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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone RGB 179 65 13 it is the complementary color RGB 76 190 242. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color RGB 179 65 13. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the color tone RGB 179 65 13: RGB 184 65 8, RGB 201 83 27, RGB 218 101 46, RGB 235 119 65 and RGB 252 137 84

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color RGB 179 65 13. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the color tone RGB 179 65 13: RGB 179 65 13, RGB 162 47 0, RGB 145 29 0, RGB 128 11 0 and RGB 111 0 0

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 0 / 64 / 93 / 30

HEX #B3410D

RGB 179 65 13

HSL 18.8, 0.86%, 0.38%

LAB 43.35, 44.29, 50.61

 

Complementary color

CMYK 69 / 21 / 0 / 5

HEX #4CBEF2

RGB 76 190 242

HSL 198.8, 0.86%, 0.62%

LAB 72.74, -16.05, -35.16

 

CMYK 0 / 65 / 96 / 28

HEX #B84108

RGB 184 65 8

HSL 19.43, 0.92%, 0.38%

LAB 44.22, 46.05, 53.01

 

CMYK 0 / 59 / 87 / 21

HEX #C9531B

RGB 201 83 27

HSL 19.31, 0.76%, 0.45%

LAB 50.31, 44.37, 52.61

 

CMYK 0 / 54 / 79 / 15

HEX #DA652E

RGB 218 101 46

HSL 19.19, 0.7%, 0.52%

LAB 56.5, 42.66, 51.06

 

CMYK 0 / 49 / 72 / 8

HEX #EB7741

RGB 235 119 65

HSL 19.06, 0.81%, 0.59%

LAB 62.71, 41.01, 49.14

 

CMYK 0 / 46 / 67 / 1

HEX #FC8954

RGB 252 137 84

HSL 18.93, 0.97%, 0.66%

LAB 68.92, 39.46, 47.2

 

CMYK 0 / 64 / 93 / 30

HEX #B3410D

RGB 179 65 13

HSL 18.8, 0.86%, 0.38%

LAB 43.35, 44.29, 50.61

 

CMYK 0 / 71 / 100 / 36

HEX #A22F00

RGB 162 47 0

HSL 17.41, 1%, 0.32%

LAB 37.32, 45.75, 49.56

 

CMYK 0 / 80 / 100 / 43

HEX #911D00

RGB 145 29 0

HSL 12, 1%, 0.28%

LAB 31.57, 46.58, 44.53

 

CMYK 0 / 91 / 100 / 50

HEX #800B00

RGB 128 11 0

HSL 5.16, 1%, 0.25%

LAB 26.24, 46.01, 38.71

 

CMYK 0 / 100 / 100 / 56

HEX #6F0000

RGB 111 0 0

HSL 0, 1%, 0.22%

LAB 21.5, 43.4, 32.69

 

CMYK 0 / 64 / 93 / 30

HEX #B3410D

RGB 179 65 13

HSL 18.8, 0.86%, 0.38%

LAB 43.35, 44.29, 50.61

 

CMYK 0 / 49 / 93 / 29

HEX #B45B0D

RGB 180 91 13

HSL 28.02, 0.87%, 0.38%

LAB 48.53, 31.78, 54.33

 

CMYK 0 / 34 / 93 / 29

HEX #B4770D

RGB 180 119 13

HSL 38.08, 0.87%, 0.38%

LAB 55, 16.43, 59.04

 

CMYK 0 / 19 / 93 / 29

HEX #B4920D

RGB 180 146 13

HSL 47.78, 0.87%, 0.38%

LAB 61.9, 1.49, 64.21

 

CMYK 0 / 3 / 93 / 29

HEX #B4AE0D

RGB 180 174 13

HSL 57.84, 0.87%, 0.38%

LAB 69.47, -13.37, 69.98

 

CMYK 0 / 64 / 93 / 30

HEX #B3410D

RGB 179 65 13

HSL 18.8, 0.86%, 0.38%

LAB 43.35, 44.29, 50.61

 

CMYK 0 / 63 / 93 / 10

HEX #E65411

RGB 230 84 17

HSL 18.87, 0.86%, 0.48%

LAB 55.28, 54.19, 61.72

 

CMYK 0 / 65 / 92 / 90

HEX #1A0902

RGB 26 9 2

HSL 17.5, 0.86%, 0.05%

LAB 3.79, 5.57, 4.96

 

CMYK 0 / 64 / 92 / 70

HEX #4D1C06

RGB 77 28 6

HSL 18.59, 0.86%, 0.16%

LAB 17.56, 21.83, 23.77

 

CMYK 0 / 64 / 93 / 50

HEX #802E09

RGB 128 46 9

HSL 18.66, 0.87%, 0.27%

LAB 30.79, 33.8, 38.76

 

CMYK 0 / 64 / 93 / 30

HEX #B3410D

RGB 179 65 13

HSL 18.8, 0.86%, 0.38%

LAB 43.35, 44.29, 50.61

 

CMYK 47 / 0 / 93 / 29

HEX #60B40D

RGB 96 180 13

HSL 90.18, 0.87%, 0.38%

LAB 65.87, -49.58, 64.85

 

CMYK 93 / 83 / 0 / 29

HEX #0D1EB4

RGB 13 30 180

HSL 233.89, 0.87%, 0.38%

LAB 24.67, 51.48, -77.23

 

CMYK 0 / 64 / 93 / 30

HEX #B3410D

RGB 179 65 13

HSL 18.8, 0.86%, 0.38%

LAB 43.35, 44.29, 50.61

 

CMYK 93 / 0 / 65 / 29

HEX #0DB43F

RGB 13 180 63

HSL 137.96, 0.87%, 0.38%

LAB 64.23, -62, 47.58

 

CMYK 65 / 93 / 0 / 29

HEX #3F0DB4

RGB 63 13 180

HSL 257.96, 0.87%, 0.38%

LAB 25.68, 59.73, -75.46

 

CMYK 0 / 64 / 93 / 30

HEX #B3410D

RGB 179 65 13

HSL 18.8, 0.86%, 0.38%

LAB 43.35, 44.29, 50.61

 

CMYK 47 / 0 / 93 / 29

HEX #60B40D

RGB 96 180 13

HSL 90.18, 0.87%, 0.38%

LAB 65.87, -49.58, 64.85

 

CMYK 93 / 28 / 0 / 29

HEX #0D82B4

RGB 13 130 180

HSL 197.96, 0.87%, 0.38%

LAB 51.09, -10.9, -34.45

 

CMYK 47 / 93 / 0 / 29

HEX #600DB4

RGB 96 13 180

HSL 269.82, 0.87%, 0.38%

LAB 29.59, 62.47, -68.88

 

CMYK 0 / 64 / 93 / 30

HEX #B3410D

RGB 179 65 13

HSL 18.8, 0.86%, 0.38%

LAB 43.35, 44.29, 50.61

 

CMYK 74 / 0 / 93 / 29

HEX #2EB40D

RGB 46 180 13

HSL 108.14, 0.87%, 0.38%

LAB 64.36, -61.84, 62.98

 

CMYK 93 / 28 / 0 / 29

HEX #0D82B4

RGB 13 130 180

HSL 197.96, 0.87%, 0.38%

LAB 51.09, -10.9, -34.45

 

CMYK 19 / 93 / 0 / 29

HEX #920DB4

RGB 146 13 180

HSL 287.78, 0.87%, 0.38%

LAB 37.29, 68.87, -55.97

 

Description

Color code: RGB 179 65 13 | qconv.com Color code: RGB 179 65 13 | qconv.com - big

Since the color values are relatively low compared to others, this hue appears darker to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 179 red, 65 green and 13 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
179 65 13 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, none cyan, 64 magenta, 93 yellow and 30 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
0% 64% 93% 30% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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