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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone RGB 179 37 13 it is the complementary color RGB 76 218 242. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color RGB 179 37 13. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the color tone RGB 179 37 13: RGB 184 37 8, RGB 201 55 27, RGB 218 73 46, RGB 235 91 65 and RGB 252 109 84

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color RGB 179 37 13. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the color tone RGB 179 37 13: RGB 179 37 13, RGB 162 19 0, RGB 145 1 0, RGB 128 0 0 and RGB 111 0 0

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 0 / 79 / 93 / 30

HEX #B3250D

RGB 179 37 13

HSL 8.67, 0.86%, 0.38%

LAB 39.47, 54.9, 47.99

 

Complementary color

CMYK 69 / 10 / 0 / 5

HEX #4CDAF2

RGB 76 218 242

HSL 188.67, 0.86%, 0.62%

LAB 80.79, -30.17, -22.81

 

CMYK 0 / 80 / 96 / 28

HEX #B82508

RGB 184 37 8

HSL 9.89, 0.92%, 0.38%

LAB 40.46, 56.35, 50.76

 

CMYK 0 / 73 / 87 / 21

HEX #C9371B

RGB 201 55 27

HSL 9.66, 0.76%, 0.45%

LAB 45.95, 56.11, 49.03

 

CMYK 0 / 67 / 79 / 15

HEX #DA492E

RGB 218 73 46

HSL 9.42, 0.7%, 0.52%

LAB 51.69, 55.31, 46.33

 

CMYK 0 / 61 / 72 / 8

HEX #EB5B41

RGB 235 91 65

HSL 9.18, 0.81%, 0.59%

LAB 57.58, 54.23, 43.54

 

CMYK 0 / 57 / 67 / 1

HEX #FC6D54

RGB 252 109 84

HSL 8.93, 0.97%, 0.66%

LAB 63.57, 53.02, 40.96

 

CMYK 0 / 79 / 93 / 30

HEX #B3250D

RGB 179 37 13

HSL 8.67, 0.86%, 0.38%

LAB 39.47, 54.9, 47.99

 

CMYK 0 / 88 / 100 / 36

HEX #A21300

RGB 162 19 0

HSL 7.04, 1%, 0.32%

LAB 34.29, 54.24, 48.03

 

CMYK 0 / 99 / 100 / 43

HEX #910100

RGB 145 1 0

HSL 0.41, 1%, 0.28%

LAB 29.52, 52.45, 43.02

 

CMYK 0 / 100 / 100 / 50

HEX #800000

RGB 128 0 0

HSL 0, 1%, 0.25%

LAB 25.53, 48.06, 38.06

 

CMYK 0 / 100 / 100 / 56

HEX #6F0000

RGB 111 0 0

HSL 0, 1%, 0.22%

LAB 21.5, 43.4, 32.69

 

CMYK 0 / 79 / 93 / 30

HEX #B3250D

RGB 179 37 13

HSL 8.67, 0.86%, 0.38%

LAB 39.47, 54.9, 47.99

 

CMYK 0 / 65 / 93 / 29

HEX #B43F0D

RGB 180 63 13

HSL 17.96, 0.87%, 0.38%

LAB 43.19, 45.55, 50.59

 

CMYK 0 / 49 / 93 / 29

HEX #B45B0D

RGB 180 91 13

HSL 28.02, 0.87%, 0.38%

LAB 48.53, 31.78, 54.33

 

CMYK 0 / 34 / 93 / 29

HEX #B4770D

RGB 180 119 13

HSL 38.08, 0.87%, 0.38%

LAB 55, 16.43, 59.04

 

CMYK 0 / 19 / 93 / 29

HEX #B4920D

RGB 180 146 13

HSL 47.78, 0.87%, 0.38%

LAB 61.9, 1.49, 64.21

 

CMYK 0 / 79 / 93 / 30

HEX #B3250D

RGB 179 37 13

HSL 8.67, 0.86%, 0.38%

LAB 39.47, 54.9, 47.99

 

CMYK 0 / 79 / 93 / 10

HEX #E63011

RGB 230 48 17

HSL 8.73, 0.86%, 0.48%

LAB 50.66, 66.88, 58.76

 

CMYK 0 / 81 / 92 / 90

HEX #1A0502

RGB 26 5 2

HSL 7.5, 0.86%, 0.05%

LAB 3, 7.18, 3.81

 

CMYK 0 / 79 / 92 / 70

HEX #4D1006

RGB 77 16 6

HSL 8.45, 0.86%, 0.16%

LAB 15.28, 27.92, 20.94

 

CMYK 0 / 80 / 93 / 50

HEX #801A09

RGB 128 26 9

HSL 8.57, 0.87%, 0.27%

LAB 27.7, 42.2, 36.33

 

CMYK 0 / 79 / 93 / 30

HEX #B3250D

RGB 179 37 13

HSL 8.67, 0.86%, 0.38%

LAB 39.47, 54.9, 47.99

 

CMYK 31 / 0 / 93 / 29

HEX #7CB40D

RGB 124 180 13

HSL 80.12, 0.87%, 0.38%

LAB 67.24, -39.71, 66.53

 

CMYK 93 / 68 / 0 / 29

HEX #0D3AB4

RGB 13 58 180

HSL 223.83, 0.87%, 0.38%

LAB 30.42, 35.32, -67.72

 

CMYK 0 / 79 / 93 / 30

HEX #B3250D

RGB 179 37 13

HSL 8.67, 0.86%, 0.38%

LAB 39.47, 54.9, 47.99

 

CMYK 93 / 0 / 81 / 29

HEX #0DB423

RGB 13 180 35

HSL 127.9, 0.87%, 0.38%

LAB 64.04, -64.44, 57.7

 

CMYK 81 / 93 / 0 / 29

HEX #230DB4

RGB 35 13 180

HSL 247.9, 0.87%, 0.38%

LAB 23.47, 58.39, -79.2

 

CMYK 0 / 79 / 93 / 30

HEX #B3250D

RGB 179 37 13

HSL 8.67, 0.86%, 0.38%

LAB 39.47, 54.9, 47.99

 

CMYK 31 / 0 / 93 / 29

HEX #7CB40D

RGB 124 180 13

HSL 80.12, 0.87%, 0.38%

LAB 67.24, -39.71, 66.53

 

CMYK 93 / 12 / 0 / 29

HEX #0D9EB4

RGB 13 158 180

HSL 187.9, 0.87%, 0.38%

LAB 59.74, -25.97, -21.06

 

CMYK 62 / 93 / 0 / 29

HEX #450DB4

RGB 69 13 180

HSL 260.12, 0.87%, 0.38%

LAB 26.3, 60.13, -74.42

 

CMYK 0 / 79 / 93 / 30

HEX #B3250D

RGB 179 37 13

HSL 8.67, 0.86%, 0.38%

LAB 39.47, 54.9, 47.99

 

CMYK 59 / 0 / 93 / 29

HEX #4AB40D

RGB 74 180 13

HSL 98.08, 0.87%, 0.38%

LAB 65.06, -55.94, 63.85

 

CMYK 93 / 12 / 0 / 29

HEX #0D9EB4

RGB 13 158 180

HSL 187.9, 0.87%, 0.38%

LAB 59.74, -25.97, -21.06

 

CMYK 34 / 93 / 0 / 29

HEX #770DB4

RGB 119 13 180

HSL 278.08, 0.87%, 0.38%

LAB 32.93, 65.11, -63.26

 

Description

Color code: RGB 179 37 13 | qconv.com Color code: RGB 179 37 13 | qconv.com - big

With this color, red stands out from the other colors. The value that represents the red hue is greater than the other two values. It is far different from the value for the green and blue hue. Since the color values are relatively low compared to others, this hue appears darker to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 179 red, 37 green and 13 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
179 37 13 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, none cyan, 79 magenta, 93 yellow and 30 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
0% 79% 93% 30% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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