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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone RGB 179 166 186 it is the complementary color RGB 76 89 69. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color RGB 179 166 186. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the color tone RGB 179 166 186: RGB 184 166 181, RGB 201 184 200, RGB 218 202 219, RGB 235 220 238 and RGB 252 238 255

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color RGB 179 166 186. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the color tone RGB 179 166 186: RGB 179 166 186, RGB 162 148 167, RGB 145 130 148, RGB 128 112 129 and RGB 111 94 110

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 4 / 11 / 0 / 27

HEX #B3A6BA

RGB 179 166 186

HSL 279, 0.13%, 0.69%

LAB 69.75, 8.43, -8.57

 

Complementary color

CMYK 15 / 0 / 22 / 65

HEX #4C5945

RGB 76 89 69

HSL 99, 0.13%, 0.31%

LAB 36.2, -9.32, 9.92

 

CMYK 0 / 10 / 2 / 28

HEX #B8A6B5

RGB 184 166 181

HSL 310, 0.11%, 0.69%

LAB 70.03, 9.22, -5.34

 

CMYK 0 / 8 / 0 / 21

HEX #C9B8C8

RGB 201 184 200

HSL 303.53, 0.14%, 0.75%

LAB 76.6, 8.89, -5.88

 

CMYK 0 / 8 / 0 / 14

HEX #DACADB

RGB 218 202 219

HSL 296.47, 0.19%, 0.83%

LAB 83.05, 8.59, -6.42

 

CMYK 1 / 8 / 0 / 7

HEX #EBDCEE

RGB 235 220 238

HSL 290, 0.35%, 0.9%

LAB 89.4, 8.3, -6.94

 

CMYK 1 / 7 / 0 / 0

HEX #FCEEFF

RGB 252 238 255

HSL 289.41, 1%, 0.97%

LAB 95.61, 7.67, -6.49

 

CMYK 4 / 11 / 0 / 27

HEX #B3A6BA

RGB 179 166 186

HSL 279, 0.13%, 0.69%

LAB 69.75, 8.43, -8.57

 

CMYK 3 / 11 / 0 / 35

HEX #A294A7

RGB 162 148 167

HSL 284.21, 0.1%, 0.62%

LAB 63.05, 8.76, -8.07

 

CMYK 2 / 12 / 0 / 42

HEX #918294

RGB 145 130 148

HSL 290, 0.08%, 0.55%

LAB 56.21, 9.13, -7.57

 

CMYK 1 / 13 / 0 / 49

HEX #807081

RGB 128 112 129

HSL 296.47, 0.07%, 0.47%

LAB 49.21, 9.53, -7.05

 

CMYK 0 / 15 / 1 / 56

HEX #6F5E6E

RGB 111 94 110

HSL 303.53, 0.08%, 0.4%

LAB 42.02, 9.98, -6.52

 

CMYK 4 / 11 / 0 / 27

HEX #B3A6BA

RGB 179 166 186

HSL 279, 0.13%, 0.69%

LAB 69.75, 8.43, -8.57

 

CMYK 2 / 11 / 0 / 27

HEX #B6A5BA

RGB 182 165 186

HSL 288.57, 0.13%, 0.69%

LAB 69.75, 10.03, -8.54

 

CMYK 1 / 11 / 0 / 27

HEX #B9A5BA

RGB 185 165 186

HSL 297.14, 0.13%, 0.69%

LAB 70.01, 11.07, -8.12

 

CMYK 0 / 11 / 2 / 27

HEX #BAA5B7

RGB 186 165 183

HSL 308.57, 0.13%, 0.69%

LAB 70.01, 10.85, -6.45

 

CMYK 0 / 11 / 4 / 27

HEX #BAA5B3

RGB 186 165 179

HSL 320, 0.13%, 0.69%

LAB 69.9, 10.11, -4.41

 

CMYK 4 / 11 / 0 / 27

HEX #B3A6BA

RGB 179 166 186

HSL 279, 0.13%, 0.69%

LAB 69.75, 8.43, -8.57

 

CMYK 4 / 11 / 0 / 7

HEX #E4D4ED

RGB 228 212 237

HSL 278.4, 0.41%, 0.88%

LAB 86.85, 9.99, -10.26

 

CMYK 3 / 12 / 0 / 87

HEX #201D21

RGB 32 29 33

HSL 285, 0.06%, 0.12%

LAB 11.24, 2.43, -2.22

 

CMYK 4 / 11 / 0 / 67

HEX #514B54

RGB 81 75 84

HSL 280, 0.06%, 0.31%

LAB 32.75, 4.43, -4.42

 

CMYK 4 / 11 / 0 / 47

HEX #827887

RGB 130 120 135

HSL 280, 0.06%, 0.5%

LAB 51.76, 6.8, -6.78

 

CMYK 4 / 11 / 0 / 27

HEX #B3A6BA

RGB 179 166 186

HSL 279, 0.13%, 0.69%

LAB 69.75, 8.43, -8.57

 

CMYK 0 / 11 / 10 / 27

HEX #BAA5A8

RGB 186 165 168

HSL 351.43, 0.13%, 0.69%

LAB 69.6, 8.15, 1.24

 

CMYK 11 / 0 / 9 / 27

HEX #A5BAAA

RGB 165 186 170

HSL 134.29, 0.13%, 0.69%

LAB 73.56, -10.3, 5.67

 

CMYK 4 / 11 / 0 / 27

HEX #B3A6BA

RGB 179 166 186

HSL 279, 0.13%, 0.69%

LAB 69.75, 8.43, -8.57

 

CMYK 0 / 4 / 11 / 27

HEX #BAB3A5

RGB 186 179 165

HSL 40, 0.13%, 0.69%

LAB 73.15, 0.04, 8.02

 

CMYK 11 / 0 / 4 / 27

HEX #A5BAB3

RGB 165 186 179

HSL 160, 0.13%, 0.69%

LAB 73.79, -8.57, 1.1

 

CMYK 4 / 11 / 0 / 27

HEX #B3A6BA

RGB 179 166 186

HSL 279, 0.13%, 0.69%

LAB 69.75, 8.43, -8.57

 

CMYK 0 / 11 / 10 / 27

HEX #BAA5A8

RGB 186 165 168

HSL 351.43, 0.13%, 0.69%

LAB 69.6, 8.15, 1.24

 

CMYK 8 / 0 / 11 / 27

HEX #ACBAA5

RGB 172 186 165

HSL 100, 0.13%, 0.69%

LAB 73.94, -8.75, 9

 

CMYK 11 / 0 / 2 / 27

HEX #A5BAB7

RGB 165 186 183

HSL 171.43, 0.13%, 0.69%

LAB 73.89, -7.77, -0.93

 

CMYK 4 / 11 / 0 / 27

HEX #B3A6BA

RGB 179 166 186

HSL 279, 0.13%, 0.69%

LAB 69.75, 8.43, -8.57

 

CMYK 0 / 10 / 11 / 27

HEX #BAA8A5

RGB 186 168 165

HSL 8.57, 0.13%, 0.69%

LAB 70.29, 5.99, 3.91

 

CMYK 8 / 0 / 11 / 27

HEX #ACBAA5

RGB 172 186 165

HSL 100, 0.13%, 0.69%

LAB 73.94, -8.75, 9

 

CMYK 11 / 2 / 0 / 27

HEX #A5B7BA

RGB 165 183 186

HSL 188.57, 0.13%, 0.69%

LAB 73.16, -5.57, -3.64

 

Description

Color code: RGB 179 166 186 | qconv.com Color code: RGB 179 166 186 | qconv.com - big

Since the color values are relatively high compared to others, this hue appears lighter to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 179 red, 166 green and 186 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
179 166 186 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, 4 cyan, 11 magenta, none yellow and 27 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
4% 11% 0% 27% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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