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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone RGB 17 117 186 it is the complementary color RGB 238 138 69. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color RGB 17 117 186. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the color tone RGB 17 117 186: RGB 22 117 181, RGB 39 135 200, RGB 56 153 219, RGB 73 171 238 and RGB 90 189 255

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color RGB 17 117 186. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the color tone RGB 17 117 186: RGB 17 117 186, RGB 0 99 167, RGB 0 81 148, RGB 0 63 129 and RGB 0 45 110

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 91 / 37 / 0 / 27

HEX #1175BA

RGB 17 117 186

HSL 204.5, 0.83%, 0.4%

LAB 47.48, -0.7, -43.61

 

Complementary color

CMYK 0 / 42 / 71 / 7

HEX #EE8A45

RGB 238 138 69

HSL 24.5, 0.83%, 0.6%

LAB 67.11, 32.66, 52.07

 

CMYK 88 / 35 / 0 / 29

HEX #1675B5

RGB 22 117 181

HSL 204.15, 0.78%, 0.4%

LAB 47.27, -2.34, -41.04

 

CMYK 81 / 33 / 0 / 22

HEX #2787C8

RGB 39 135 200

HSL 204.22, 0.67%, 0.47%

LAB 53.95, -4.49, -41.36

 

CMYK 74 / 30 / 0 / 14

HEX #3899DB

RGB 56 153 219

HSL 204.29, 0.69%, 0.54%

LAB 60.55, -6.18, -41.62

 

CMYK 69 / 28 / 0 / 7

HEX #49ABEE

RGB 73 171 238

HSL 204.36, 0.83%, 0.61%

LAB 67.06, -7.52, -41.84

 

CMYK 65 / 26 / 0 / 0

HEX #5ABDFF

RGB 90 189 255

HSL 204, 1%, 0.68%

LAB 73.41, -9.24, -41.1

 

CMYK 91 / 37 / 0 / 27

HEX #1175BA

RGB 17 117 186

HSL 204.5, 0.83%, 0.4%

LAB 47.48, -0.7, -43.61

 

CMYK 100 / 41 / 0 / 35

HEX #0063A7

RGB 0 99 167

HSL 204.43, 1%, 0.33%

LAB 40.76, 2.2, -43.22

 

CMYK 100 / 45 / 0 / 42

HEX #005194

RGB 0 81 148

HSL 207.16, 1%, 0.29%

LAB 34.03, 6.07, -42.61

 

CMYK 100 / 51 / 0 / 49

HEX #003F81

RGB 0 63 129

HSL 210.7, 1%, 0.25%

LAB 27.13, 10.26, -42.03

 

CMYK 100 / 59 / 0 / 57

HEX #002D6E

RGB 0 45 110

HSL 215.45, 1%, 0.22%

LAB 20.05, 14.85, -41.44

 

CMYK 91 / 37 / 0 / 27

HEX #1175BA

RGB 17 117 186

HSL 204.5, 0.83%, 0.4%

LAB 47.48, -0.7, -43.61

 

CMYK 91 / 52 / 0 / 27

HEX #115ABA

RGB 17 90 186

HSL 214.08, 0.83%, 0.4%

LAB 39.54, 16.55, -56.35

 

CMYK 91 / 67 / 0 / 27

HEX #113EBA

RGB 17 62 186

HSL 224.02, 0.83%, 0.4%

LAB 32.06, 35.17, -68.57

 

CMYK 91 / 82 / 0 / 27

HEX #1122BA

RGB 17 34 186

HSL 233.96, 0.83%, 0.4%

LAB 26.18, 51.57, -78.29

 

CMYK 85 / 91 / 0 / 27

HEX #1C11BA

RGB 28 17 186

HSL 243.91, 0.83%, 0.4%

LAB 24.3, 58.68, -81.41

 

CMYK 91 / 37 / 0 / 27

HEX #1175BA

RGB 17 117 186

HSL 204.5, 0.83%, 0.4%

LAB 47.48, -0.7, -43.61

 

CMYK 91 / 37 / 0 / 7

HEX #1695ED

RGB 22 149 237

HSL 204.56, 0.86%, 0.51%

LAB 59.69, -0.16, -53

 

CMYK 91 / 36 / 0 / 87

HEX #031521

RGB 3 21 33

HSL 204, 0.83%, 0.07%

LAB 6.01, -2.14, -10.38

 

CMYK 90 / 37 / 0 / 67

HEX #083554

RGB 8 53 84

HSL 204.47, 0.83%, 0.18%

LAB 20.97, -1.82, -22.91

 

CMYK 91 / 37 / 0 / 47

HEX #0C5587

RGB 12 85 135

HSL 204.39, 0.84%, 0.29%

LAB 34.65, -1.28, -33.69

 

CMYK 91 / 37 / 0 / 27

HEX #1175BA

RGB 17 117 186

HSL 204.5, 0.83%, 0.4%

LAB 47.48, -0.7, -43.61

 

CMYK 37 / 91 / 0 / 27

HEX #7611BA

RGB 118 17 186

HSL 275.86, 0.83%, 0.4%

LAB 33.56, 65.51, -65.8

 

CMYK 0 / 0 / 91 / 27

HEX #BABA11

RGB 186 186 17

HSL 60, 0.83%, 0.4%

LAB 73.28, -16.79, 72.56

 

CMYK 91 / 37 / 0 / 27

HEX #1175BA

RGB 17 117 186

HSL 204.5, 0.83%, 0.4%

LAB 47.48, -0.7, -43.61

 

CMYK 0 / 91 / 37 / 27

HEX #BA1176

RGB 186 17 118

HSL 324.14, 0.83%, 0.4%

LAB 41.45, 67.17, -11.19

 

CMYK 37 / 0 / 91 / 27

HEX #76BA11

RGB 118 186 17

HSL 84.14, 0.83%, 0.4%

LAB 68.76, -44.42, 67.04

 

CMYK 91 / 37 / 0 / 27

HEX #1175BA

RGB 17 117 186

HSL 204.5, 0.83%, 0.4%

LAB 47.48, -0.7, -43.61

 

CMYK 37 / 91 / 0 / 27

HEX #7611BA

RGB 118 17 186

HSL 275.86, 0.83%, 0.4%

LAB 33.56, 65.51, -65.8

 

CMYK 0 / 54 / 91 / 27

HEX #BA5511

RGB 186 85 17

HSL 24.14, 0.83%, 0.4%

LAB 48.23, 37.41, 53.42

 

CMYK 54 / 0 / 91 / 27

HEX #55BA11

RGB 85 186 17

HSL 95.86, 0.83%, 0.4%

LAB 67.34, -55.03, 65.29

 

CMYK 91 / 37 / 0 / 27

HEX #1175BA

RGB 17 117 186

HSL 204.5, 0.83%, 0.4%

LAB 47.48, -0.7, -43.61

 

CMYK 9 / 91 / 0 / 27

HEX #A911BA

RGB 169 17 186

HSL 293.96, 0.83%, 0.4%

LAB 41.82, 72.96, -52.01

 

CMYK 0 / 54 / 91 / 27

HEX #BA5511

RGB 186 85 17

HSL 24.14, 0.83%, 0.4%

LAB 48.23, 37.41, 53.42

 

CMYK 82 / 0 / 91 / 27

HEX #22BA11

RGB 34 186 17

HSL 113.96, 0.83%, 0.4%

LAB 66.13, -65.21, 63.78

 

Description

Color code: RGB 17 117 186 | qconv.com Color code: RGB 17 117 186 | qconv.com - big

With this color cyan stands out from the other colors. The values representing the blue and green hue are greater than the third value. They are close together and exceed the value of the red hue. Since the color values are relatively low compared to others, this hue appears darker to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 17 red, 117 green and 186 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
17 117 186 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, 91 cyan, 37 magenta, none yellow and 27 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
91% 37% 0% 27% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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