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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone RGB 178 60 215 it is the complementary color RGB 77 195 40. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color RGB 178 60 215. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the color tone RGB 178 60 215: RGB 183 60 210, RGB 200 78 229, RGB 217 96 248, RGB 234 114 255 and RGB 251 132 255

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color RGB 178 60 215. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the color tone RGB 178 60 215: RGB 178 60 215, RGB 161 42 196, RGB 144 24 177, RGB 127 6 158 and RGB 110 0 139

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 17 / 72 / 0 / 16

HEX #B23CD7

RGB 178 60 215

HSL 285.68, 0.66%, 0.54%

LAB 49.01, 68.49, -57.16

 

Complementary color

CMYK 61 / 0 / 79 / 24

HEX #4DC328

RGB 77 195 40

HSL 105.68, 0.66%, 0.46%

LAB 70.01, -59.33, 62.26

 

CMYK 13 / 71 / 0 / 18

HEX #B73CD2

RGB 183 60 210

HSL 289.2, 0.63%, 0.53%

LAB 49.44, 68.57, -53.58

 

CMYK 13 / 66 / 0 / 10

HEX #C84EE5

RGB 200 78 229

HSL 288.48, 0.74%, 0.6%

LAB 55.47, 68.78, -54.58

 

CMYK 13 / 61 / 0 / 3

HEX #D960F8

RGB 217 96 248

HSL 287.76, 0.92%, 0.67%

LAB 61.56, 68.61, -55.32

 

CMYK 8 / 55 / 0 / 0

HEX #EA72FF

RGB 234 114 255

HSL 291.06, 1%, 0.72%

LAB 67.09, 65.96, -50.27

 

CMYK 2 / 48 / 0 / 0

HEX #FB84FF

RGB 251 132 255

HSL 298.05, 1%, 0.76%

LAB 72.38, 61.99, -41.8

 

CMYK 17 / 72 / 0 / 16

HEX #B23CD7

RGB 178 60 215

HSL 285.68, 0.66%, 0.54%

LAB 49.01, 68.49, -57.16

 

CMYK 18 / 79 / 0 / 23

HEX #A12AC4

RGB 161 42 196

HSL 286.36, 0.65%, 0.47%

LAB 43.09, 67.74, -55.87

 

CMYK 19 / 86 / 0 / 31

HEX #9018B1

RGB 144 24 177

HSL 287.06, 0.76%, 0.39%

LAB 37.4, 66.04, -54.02

 

CMYK 20 / 96 / 0 / 38

HEX #7F069E

RGB 127 6 158

HSL 287.76, 0.93%, 0.32%

LAB 32.06, 62.99, -51.39

 

CMYK 21 / 100 / 0 / 45

HEX #6E008B

RGB 110 0 139

HSL 287.48, 1%, 0.27%

LAB 27.24, 57.95, -47.66

 

CMYK 17 / 72 / 0 / 16

HEX #B23CD7

RGB 178 60 215

HSL 285.68, 0.66%, 0.54%

LAB 49.01, 68.49, -57.16

 

CMYK 6 / 72 / 0 / 16

HEX #CA3CD7

RGB 202 60 215

HSL 294.97, 0.66%, 0.54%

LAB 52.61, 73.36, -51.19

 

CMYK 0 / 72 / 6 / 16

HEX #D73CCA

RGB 215 60 202

HSL 305.03, 0.66%, 0.54%

LAB 53.97, 74.05, -41.48

 

CMYK 0 / 72 / 18 / 16

HEX #D73CB0

RGB 215 60 176

HSL 315.1, 0.66%, 0.54%

LAB 52.74, 70.33, -28.34

 

CMYK 0 / 72 / 30 / 16

HEX #D73C96

RGB 215 60 150

HSL 325.16, 0.66%, 0.54%

LAB 51.7, 67.06, -14.62

 

CMYK 17 / 72 / 0 / 16

HEX #B23CD7

RGB 178 60 215

HSL 285.68, 0.66%, 0.54%

LAB 49.01, 68.49, -57.16

 

CMYK 18 / 73 / 0 / 96

HEX #09030B

RGB 9 3 11

HSL 285, 0.57%, 0.03%

LAB 1.33, 2.69, -2.49

 

CMYK 18 / 73 / 0 / 76

HEX #33113E

RGB 51 17 62

HSL 285.33, 0.57%, 0.15%

LAB 12.3, 25.41, -21.41

 

CMYK 17 / 72 / 0 / 56

HEX #5E2071

RGB 94 32 113

HSL 285.93, 0.56%, 0.28%

LAB 25.58, 40.93, -34.04

 

CMYK 17 / 72 / 0 / 36

HEX #882EA4

RGB 136 46 164

HSL 285.76, 0.56%, 0.41%

LAB 37.61, 55.17, -45.98

 

CMYK 17 / 72 / 0 / 16

HEX #B23CD7

RGB 178 60 215

HSL 285.68, 0.66%, 0.54%

LAB 49.01, 68.49, -57.16

 

CMYK 0 / 72 / 68 / 16

HEX #D73C44

RGB 215 60 68

HSL 356.9, 0.66%, 0.54%

LAB 49.61, 60.19, 31.71

 

CMYK 72 / 0 / 47 / 16

HEX #3CD772

RGB 60 215 114

HSL 140.9, 0.66%, 0.54%

LAB 76.54, -61.51, 38.44

 

CMYK 17 / 72 / 0 / 16

HEX #B23CD7

RGB 178 60 215

HSL 285.68, 0.66%, 0.54%

LAB 49.01, 68.49, -57.16

 

CMYK 0 / 18 / 72 / 16

HEX #D7B03C

RGB 215 176 60

HSL 44.9, 0.66%, 0.54%

LAB 73.43, 2.38, 61.66

 

CMYK 72 / 0 / 18 / 16

HEX #3CD7B0

RGB 60 215 176

HSL 164.9, 0.66%, 0.54%

LAB 77.7, -48.92, 7.81

 

CMYK 17 / 72 / 0 / 16

HEX #B23CD7

RGB 178 60 215

HSL 285.68, 0.66%, 0.54%

LAB 49.01, 68.49, -57.16

 

CMYK 0 / 72 / 68 / 16

HEX #D73C44

RGB 215 60 68

HSL 356.9, 0.66%, 0.54%

LAB 49.61, 60.19, 31.71

 

CMYK 54 / 0 / 72 / 16

HEX #62D73C

RGB 98 215 60

HSL 105.29, 0.66%, 0.54%

LAB 77, -59.83, 62.8

 

CMYK 72 / 0 / 4 / 16

HEX #3CD7CF

RGB 60 215 207

HSL 176.9, 0.66%, 0.54%

LAB 78.5, -40.85, -7.6

 

CMYK 17 / 72 / 0 / 16

HEX #B23CD7

RGB 178 60 215

HSL 285.68, 0.66%, 0.54%

LAB 49.01, 68.49, -57.16

 

CMYK 0 / 54 / 72 / 16

HEX #D7623C

RGB 215 98 60

HSL 14.71, 0.66%, 0.54%

LAB 55.59, 43.57, 43.08

 

CMYK 54 / 0 / 72 / 16

HEX #62D73C

RGB 98 215 60

HSL 105.29, 0.66%, 0.54%

LAB 77, -59.83, 62.8

 

CMYK 72 / 18 / 0 / 16

HEX #3CB0D7

RGB 60 176 215

HSL 195.1, 0.66%, 0.54%

LAB 67.22, -19.57, -29.02

 

Description

Color code: RGB 178 60 215 | qconv.com Color code: RGB 178 60 215 | qconv.com - big

This color makes magenta stand out from the other colors. The values representing the red and blue hue are greater than the third value. They are close together and exceed the value of the green hue. Since the color values are relatively high compared to others, this hue appears lighter to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 178 red, 60 green and 215 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
178 60 215 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, 17 cyan, 72 magenta, none yellow and 16 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
17% 72% 0% 16% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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