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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone RGB 179 55 154 it is the complementary color RGB 76 200 101. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color RGB 179 55 154. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the color tone RGB 179 55 154: RGB 184 55 149, RGB 201 73 168, RGB 218 91 187, RGB 235 109 206 and RGB 252 127 225

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color RGB 179 55 154. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the color tone RGB 179 55 154: RGB 179 55 154, RGB 162 37 135, RGB 145 19 116, RGB 128 1 97 and RGB 111 0 78

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 0 / 69 / 14 / 30

HEX #B3379A

RGB 179 55 154

HSL 312.1, 0.53%, 0.46%

LAB 45.15, 60.12, -27.6

 

Complementary color

CMYK 62 / 0 / 50 / 22

HEX #4CC865

RGB 76 200 101

HSL 132.1, 0.53%, 0.54%

LAB 72.08, -55.17, 39.34

 

CMYK 0 / 70 / 19 / 28

HEX #B83795

RGB 184 55 149

HSL 316.28, 0.54%, 0.47%

LAB 45.76, 60.67, -23.58

 

CMYK 0 / 64 / 16 / 21

HEX #C949A8

RGB 201 73 168

HSL 315.47, 0.54%, 0.54%

LAB 51.85, 60.87, -25.23

 

CMYK 0 / 58 / 14 / 15

HEX #DA5BBB

RGB 218 91 187

HSL 314.65, 0.63%, 0.61%

LAB 58.01, 60.67, -26.52

 

CMYK 0 / 54 / 12 / 8

HEX #EB6DCE

RGB 235 109 206

HSL 313.81, 0.76%, 0.67%

LAB 64.21, 60.24, -27.57

 

CMYK 0 / 50 / 11 / 1

HEX #FC7FE1

RGB 252 127 225

HSL 312.96, 0.95%, 0.74%

LAB 70.39, 59.67, -28.44

 

CMYK 0 / 69 / 14 / 30

HEX #B3379A

RGB 179 55 154

HSL 312.1, 0.53%, 0.46%

LAB 45.15, 60.12, -27.6

 

CMYK 0 / 77 / 17 / 36

HEX #A22587

RGB 162 37 135

HSL 312.96, 0.63%, 0.39%

LAB 39.16, 59.3, -25.62

 

CMYK 0 / 87 / 20 / 43

HEX #911374

RGB 145 19 116

HSL 313.81, 0.77%, 0.32%

LAB 33.45, 57.43, -22.91

 

CMYK 0 / 99 / 24 / 50

HEX #800161

RGB 128 1 97

HSL 314.65, 0.98%, 0.25%

LAB 28.04, 54.34, -19.37

 

CMYK 0 / 100 / 30 / 56

HEX #6F004E

RGB 111 0 78

HSL 317.84, 1%, 0.22%

LAB 23.44, 48.5, -14.16

 

CMYK 0 / 69 / 14 / 30

HEX #B3379A

RGB 179 55 154

HSL 312.1, 0.53%, 0.46%

LAB 45.15, 60.12, -27.6

 

CMYK 0 / 69 / 26 / 30

HEX #B33785

RGB 179 55 133

HSL 322.26, 0.53%, 0.46%

LAB 44.25, 57.18, -16.3

 

CMYK 0 / 69 / 37 / 30

HEX #B33771

RGB 179 55 113

HSL 331.94, 0.53%, 0.46%

LAB 43.52, 54.74, -5.12

 

CMYK 0 / 69 / 49 / 30

HEX #B3375C

RGB 179 55 92

HSL 342.1, 0.53%, 0.46%

LAB 42.9, 52.61, 7.01

 

CMYK 0 / 69 / 60 / 30

HEX #B33747

RGB 179 55 71

HSL 352.26, 0.53%, 0.46%

LAB 42.42, 50.93, 19.41

 

CMYK 0 / 69 / 14 / 30

HEX #B3379A

RGB 179 55 154

HSL 312.1, 0.53%, 0.46%

LAB 45.15, 60.12, -27.6

 

CMYK 0 / 69 / 14 / 10

HEX #E647C6

RGB 230 71 198

HSL 312.08, 0.76%, 0.59%

LAB 57.47, 73.25, -33.53

 

CMYK 0 / 69 / 15 / 90

HEX #1A0816

RGB 26 8 22

HSL 313.33, 0.53%, 0.07%

LAB 4.08, 9.37, -4.58

 

CMYK 0 / 69 / 14 / 70

HEX #4D1842

RGB 77 24 66

HSL 312.45, 0.52%, 0.2%

LAB 18.47, 30.54, -14.18

 

CMYK 0 / 70 / 14 / 50

HEX #80276E

RGB 128 39 110

HSL 312.13, 0.53%, 0.33%

LAB 32.18, 46.2, -21.31

 

CMYK 0 / 69 / 14 / 30

HEX #B3379A

RGB 179 55 154

HSL 312.1, 0.53%, 0.46%

LAB 45.15, 60.12, -27.6

 

CMYK 0 / 42 / 69 / 30

HEX #B36837

RGB 179 104 55

HSL 23.71, 0.53%, 0.46%

LAB 51.56, 25.81, 39.75

 

CMYK 69 / 0 / 14 / 30

HEX #37B39A

RGB 55 179 154

HSL 167.9, 0.53%, 0.46%

LAB 66.05, -39.71, 2.96

 

CMYK 0 / 69 / 14 / 30

HEX #B3379A

RGB 179 55 154

HSL 312.1, 0.53%, 0.46%

LAB 45.15, 60.12, -27.6

 

CMYK 14 / 0 / 69 / 30

HEX #9AB337

RGB 154 179 55

HSL 72.1, 0.53%, 0.46%

LAB 69.03, -25.56, 57.5

 

CMYK 69 / 14 / 0 / 30

HEX #379AB3

RGB 55 154 179

HSL 192.1, 0.53%, 0.46%

LAB 59.14, -20.32, -21.36

 

CMYK 0 / 69 / 14 / 30

HEX #B3379A

RGB 179 55 154

HSL 312.1, 0.53%, 0.46%

LAB 45.15, 60.12, -27.6

 

CMYK 0 / 42 / 69 / 30

HEX #B36837

RGB 179 104 55

HSL 23.71, 0.53%, 0.46%

LAB 51.56, 25.81, 39.75

 

CMYK 69 / 0 / 56 / 30

HEX #37B34F

RGB 55 179 79

HSL 131.61, 0.53%, 0.46%

LAB 64.66, -54.76, 40.89

 

CMYK 69 / 28 / 0 / 30

HEX #3781B3

RGB 55 129 179

HSL 204.19, 0.53%, 0.46%

LAB 51.57, -6.48, -33.06

 

CMYK 0 / 69 / 14 / 30

HEX #B3379A

RGB 179 55 154

HSL 312.1, 0.53%, 0.46%

LAB 45.15, 60.12, -27.6

 

CMYK 0 / 21 / 69 / 30

HEX #B38E37

RGB 179 142 55

HSL 42.1, 0.53%, 0.46%

LAB 60.96, 4.69, 49.9

 

CMYK 69 / 0 / 56 / 30

HEX #37B34F

RGB 55 179 79

HSL 131.61, 0.53%, 0.46%

LAB 64.66, -54.76, 40.89

 

CMYK 69 / 49 / 0 / 30

HEX #375CB3

RGB 55 92 179

HSL 222.1, 0.53%, 0.46%

LAB 40.77, 16.43, -50.2

 

Description

Color code: RGB 179 55 154 | qconv.com Color code: RGB 179 55 154 | qconv.com - big

Since the color values are relatively high compared to others, this hue appears lighter to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 179 red, 55 green and 154 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
179 55 154 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, none cyan, 69 magenta, 14 yellow and 30 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
0% 69% 14% 30% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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