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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone RGB 179 143 61 it is the complementary color RGB 76 112 194. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color RGB 179 143 61. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the color tone RGB 179 143 61: RGB 184 143 56, RGB 201 161 75, RGB 218 179 94, RGB 235 197 113 and RGB 252 215 132

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color RGB 179 143 61. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the color tone RGB 179 143 61: RGB 179 143 61, RGB 162 125 42, RGB 145 107 23, RGB 128 89 4 and RGB 111 71 0

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 0 / 20 / 66 / 30

HEX #B38F3D

RGB 179 143 61

HSL 41.69, 0.49%, 0.47%

LAB 61.28, 4.5, 47.49

 

Complementary color

CMYK 61 / 42 / 0 / 24

HEX #4C70C2

RGB 76 112 194

HSL 221.69, 0.49%, 0.53%

LAB 48.29, 12.74, -46.83

 

CMYK 0 / 22 / 70 / 28

HEX #B88F38

RGB 184 143 56

HSL 40.78, 0.53%, 0.47%

LAB 61.76, 6.41, 50.45

 

CMYK 0 / 20 / 63 / 21

HEX #C9A14B

RGB 201 161 75

HSL 40.95, 0.54%, 0.54%

LAB 68.33, 5.2, 49.33

 

CMYK 0 / 18 / 57 / 15

HEX #DAB35E

RGB 218 179 94

HSL 41.13, 0.63%, 0.61%

LAB 74.8, 4.18, 48.08

 

CMYK 0 / 16 / 52 / 8

HEX #EBC571

RGB 235 197 113

HSL 41.31, 0.75%, 0.68%

LAB 81.17, 3.3, 46.81

 

CMYK 0 / 15 / 48 / 1

HEX #FCD784

RGB 252 215 132

HSL 41.5, 0.95%, 0.75%

LAB 87.47, 2.55, 45.54

 

CMYK 0 / 20 / 66 / 30

HEX #B38F3D

RGB 179 143 61

HSL 41.69, 0.49%, 0.47%

LAB 61.28, 4.5, 47.49

 

CMYK 0 / 23 / 74 / 36

HEX #A27D2A

RGB 162 125 42

HSL 41.5, 0.59%, 0.4%

LAB 54.57, 5.82, 48.45

 

CMYK 0 / 26 / 84 / 43

HEX #916B17

RGB 145 107 23

HSL 41.31, 0.73%, 0.33%

LAB 47.75, 7.43, 48.75

 

CMYK 0 / 30 / 97 / 50

HEX #805904

RGB 128 89 4

HSL 41.13, 0.94%, 0.26%

LAB 40.8, 9.4, 47.73

 

CMYK 0 / 36 / 100 / 56

HEX #6F4700

RGB 111 71 0

HSL 38.38, 1%, 0.22%

LAB 33.74, 11.86, 43.09

 

CMYK 0 / 20 / 66 / 30

HEX #B38F3D

RGB 179 143 61

HSL 41.69, 0.49%, 0.47%

LAB 61.28, 4.5, 47.49

 

CMYK 0 / 10 / 66 / 30

HEX #B2A03D

RGB 178 160 61

HSL 50.77, 0.49%, 0.47%

LAB 65.7, -5.16, 52.21

 

CMYK 1 / 0 / 66 / 30

HEX #B0B23D

RGB 176 178 61

HSL 61.03, 0.49%, 0.47%

LAB 70.46, -15.43, 57.12

 

CMYK 12 / 0 / 66 / 30

HEX #9DB23D

RGB 157 178 61

HSL 70.77, 0.49%, 0.47%

LAB 69, -23.45, 55.15

 

CMYK 23 / 0 / 66 / 30

HEX #89B23D

RGB 137 178 61

HSL 81.03, 0.49%, 0.47%

LAB 67.65, -31.54, 53.31

 

CMYK 0 / 20 / 66 / 30

HEX #B38F3D

RGB 179 143 61

HSL 41.69, 0.49%, 0.47%

LAB 61.28, 4.5, 47.49

 

CMYK 0 / 20 / 66 / 10

HEX #E6B84E

RGB 230 184 78

HSL 41.84, 0.75%, 0.6%

LAB 77.07, 5.52, 58.38

 

CMYK 0 / 19 / 65 / 90

HEX #1A1509

RGB 26 21 9

HSL 42.35, 0.49%, 0.07%

LAB 7.01, 0.26, 6.8

 

CMYK 0 / 19 / 66 / 70

HEX #4D3E1A

RGB 77 62 26

HSL 42.35, 0.5%, 0.2%

LAB 27.01, 1.57, 24.18

 

CMYK 0 / 20 / 66 / 50

HEX #80662C

RGB 128 102 44

HSL 41.43, 0.49%, 0.34%

LAB 44.62, 3.43, 35.92

 

CMYK 0 / 20 / 66 / 30

HEX #B38F3D

RGB 179 143 61

HSL 41.69, 0.49%, 0.47%

LAB 61.28, 4.5, 47.49

 

CMYK 58 / 0 / 66 / 30

HEX #4AB23D

RGB 74 178 61

HSL 113.33, 0.49%, 0.47%

LAB 64.67, -52.39, 49.23

 

CMYK 47 / 66 / 0 / 30

HEX #5E3DB2

RGB 94 61 178

HSL 256.92, 0.49%, 0.47%

LAB 35.85, 42.56, -57.44

 

CMYK 0 / 20 / 66 / 30

HEX #B38F3D

RGB 179 143 61

HSL 41.69, 0.49%, 0.47%

LAB 61.28, 4.5, 47.49

 

CMYK 66 / 0 / 21 / 30

HEX #3DB28D

RGB 61 178 141

HSL 161.03, 0.49%, 0.47%

LAB 65.56, -41.54, 9.45

 

CMYK 21 / 66 / 0 / 30

HEX #8D3DB2

RGB 141 61 178

HSL 281.03, 0.49%, 0.47%

LAB 41.56, 52.69, -47.94

 

CMYK 0 / 20 / 66 / 30

HEX #B38F3D

RGB 179 143 61

HSL 41.69, 0.49%, 0.47%

LAB 61.28, 4.5, 47.49

 

CMYK 58 / 0 / 66 / 30

HEX #4AB23D

RGB 74 178 61

HSL 113.33, 0.49%, 0.47%

LAB 64.67, -52.39, 49.23

 

CMYK 66 / 45 / 0 / 30

HEX #3D62B2

RGB 61 98 178

HSL 221.03, 0.49%, 0.47%

LAB 42.68, 13.19, -46.54

 

CMYK 8 / 66 / 0 / 30

HEX #A43DB2

RGB 164 61 178

HSL 292.82, 0.49%, 0.47%

LAB 44.86, 58.08, -42.46

 

CMYK 0 / 20 / 66 / 30

HEX #B38F3D

RGB 179 143 61

HSL 41.69, 0.49%, 0.47%

LAB 61.28, 4.5, 47.49

 

CMYK 66 / 0 / 54 / 30

HEX #3DB252

RGB 61 178 82

HSL 130.77, 0.49%, 0.47%

LAB 64.52, -52.83, 39.3

 

CMYK 66 / 45 / 0 / 30

HEX #3D62B2

RGB 61 98 178

HSL 221.03, 0.49%, 0.47%

LAB 42.68, 13.19, -46.54

 

CMYK 0 / 66 / 12 / 30

HEX #B23D9D

RGB 178 61 157

HSL 310.77, 0.49%, 0.47%

LAB 45.96, 58, -28.15

 

Description

Color code: RGB 179 143 61 | qconv.com Color code: RGB 179 143 61 | qconv.com - big

Since the color values are relatively high compared to others, this hue appears lighter to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 179 red, 143 green and 61 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
179 143 61 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, none cyan, 20 magenta, 66 yellow and 30 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
0% 20% 66% 30% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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