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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone RGB 179 157 159 it is the complementary color RGB 76 98 96. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color RGB 179 157 159. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the color tone RGB 179 157 159: RGB 184 157 154, RGB 201 175 173, RGB 218 193 192, RGB 235 211 211 and RGB 252 229 230

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color RGB 179 157 159. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the color tone RGB 179 157 159: RGB 179 157 159, RGB 162 139 140, RGB 145 121 121, RGB 128 103 102 and RGB 111 85 83

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 0 / 12 / 11 / 30

HEX #B39D9F

RGB 179 157 159

HSL 354.55, 0.13%, 0.66%

LAB 66.67, 8.42, 1.92

 

Complementary color

CMYK 22 / 0 / 2 / 62

HEX #4C6260

RGB 76 98 96

HSL 174.55, 0.13%, 0.34%

LAB 39.78, -8.7, -1.59

 

CMYK 0 / 15 / 16 / 28

HEX #B89D9A

RGB 184 157 154

HSL 6, 0.17%, 0.66%

LAB 67, 9.45, 5.25

SW® 6024

CMYK 0 / 13 / 14 / 21

HEX #C9AFAD

RGB 201 175 173

HSL 4.29, 0.21%, 0.73%

LAB 73.61, 9.04, 4.47

 

CMYK 0 / 11 / 12 / 15

HEX #DAC1C0

RGB 218 193 192

HSL 2.31, 0.26%, 0.8%

LAB 80.1, 8.66, 3.73

 

CMYK 0 / 10 / 10 / 8

HEX #EBD3D3

RGB 235 211 211

HSL 0, 0.38%, 0.87%

LAB 86.48, 8.32, 3.03

 

CMYK 0 / 9 / 9 / 1

HEX #FCE5E6

RGB 252 229 230

HSL 357.39, 0.79%, 0.94%

LAB 92.77, 8.01, 2.36

 

CMYK 0 / 12 / 11 / 30

HEX #B39D9F

RGB 179 157 159

HSL 354.55, 0.13%, 0.66%

LAB 66.67, 8.42, 1.92

 

CMYK 0 / 14 / 14 / 36

HEX #A28B8C

RGB 162 139 140

HSL 357.39, 0.11%, 0.59%

LAB 59.92, 8.83, 2.67

 

CMYK 0 / 17 / 17 / 43

HEX #917979

RGB 145 121 121

HSL 0, 0.1%, 0.52%

LAB 53.03, 9.29, 3.47

 

CMYK 0 / 20 / 20 / 50

HEX #806766

RGB 128 103 102

HSL 2.31, 0.11%, 0.45%

LAB 45.97, 9.81, 4.34

 

CMYK 0 / 23 / 25 / 56

HEX #6F5553

RGB 111 85 83

HSL 4.29, 0.14%, 0.38%

LAB 38.73, 10.44, 5.31

 

CMYK 0 / 12 / 11 / 30

HEX #B39D9F

RGB 179 157 159

HSL 354.55, 0.13%, 0.66%

LAB 66.67, 8.42, 1.92

 

CMYK 0 / 12 / 12 / 30

HEX #B39E9D

RGB 179 158 157

HSL 2.73, 0.13%, 0.66%

LAB 66.88, 7.53, 3.34

 

CMYK 0 / 9 / 12 / 30

HEX #B3A29D

RGB 179 162 157

HSL 13.64, 0.13%, 0.66%

LAB 67.92, 5.33, 4.84

 

CMYK 0 / 7 / 12 / 30

HEX #B3A69D

RGB 179 166 157

HSL 24.55, 0.13%, 0.66%

LAB 68.96, 3.14, 6.34

 

CMYK 0 / 6 / 12 / 30

HEX #B3A99D

RGB 179 169 157

HSL 32.73, 0.13%, 0.66%

LAB 69.75, 1.51, 7.47

 

CMYK 0 / 12 / 11 / 30

HEX #B39D9F

RGB 179 157 159

HSL 354.55, 0.13%, 0.66%

LAB 66.67, 8.42, 1.92

 

CMYK 0 / 12 / 11 / 10

HEX #E6CACC

RGB 230 202 204

HSL 355.71, 0.36%, 0.85%

LAB 83.66, 10.14, 2.61

 

CMYK 0 / 12 / 12 / 90

HEX #1A1717

RGB 26 23 23

HSL 0, 0.06%, 0.1%

LAB 8.08, 1.49, 0.53

 

CMYK 0 / 12 / 12 / 70

HEX #4D4444

RGB 77 68 68

HSL 0, 0.06%, 0.28%

LAB 29.74, 3.82, 1.39

 

CMYK 0 / 13 / 11 / 50

HEX #807072

RGB 128 112 114

HSL 352.5, 0.07%, 0.47%

LAB 48.75, 6.61, 1.18

 

CMYK 0 / 12 / 11 / 30

HEX #B39D9F

RGB 179 157 159

HSL 354.55, 0.13%, 0.66%

LAB 66.67, 8.42, 1.92

 

CMYK 1 / 0 / 12 / 30

HEX #B1B39D

RGB 177 179 157

HSL 65.45, 0.13%, 0.66%

LAB 72.24, -4.61, 11

 

CMYK 12 / 6 / 0 / 30

HEX #9DA8B3

RGB 157 168 179

HSL 210, 0.13%, 0.66%

LAB 68.33, -1.6, -6.98

 

CMYK 0 / 12 / 11 / 30

HEX #B39D9F

RGB 179 157 159

HSL 354.55, 0.13%, 0.66%

LAB 66.67, 8.42, 1.92

 

CMYK 11 / 0 / 12 / 30

HEX #9FB39D

RGB 159 179 157

HSL 114.55, 0.13%, 0.66%

LAB 70.9, -11.13, 8.91

 

CMYK 12 / 11 / 0 / 30

HEX #9D9FB3

RGB 157 159 179

HSL 234.55, 0.13%, 0.66%

LAB 65.92, 3.36, -10.58

 

CMYK 0 / 12 / 11 / 30

HEX #B39D9F

RGB 179 157 159

HSL 354.55, 0.13%, 0.66%

LAB 66.67, 8.42, 1.92

 

CMYK 1 / 0 / 12 / 30

HEX #B1B39D

RGB 177 179 157

HSL 65.45, 0.13%, 0.66%

LAB 72.24, -4.61, 11

 

CMYK 12 / 0 / 1 / 30

HEX #9DB3B1

RGB 157 179 177

HSL 174.55, 0.13%, 0.66%

LAB 71.27, -7.95, -1.55

 

CMYK 11 / 12 / 0 / 30

HEX #9F9DB3

RGB 159 157 179

HSL 245.45, 0.13%, 0.66%

LAB 65.55, 5.15, -11.13

 

CMYK 0 / 12 / 11 / 30

HEX #B39D9F

RGB 179 157 159

HSL 354.55, 0.13%, 0.66%

LAB 66.67, 8.42, 1.92

 

CMYK 5 / 0 / 12 / 30

HEX #AAB39D

RGB 170 179 157

HSL 84.55, 0.13%, 0.66%

LAB 71.7, -7.18, 10.16

 

CMYK 12 / 0 / 1 / 30

HEX #9DB3B1

RGB 157 179 177

HSL 174.55, 0.13%, 0.66%

LAB 71.27, -7.95, -1.55

 

CMYK 7 / 12 / 0 / 30

HEX #A69DB3

RGB 166 157 179

HSL 264.55, 0.13%, 0.66%

LAB 66.12, 7.54, -10.21

 

Description

Color code: RGB 179 157 159 | qconv.com Color code: RGB 179 157 159 | qconv.com - big

Since the color values are relatively high compared to others, this hue appears lighter to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 179 red, 157 green and 159 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
179 157 159 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, none cyan, 12 magenta, 11 yellow and 30 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
0% 12% 11% 30% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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