93

HSL 154.88, 1%, 0.31%

LAB 57.97, -51.4, 25.18

 

CMYK 100 / 0 / 48 / 44

HEX #008E4A

RGB 0 142 74

HSL 151.27, 1%, 0.28%

LAB 51.66, -48.63, 27.22

 

CMYK 100 / 0 / 56 / 51

HEX #007C37

RGB 0 124 55

HSL 146.61, 1%, 0.24%

LAB 45.21, -45.65, 29.28

 

CMYK 91 / 0 / 33 / 23

HEX #11C483

RGB 17 196 131

HSL 158.21, 0.84%, 0.42%

LAB 70.34, -55.84, 21.44

 

CMYK 91 / 0 / 18 / 23

HEX #11C5A1

RGB 17 197 161

HSL 168, 0.84%, 0.42%

LAB 71.3, -49.11, 6.63

 

CMYK 91 / 0 / 3 / 23

HEX #11C5BF

RGB 17 197 191

HSL 178, 0.84%, 0.42%

LAB 72.1, -40.84, -8.52

 

CMYK 91 / 12 / 0 / 23

HEX #11ADC5

RGB 17 173 197

HSL 188, 0.84%, 0.42%

LAB 64.99, -27.67, -22.54

 

CMYK 91 / 27 / 0 / 23

HEX #118FC5

RGB 17 143 197

HSL 198, 0.84%, 0.42%

LAB 55.88, -11.79, -36.64

 

CMYK 91 / 0 / 33 / 23

HEX #11C483

RGB 17 196 131

HSL 158.21, 0.84%, 0.42%

LAB 70.34, -55.84, 21.44

 

CMYK 91 / 0 / 33 / 3

HEX #15F7A5

RGB 21 247 165

HSL 158.23, 0.93%, 0.53%

LAB 86.7, -66.85, 26.06

 

CMYK 91 / 0 / 33 / 83

HEX #042B1D

RGB 4 43 29

HSL 158.46, 0.83%, 0.09%

LAB 14.64, -17.75, 5.33

 

CMYK 91 / 0 / 33 / 63

HEX #085E3F

RGB 8 94 63

HSL 158.37, 0.84%, 0.2%

LAB 34.83, -31.77, 11.27

 

CMYK 91 / 0 / 33 / 43

HEX #0D9161

RGB 13 145 97

HSL 158.18, 0.84%, 0.31%

LAB 53.17, -44.21, 16.55

 

CMYK 91 / 0 / 33 / 23

HEX #11C483

RGB 17 196 131

HSL 158.21, 0.84%, 0.42%

LAB 70.34, -55.84, 21.44

 

CMYK 91 / 76 / 0 / 23

HEX #112FC5

RGB 17 47 197

HSL 230, 0.84%, 0.42%

LAB 29.87, 48.33, -78.65

 

CMYK 0 / 70 / 91 / 23

HEX #C53B11

RGB 197 59 17

HSL 14, 0.84%, 0.42%

LAB 45.69, 53.14, 52.45

 

CMYK 91 / 0 / 33 / 23

HEX #11C483

RGB 17 196 131

HSL 158.21, 0.84%, 0.42%

LAB 70.34, -55.84, 21.44

 

CMYK 34 / 91 / 0 / 23

HEX #8311C5

RGB 131 17 197

HSL 278, 0.84%, 0.42%

LAB 36.48, 69.41, -67.42

 

CMYK 0 / 34 / 91 / 23

HEX #C58311

RGB 197 131 17

HSL 38, 0.84%, 0.42%

LAB 60.02, 17.41, 62.87

 

CMYK 91 / 0 / 33 / 23

HEX #11C483

RGB 17 196 131

HSL 158.21, 0.84%, 0.42%

LAB 70.34, -55.84, 21.44

 

CMYK 91 / 76 / 0 / 23

HEX #112FC5

RGB 17 47 197

HSL 230, 0.84%, 0.42%

LAB 29.87, 48.33, -78.65

 

CMYK 0 / 91 / 58 / 23

HEX #C51153

RGB 197 17 83

HSL 338, 0.84%, 0.42%

LAB 42.61, 66.84, 12.76

 

CMYK 0 / 15 / 91 / 23

HEX #C5A711

RGB 197 167 17

HSL 50, 0.84%, 0.42%

LAB 69.15, -2.11, 69.79

 

CMYK 91 / 0 / 33 / 23

HEX #11C483

RGB 17 196 131

HSL 158.21, 0.84%, 0.42%

LAB 70.34, -55.84, 21.44

 

CMYK 79 / 91 / 0 / 23

HEX #2911C5

RGB 41 17 197

HSL 248, 0.84%, 0.42%

LAB 26.46, 62.07, -84.3

 

CMYK 0 / 91 / 58 / 23

HEX #C51153

RGB 197 17 83

HSL 338, 0.84%, 0.42%

LAB 42.61, 66.84, 12.76

 

CMYK 12 / 0 / 91 / 23

HEX #ADC511

RGB 173 197 17

HSL 68, 0.84%, 0.42%

LAB 75.36, -27.73, 73.77

 

Description

Color code: RGB 17 196 131 | qconv.com Color code: RGB 17 196 131 | qconv.com - big

With this color cyan stands out from the other colors. The values representing the blue and green hue are greater than the third value. They are close together and exceed the value of the red hue. Since the color values are relatively low compared to others, this hue appears darker to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 17 red, 196 green and 131 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
17 196 131 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, 91 cyan, none magenta, 33 yellow and 23 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
91% 0% 33% 23% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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