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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone RGB 179 87 174 it is the complementary color RGB 76 168 81. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color RGB 179 87 174. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the color tone RGB 179 87 174: RGB 184 87 169, RGB 201 105 188, RGB 218 123 207, RGB 235 141 226 and RGB 252 159 245

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color RGB 179 87 174. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the color tone RGB 179 87 174: RGB 179 87 174, RGB 162 69 155, RGB 145 51 136, RGB 128 33 117 and RGB 111 15 98

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 0 / 51 / 3 / 30

HEX #B357AE

RGB 179 87 174

HSL 303.26, 0.38%, 0.52%

LAB 51.22, 49.33, -29.97

 

Complementary color

CMYK 55 / 0 / 52 / 34

HEX #4CA851

RGB 76 168 81

HSL 123.26, 0.38%, 0.48%

LAB 61.77, -45.62, 36.55

 

CMYK 0 / 53 / 8 / 28

HEX #B857A9

RGB 184 87 169

HSL 309.28, 0.41%, 0.53%

LAB 51.69, 49.93, -26.26

 

CMYK 0 / 48 / 6 / 21

HEX #C969BC

RGB 201 105 188

HSL 308.13, 0.47%, 0.6%

LAB 58.18, 49.3, -27.03

 

CMYK 0 / 44 / 5 / 15

HEX #DA7BCF

RGB 218 123 207

HSL 306.95, 0.56%, 0.67%

LAB 64.62, 48.59, -27.67

 

CMYK 0 / 40 / 4 / 8

HEX #EB8DE2

RGB 235 141 226

HSL 305.74, 0.7%, 0.74%

LAB 71.01, 47.86, -28.22

 

CMYK 0 / 37 / 3 / 1

HEX #FC9FF5

RGB 252 159 245

HSL 304.52, 0.94%, 0.81%

LAB 77.33, 47.14, -28.71

 

CMYK 0 / 51 / 3 / 30

HEX #B357AE

RGB 179 87 174

HSL 303.26, 0.38%, 0.52%

LAB 51.22, 49.33, -29.97

 

CMYK 0 / 57 / 4 / 36

HEX #A2459B

RGB 162 69 155

HSL 304.52, 0.4%, 0.45%

LAB 44.67, 49.84, -29.15

 

CMYK 0 / 65 / 6 / 43

HEX #913388

RGB 145 51 136

HSL 305.74, 0.48%, 0.38%

LAB 38.14, 50.04, -28.05

 

CMYK 0 / 74 / 9 / 50

HEX #802175

RGB 128 33 117

HSL 306.95, 0.59%, 0.32%

LAB 31.72, 49.64, -26.48

 

CMYK 0 / 86 / 12 / 56

HEX #6F0F62

RGB 111 15 98

HSL 308.13, 0.76%, 0.25%

LAB 25.57, 48.12, -24.14

 

CMYK 0 / 51 / 3 / 30

HEX #B357AE

RGB 179 87 174

HSL 303.26, 0.38%, 0.52%

LAB 51.22, 49.33, -29.97

 

CMYK 0 / 52 / 12 / 30

HEX #B3569E

RGB 179 86 158

HSL 313.55, 0.38%, 0.52%

LAB 50.34, 47.08, -21.93

 

CMYK 0 / 52 / 20 / 30

HEX #B3568F

RGB 179 86 143

HSL 323.23, 0.38%, 0.52%

LAB 49.76, 44.71, -13.93

 

CMYK 0 / 52 / 29 / 30

HEX #B3567F

RGB 179 86 127

HSL 333.55, 0.38%, 0.52%

LAB 49.22, 42.42, -5.18

 

CMYK 0 / 52 / 37 / 30

HEX #B35670

RGB 179 86 112

HSL 343.23, 0.38%, 0.52%

LAB 48.77, 40.5, 3.18

 

CMYK 0 / 51 / 3 / 30

HEX #B357AE

RGB 179 87 174

HSL 303.26, 0.38%, 0.52%

LAB 51.22, 49.33, -29.97

 

CMYK 0 / 51 / 3 / 10

HEX #E670E0

RGB 230 112 224

HSL 303.05, 0.7%, 0.67%

LAB 64.8, 60.36, -36.78

 

CMYK 0 / 50 / 4 / 90

HEX #1A0D19

RGB 26 13 25

HSL 304.62, 0.33%, 0.08%

LAB 5.22, 8.04, -5.19

 

CMYK 0 / 52 / 3 / 70

HEX #4D254B

RGB 77 37 75

HSL 303, 0.35%, 0.22%

LAB 21.61, 25.13, -15.47

 

CMYK 0 / 52 / 3 / 50

HEX #803E7C

RGB 128 62 124

HSL 303.64, 0.35%, 0.37%

LAB 36.91, 37.64, -22.75

 

CMYK 0 / 51 / 3 / 30

HEX #B357AE

RGB 179 87 174

HSL 303.26, 0.38%, 0.52%

LAB 51.22, 49.33, -29.97

 

CMYK 0 / 39 / 52 / 30

HEX #B36D56

RGB 179 109 86

HSL 14.84, 0.38%, 0.52%

LAB 53.16, 25.38, 24.6

 

CMYK 52 / 0 / 18 / 30

HEX #56B392

RGB 86 179 146

HSL 158.71, 0.38%, 0.52%

LAB 66.74, -35.67, 8.49

 

CMYK 0 / 51 / 3 / 30

HEX #B357AE

RGB 179 87 174

HSL 303.26, 0.38%, 0.52%

LAB 51.22, 49.33, -29.97

 

CMYK 3 / 0 / 52 / 30

HEX #AEB356

RGB 174 179 86

HSL 63.23, 0.38%, 0.52%

LAB 70.81, -14.93, 46.3

 

CMYK 52 / 3 / 0 / 30

HEX #56AEB3

RGB 86 174 179

HSL 183.23, 0.38%, 0.52%

LAB 66.14, -24.92, -10.67

 

CMYK 0 / 51 / 3 / 30

HEX #B357AE

RGB 179 87 174

HSL 303.26, 0.38%, 0.52%

LAB 51.22, 49.33, -29.97

 

CMYK 0 / 39 / 52 / 30

HEX #B36D56

RGB 179 109 86

HSL 14.84, 0.38%, 0.52%

LAB 53.16, 25.38, 24.6

 

CMYK 52 / 0 / 50 / 30

HEX #56B35A

RGB 86 179 90

HSL 122.58, 0.38%, 0.52%

LAB 65.72, -46.14, 36.98

 

CMYK 52 / 13 / 0 / 30

HEX #569BB3

RGB 86 155 179

HSL 195.48, 0.38%, 0.52%

LAB 60.49, -15.03, -19.19

 

CMYK 0 / 51 / 3 / 30

HEX #B357AE

RGB 179 87 174

HSL 303.26, 0.38%, 0.52%

LAB 51.22, 49.33, -29.97

 

CMYK 0 / 23 / 52 / 30

HEX #B38956

RGB 179 137 86

HSL 32.9, 0.38%, 0.52%

LAB 60.02, 9.76, 33.36

 

CMYK 52 / 0 / 50 / 30

HEX #56B35A

RGB 86 179 90

HSL 122.58, 0.38%, 0.52%

LAB 65.72, -46.14, 36.98

 

CMYK 52 / 29 / 0 / 30

HEX #567FB3

RGB 86 127 179

HSL 213.55, 0.38%, 0.52%

LAB 52.3, 0.82, -31.83

 

Description

Color code: RGB 179 87 174 | qconv.com Color code: RGB 179 87 174 | qconv.com - big

Since the color values are relatively high compared to others, this hue appears lighter to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 179 red, 87 green and 174 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
179 87 174 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, none cyan, 51 magenta, 3 yellow and 30 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
0% 51% 3% 30% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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