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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone RGB 178 41 182 it is the complementary color RGB 77 214 73. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color RGB 178 41 182. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the color tone RGB 178 41 182: RGB 183 41 177, RGB 200 59 196, RGB 217 77 215, RGB 234 95 234 and RGB 251 113 253

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color RGB 178 41 182. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the color tone RGB 178 41 182: RGB 178 41 182, RGB 161 23 163, RGB 144 5 144, RGB 127 0 125 and RGB 110 0 106

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 2 / 77 / 0 / 29

HEX #B229B6

RGB 178 41 182

HSL 298.3, 0.63%, 0.44%

LAB 44.84, 68.84, -44.72

 

Complementary color

CMYK 64 / 0 / 66 / 16

HEX #4DD649

RGB 77 214 73

HSL 118.3, 0.63%, 0.56%

LAB 76.16, -63.34, 56.79

 

CMYK 0 / 78 / 3 / 28

HEX #B729B1

RGB 183 41 177

HSL 302.54, 0.63%, 0.44%

LAB 45.4, 69.07, -40.84

 

CMYK 0 / 71 / 2 / 22

HEX #C83BC4

RGB 200 59 196

HSL 301.7, 0.56%, 0.51%

LAB 51.14, 70.15, -42.65

 

CMYK 0 / 65 / 1 / 15

HEX #D94DD7

RGB 217 77 215

HSL 300.86, 0.65%, 0.58%

LAB 57.04, 70.59, -44.02

 

CMYK 0 / 59 / 0 / 8

HEX #EA5FEA

RGB 234 95 234

HSL 300, 0.77%, 0.65%

LAB 63.03, 70.59, -45.09

 

CMYK 1 / 55 / 0 / 1

HEX #FB71FD

RGB 251 113 253

HSL 299.14, 0.97%, 0.72%

LAB 69.05, 70.33, -45.94

 

CMYK 2 / 77 / 0 / 29

HEX #B229B6

RGB 178 41 182

HSL 298.3, 0.63%, 0.44%

LAB 44.84, 68.84, -44.72

 

CMYK 1 / 86 / 0 / 36

HEX #A117A3

RGB 161 23 163

HSL 299.14, 0.75%, 0.36%

LAB 39.3, 66.83, -42.44

 

CMYK 0 / 97 / 0 / 44

HEX #900590

RGB 144 5 144

HSL 300, 0.93%, 0.29%

LAB 34.09, 63.52, -39.39

 

CMYK 0 / 100 / 2 / 50

HEX #7F007D

RGB 127 0 125

HSL 300.94, 1%, 0.25%

LAB 29.39, 58.29, -35.24

 

CMYK 0 / 100 / 4 / 57

HEX #6E006A

RGB 110 0 106

HSL 302.18, 1%, 0.22%

LAB 24.81, 52.24, -30.58

 

CMYK 2 / 77 / 0 / 29

HEX #B229B6

RGB 178 41 182

HSL 298.3, 0.63%, 0.44%

LAB 44.84, 68.84, -44.72

 

CMYK 0 / 77 / 10 / 29

HEX #B629A4

RGB 182 41 164

HSL 307.66, 0.63%, 0.44%

LAB 44.53, 66.89, -34.5

 

CMYK 0 / 77 / 23 / 29

HEX #B6298C

RGB 182 41 140

HSL 317.87, 0.63%, 0.44%

LAB 43.4, 63.56, -21.82

 

CMYK 0 / 77 / 36 / 29

HEX #B62974

RGB 182 41 116

HSL 328.09, 0.63%, 0.44%

LAB 42.45, 60.71, -8.52

 

CMYK 0 / 77 / 49 / 29

HEX #B6295D

RGB 182 41 93

HSL 337.87, 0.63%, 0.44%

LAB 41.72, 58.47, 4.79

 

CMYK 2 / 77 / 0 / 29

HEX #B229B6

RGB 178 41 182

HSL 298.3, 0.63%, 0.44%

LAB 44.84, 68.84, -44.72

 

CMYK 2 / 78 / 0 / 9

HEX #E434E9

RGB 228 52 233

HSL 298.34, 0.8%, 0.56%

LAB 56.91, 83.7, -54.28

 

CMYK 3 / 76 / 0 / 89

HEX #1C071D

RGB 28 7 29

HSL 297.27, 0.61%, 0.07%

LAB 4.4, 12.83, -9.52

 

CMYK 2 / 78 / 0 / 69

HEX #4E1250

RGB 78 18 80

HSL 298.06, 0.63%, 0.19%

LAB 18.5, 36.17, -23.73

 

CMYK 2 / 77 / 0 / 49

HEX #801E83

RGB 128 30 131

HSL 298.22, 0.63%, 0.32%

LAB 32.16, 53.05, -34.58

 

CMYK 2 / 77 / 0 / 29

HEX #B229B6

RGB 178 41 182

HSL 298.3, 0.63%, 0.44%

LAB 44.84, 68.84, -44.72

 

CMYK 0 / 64 / 77 / 29

HEX #B64129

RGB 182 65 41

HSL 10.21, 0.63%, 0.44%

LAB 44.07, 46.12, 39.14

 

CMYK 77 / 0 / 34 / 29

HEX #29B679

RGB 41 182 121

HSL 154.04, 0.63%, 0.44%

LAB 65.99, -50.68, 20.89

 

CMYK 2 / 77 / 0 / 29

HEX #B229B6

RGB 178 41 182

HSL 298.3, 0.63%, 0.44%

LAB 44.84, 68.84, -44.72

 

CMYK 0 / 2 / 77 / 29

HEX #B6B229

RGB 182 178 41

HSL 58.3, 0.63%, 0.44%

LAB 70.83, -13.82, 64.85

 

CMYK 77 / 0 / 2 / 29

HEX #29B6B2

RGB 41 182 178

HSL 178.3, 0.63%, 0.44%

LAB 67.38, -36.18, -8.38

 

CMYK 2 / 77 / 0 / 29

HEX #B229B6

RGB 178 41 182

HSL 298.3, 0.63%, 0.44%

LAB 44.84, 68.84, -44.72

 

CMYK 0 / 64 / 77 / 29

HEX #B64129

RGB 182 65 41

HSL 10.21, 0.63%, 0.44%

LAB 44.07, 46.12, 39.14

 

CMYK 75 / 0 / 77 / 29

HEX #2EB629

RGB 46 182 41

HSL 117.87, 0.63%, 0.44%

LAB 65.12, -61.17, 57.02

 

CMYK 77 / 13 / 0 / 29

HEX #299FB6

RGB 41 159 182

HSL 189.79, 0.63%, 0.44%

LAB 60.47, -23.74, -21.05

 

CMYK 2 / 77 / 0 / 29

HEX #B229B6

RGB 178 41 182

HSL 298.3, 0.63%, 0.44%

LAB 44.84, 68.84, -44.72

 

CMYK 0 / 41 / 77 / 29

HEX #B66B29

RGB 182 107 41

HSL 28.09, 0.63%, 0.44%

LAB 52.53, 24.75, 47.69

 

CMYK 75 / 0 / 77 / 29

HEX #2EB629

RGB 46 182 41

HSL 117.87, 0.63%, 0.44%

LAB 65.12, -61.17, 57.02

 

CMYK 77 / 36 / 0 / 29

HEX #2974B6

RGB 41 116 182

HSL 208.09, 0.63%, 0.44%

LAB 47.42, 0.43, -41.37

 

Description

Color code: RGB 178 41 182 | qconv.com Color code: RGB 178 41 182 | qconv.com - big

This color makes magenta stand out from the other colors. The values representing the red and blue hue are greater than the third value. They are close together and exceed the value of the green hue. Since the color values are relatively high compared to others, this hue appears lighter to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 178 red, 41 green and 182 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
178 41 182 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, 2 cyan, 77 magenta, none yellow and 29 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
2% 77% 0% 29% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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