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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone RGB 179 168 184 it is the complementary color RGB 76 87 71. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color RGB 179 168 184. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the color tone RGB 179 168 184: RGB 184 168 179, RGB 201 186 198, RGB 218 204 217, RGB 235 222 236 and RGB 252 240 255

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color RGB 179 168 184. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the color tone RGB 179 168 184: RGB 179 168 184, RGB 162 150 165, RGB 145 132 146, RGB 128 114 127 and RGB 111 96 108

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 3 / 9 / 0 / 28

HEX #B3A8B8

RGB 179 168 184

HSL 281.25, 0.1%, 0.69%

LAB 70.21, 6.94, -6.78

 

Complementary color

CMYK 13 / 0 / 18 / 66

HEX #4C5747

RGB 76 87 71

HSL 101.25, 0.1%, 0.31%

LAB 35.61, -7.76, 7.87

 

CMYK 0 / 9 / 3 / 28

HEX #B8A8B3

RGB 184 168 179

HSL 318.75, 0.1%, 0.69%

LAB 70.49, 7.75, -3.56

 

CMYK 0 / 7 / 1 / 21

HEX #C9BAC6

RGB 201 186 198

HSL 312, 0.12%, 0.76%

LAB 77.05, 7.45, -4.14

 

CMYK 0 / 6 / 0 / 15

HEX #DACCD9

RGB 218 204 217

HSL 304.29, 0.16%, 0.83%

LAB 83.5, 7.16, -4.7

 

CMYK 0 / 6 / 0 / 7

HEX #EBDEEC

RGB 235 222 236

HSL 295.71, 0.27%, 0.9%

LAB 89.84, 6.9, -5.24

 

CMYK 1 / 6 / 0 / 0

HEX #FCF0FF

RGB 252 240 255

HSL 288, 1%, 0.97%

LAB 96.09, 6.65, -5.77

 

CMYK 3 / 9 / 0 / 28

HEX #B3A8B8

RGB 179 168 184

HSL 281.25, 0.1%, 0.69%

LAB 70.21, 6.94, -6.78

 

CMYK 2 / 9 / 0 / 35

HEX #A296A5

RGB 162 150 165

HSL 288, 0.08%, 0.62%

LAB 63.52, 7.25, -6.26

 

CMYK 1 / 10 / 0 / 43

HEX #918492

RGB 145 132 146

HSL 295.71, 0.06%, 0.55%

LAB 56.68, 7.58, -5.72

 

CMYK 0 / 11 / 1 / 50

HEX #80727F

RGB 128 114 127

HSL 304.29, 0.06%, 0.47%

LAB 49.68, 7.94, -5.16

 

CMYK 0 / 14 / 3 / 56

HEX #6F606C

RGB 111 96 108

HSL 312, 0.07%, 0.41%

LAB 42.5, 8.36, -4.57

 

CMYK 3 / 9 / 0 / 28

HEX #B3A8B8

RGB 179 168 184

HSL 281.25, 0.1%, 0.69%

LAB 70.21, 6.94, -6.78

 

CMYK 1 / 8 / 0 / 28

HEX #B5A8B7

RGB 181 168 183

HSL 292, 0.09%, 0.69%

LAB 70.35, 7.45, -6

 

CMYK 0 / 8 / 0 / 28

HEX #B7A8B7

RGB 183 168 183

HSL 300, 0.09%, 0.69%

LAB 70.52, 8.15, -5.73

 

CMYK 0 / 8 / 2 / 28

HEX #B7A8B4

RGB 183 168 180

HSL 312, 0.09%, 0.69%

LAB 70.43, 7.58, -4.2

 

CMYK 0 / 8 / 3 / 28

HEX #B7A8B2

RGB 183 168 178

HSL 320, 0.09%, 0.69%

LAB 70.38, 7.21, -3.18

 

CMYK 3 / 9 / 0 / 28

HEX #B3A8B8

RGB 179 168 184

HSL 281.25, 0.1%, 0.69%

LAB 70.21, 6.94, -6.78

 

CMYK 3 / 9 / 0 / 8

HEX #E5D7EB

RGB 229 215 235

HSL 282, 0.33%, 0.88%

LAB 87.61, 8.37, -8.07

 

CMYK 3 / 10 / 0 / 88

HEX #1E1C1F

RGB 30 28 31

HSL 280, 0.05%, 0.12%

LAB 10.6, 1.72, -1.72

 

CMYK 2 / 9 / 0 / 68

HEX #504B52

RGB 80 75 82

HSL 282.86, 0.04%, 0.31%

LAB 32.58, 3.58, -3.4

 

CMYK 3 / 9 / 0 / 48

HEX #817985

RGB 129 121 133

HSL 280, 0.05%, 0.5%

LAB 51.88, 5.44, -5.43

 

CMYK 3 / 9 / 0 / 28

HEX #B3A8B8

RGB 179 168 184

HSL 281.25, 0.1%, 0.69%

LAB 70.21, 6.94, -6.78

 

CMYK 0 / 8 / 8 / 28

HEX #B7A8A9

RGB 183 168 169

HSL 356, 0.09%, 0.69%

LAB 70.13, 5.59, 1.44

 

CMYK 8 / 0 / 6 / 28

HEX #A8B7AC

RGB 168 183 172

HSL 136, 0.09%, 0.69%

LAB 73, -7.3, 3.81

 

CMYK 3 / 9 / 0 / 28

HEX #B3A8B8

RGB 179 168 184

HSL 281.25, 0.1%, 0.69%

LAB 70.21, 6.94, -6.78

 

CMYK 0 / 3 / 8 / 28

HEX #B7B2A8

RGB 183 178 168

HSL 40, 0.09%, 0.69%

LAB 72.72, -0.01, 5.73

 

CMYK 8 / 0 / 3 / 28

HEX #A8B7B2

RGB 168 183 178

HSL 160, 0.09%, 0.69%

LAB 73.16, -6.15, 0.75

 

CMYK 3 / 9 / 0 / 28

HEX #B3A8B8

RGB 179 168 184

HSL 281.25, 0.1%, 0.69%

LAB 70.21, 6.94, -6.78

 

CMYK 0 / 8 / 8 / 28

HEX #B7A8A9

RGB 183 168 169

HSL 356, 0.09%, 0.69%

LAB 70.13, 5.59, 1.44

 

CMYK 5 / 0 / 8 / 28

HEX #ADB7A8

RGB 173 183 168

HSL 100, 0.09%, 0.69%

LAB 73.27, -6.28, 6.42

 

CMYK 8 / 0 / 1 / 28

HEX #A8B7B6

RGB 168 183 182

HSL 176, 0.09%, 0.69%

LAB 73.27, -5.37, -1.28

 

CMYK 3 / 9 / 0 / 28

HEX #B3A8B8

RGB 179 168 184

HSL 281.25, 0.1%, 0.69%

LAB 70.21, 6.94, -6.78

 

CMYK 0 / 7 / 8 / 28

HEX #B7AAA8

RGB 183 170 168

HSL 8, 0.09%, 0.69%

LAB 70.62, 4.32, 2.7

 

CMYK 5 / 0 / 8 / 28

HEX #ADB7A8

RGB 173 183 168

HSL 100, 0.09%, 0.69%

LAB 73.27, -6.28, 6.42

 

CMYK 8 / 2 / 0 / 28

HEX #A8B4B7

RGB 168 180 183

HSL 192, 0.09%, 0.69%

LAB 72.49, -3.56, -2.97

 

Description

Color code: RGB 179 168 184 | qconv.com Color code: RGB 179 168 184 | qconv.com - big

Since the color values are relatively high compared to others, this hue appears lighter to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 179 red, 168 green and 184 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
179 168 184 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, 3 cyan, 9 magenta, none yellow and 28 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
3% 9% 0% 28% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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RAL® to HKS®

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RAL® to PANTONE®

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RAL® to Sherwin Williams®

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HKS® to Sherwin Williams®

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PANTONE® to HKS®

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PANTONE® to Sherwin Williams®

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Sherwin Williams® to CMYK

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Sherwin Williams® to HKS®

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NCS® to HKS®

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NCS® to PANTONE®

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NCS® to Sherwin Williams®

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