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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone RGB 179 238 148 it is the complementary color RGB 76 17 107. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color RGB 179 238 148. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the color tone RGB 179 238 148: RGB 184 238 143, RGB 201 255 162, RGB 218 255 181, RGB 235 255 200 and RGB 252 255 219

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color RGB 179 238 148. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the color tone RGB 179 238 148: RGB 179 238 148, RGB 162 220 129, RGB 145 202 110, RGB 128 184 91 and RGB 111 166 72

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 25 / 0 / 38 / 7

HEX #B3EE94

RGB 179 238 148

HSL 99.33, 0.73%, 0.76%

LAB 88.39, -34.52, 37.69

 

Complementary color

CMYK 29 / 84 / 0 / 58

HEX #4C116B

RGB 76 17 107

HSL 279.33, 0.73%, 0.24%

LAB 20.04, 41.9, -39.24

 

CMYK 23 / 0 / 40 / 7

HEX #B8EE8F

RGB 184 238 143

HSL 94.11, 0.74%, 0.75%

LAB 88.6, -33.46, 40.5

 

CMYK 21 / 0 / 36 / 0

HEX #C9FFA2

RGB 201 255 162

HSL 94.84, 1%, 0.82%

LAB 94.55, -32.9, 39.03

 

CMYK 15 / 0 / 29 / 0

HEX #DAFFB5

RGB 218 255 181

HSL 90, 1%, 0.85%

LAB 95.9, -24.4, 31.56

 

CMYK 8 / 0 / 22 / 0

HEX #EBFFC8

RGB 235 255 200

HSL 81.82, 1%, 0.89%

LAB 97.37, -15.7, 24.16

 

CMYK 1 / 0 / 14 / 0

HEX #FCFFDB

RGB 252 255 219

HSL 65, 1%, 0.93%

LAB 98.96, -6.91, 16.89

 

CMYK 25 / 0 / 38 / 7

HEX #B3EE94

RGB 179 238 148

HSL 99.33, 0.73%, 0.76%

LAB 88.39, -34.52, 37.69

 

CMYK 26 / 0 / 41 / 14

HEX #A2DC81

RGB 162 220 129

HSL 98.24, 0.57%, 0.68%

LAB 82.08, -34.65, 38.83

 

CMYK 28 / 0 / 46 / 21

HEX #91CA6E

RGB 145 202 110

HSL 97.17, 0.46%, 0.61%

LAB 75.69, -34.76, 40.01

 

CMYK 30 / 0 / 51 / 28

HEX #80B85B

RGB 128 184 91

HSL 96.13, 0.4%, 0.54%

LAB 69.2, -34.83, 41.2

 

CMYK 33 / 0 / 57 / 35

HEX #6FA648

RGB 111 166 72

HSL 95.11, 0.39%, 0.47%

LAB 62.61, -34.83, 42.35

 

CMYK 25 / 0 / 38 / 7

HEX #B3EE94

RGB 179 238 148

HSL 99.33, 0.73%, 0.76%

LAB 88.39, -34.52, 37.69

 

CMYK 31 / 0 / 37 / 7

HEX #A5EE95

RGB 165 238 149

HSL 109.21, 0.72%, 0.76%

LAB 87.64, -39.05, 36.07

 

CMYK 37 / 0 / 37 / 7

HEX #96EE95

RGB 150 238 149

HSL 119.33, 0.72%, 0.76%

LAB 86.9, -43.77, 34.96

 

CMYK 37 / 0 / 32 / 7

HEX #95EEA2

RGB 149 238 162

HSL 128.76, 0.72%, 0.76%

LAB 87.07, -42.01, 28.6

 

CMYK 37 / 0 / 26 / 7

HEX #95EEB1

RGB 149 238 177

HSL 138.88, 0.72%, 0.76%

LAB 87.35, -39.41, 21.29

 

CMYK 25 / 0 / 38 / 7

HEX #B3EE94

RGB 179 238 148

HSL 99.33, 0.73%, 0.76%

LAB 88.39, -34.52, 37.69

 

CMYK 24 / 0 / 38 / 87

HEX #1A2215

RGB 26 34 21

HSL 96.92, 0.24%, 0.11%

LAB 12.08, -6.79, 7.61

 

CMYK 25 / 0 / 38 / 67

HEX #405535

RGB 64 85 53

HSL 99.38, 0.23%, 0.27%

LAB 33.66, -14.89, 16.13

 

CMYK 25 / 0 / 38 / 47

HEX #668855

RGB 102 136 85

HSL 100, 0.23%, 0.43%

LAB 53.05, -21.98, 23.62

 

CMYK 25 / 0 / 38 / 27

HEX #8DBB74

RGB 141 187 116

HSL 98.87, 0.34%, 0.59%

LAB 71.19, -28.32, 31.15

 

CMYK 25 / 0 / 38 / 7

HEX #B3EE94

RGB 179 238 148

HSL 99.33, 0.73%, 0.76%

LAB 88.39, -34.52, 37.69

 

CMYK 37 / 0 / 5 / 7

HEX #95EEE1

RGB 149 238 225

HSL 171.24, 0.72%, 0.76%

LAB 88.44, -29.6, -2.15

 

CMYK 0 / 37 / 9 / 7

HEX #EE95D8

RGB 238 149 216

HSL 314.83, 0.72%, 0.76%

LAB 72.65, 42.97, -20.19

 

CMYK 25 / 0 / 38 / 7

HEX #B3EE94

RGB 179 238 148

HSL 99.33, 0.73%, 0.76%

LAB 88.39, -34.52, 37.69

 

CMYK 37 / 24 / 0 / 7

HEX #95B4EE

RGB 149 180 238

HSL 219.1, 0.72%, 0.76%

LAB 73.03, 3.49, -32.3

 

CMYK 0 / 37 / 24 / 7

HEX #EE95B4

RGB 238 149 180

HSL 339.1, 0.72%, 0.76%

LAB 71.53, 37.45, -1.94

 

CMYK 25 / 0 / 38 / 7

HEX #B3EE94

RGB 179 238 148

HSL 99.33, 0.73%, 0.76%

LAB 88.39, -34.52, 37.69

 

CMYK 37 / 0 / 5 / 7

HEX #95EEE1

RGB 149 238 225

HSL 171.24, 0.72%, 0.76%

LAB 88.44, -29.6, -2.15

 

CMYK 13 / 37 / 0 / 7

HEX #CF95EE

RGB 207 149 238

HSL 279.1, 0.72%, 0.76%

LAB 70.13, 37.46, -36.41

 

CMYK 0 / 37 / 32 / 7

HEX #EE95A2

RGB 238 149 162

HSL 351.24, 0.72%, 0.76%

LAB 71.06, 35.04, 7.38

 

CMYK 25 / 0 / 38 / 7

HEX #B3EE94

RGB 179 238 148

HSL 99.33, 0.73%, 0.76%

LAB 88.39, -34.52, 37.69

 

CMYK 37 / 5 / 0 / 7

HEX #95E1EE

RGB 149 225 238

HSL 188.76, 0.72%, 0.76%

LAB 85.21, -20.21, -13.77

 

CMYK 13 / 37 / 0 / 7

HEX #CF95EE

RGB 207 149 238

HSL 279.1, 0.72%, 0.76%

LAB 70.13, 37.46, -36.41

 

CMYK 0 / 32 / 37 / 7

HEX #EEA295

RGB 238 162 149

HSL 8.76, 0.72%, 0.76%

LAB 73.67, 26.61, 18.22

 

Description

Color code: RGB 179 238 148 | qconv.com Color code: RGB 179 238 148 | qconv.com - big

Since the color values are relatively high compared to others, this hue appears lighter to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 179 red, 238 green and 148 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
179 238 148 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, 25 cyan, none magenta, 38 yellow and 7 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
25% 0% 38% 7% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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