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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone RGB 178 255 200 it is the complementary color RGB 77 0 55. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color RGB 178 255 200. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the color tone RGB 178 255 200: RGB 183 255 195, RGB 200 255 214, RGB 217 255 233, RGB 234 255 252 and RGB 251 255 255

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color RGB 178 255 200. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the color tone RGB 178 255 200: RGB 178 255 200, RGB 161 237 181, RGB 144 219 162, RGB 127 201 143 and RGB 110 183 124

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 30 / 0 / 22 / 0

HEX #B2FFC8

RGB 178 255 200

HSL 137.14, 1%, 0.85%

LAB 93.95, -34.44, 18.88

 

Complementary color

CMYK 0 / 100 / 29 / 70

HEX #4D0037

RGB 77 0 55

HSL 317.14, 1%, 0.15%

LAB 14.7, 37.89, -12.28

 

CMYK 28 / 0 / 24 / 0

HEX #B7FFC3

RGB 183 255 195

HSL 130, 1%, 0.86%

LAB 94.11, -33.78, 21.7

 

CMYK 22 / 0 / 16 / 0

HEX #C8FFD6

RGB 200 255 214

HSL 135.27, 1%, 0.89%

LAB 95.44, -25.13, 13.98

 

CMYK 15 / 0 / 9 / 0

HEX #D9FFE9

RGB 217 255 233

HSL 145.26, 1%, 0.93%

LAB 96.88, -16.29, 6.44

 

CMYK 8 / 0 / 1 / 0

HEX #EAFFFC

RGB 234 255 252

HSL 171.43, 1%, 0.96%

LAB 98.45, -7.35, -0.92

 

CMYK 2 / 0 / 0 / 0

HEX #FBFFFF

RGB 251 255 255

HSL 180, 1%, 0.99%

LAB 99.71, -1.31, -0.47

 

CMYK 30 / 0 / 22 / 0

HEX #B2FFC8

RGB 178 255 200

HSL 137.14, 1%, 0.85%

LAB 93.95, -34.44, 18.88

 

CMYK 32 / 0 / 24 / 7

HEX #A1EDB5

RGB 161 237 181

HSL 135.79, 0.68%, 0.78%

LAB 87.72, -34.69, 19.83

 

CMYK 34 / 0 / 26 / 14

HEX #90DBA2

RGB 144 219 162

HSL 134.4, 0.51%, 0.71%

LAB 81.4, -34.95, 20.83

 

CMYK 37 / 0 / 29 / 21

HEX #7FC98F

RGB 127 201 143

HSL 132.97, 0.41%, 0.64%

LAB 74.99, -35.21, 21.9

 

CMYK 40 / 0 / 32 / 28

HEX #6EB77C

RGB 110 183 124

HSL 131.51, 0.34%, 0.57%

LAB 68.49, -35.48, 23.03

 

CMYK 30 / 0 / 22 / 0

HEX #B2FFC8

RGB 178 255 200

HSL 137.14, 1%, 0.85%

LAB 93.95, -34.44, 18.88

 

CMYK 30 / 0 / 17 / 0

HEX #B2FFD4

RGB 178 255 212

HSL 146.49, 1%, 0.85%

LAB 94.2, -32.23, 13.09

 

CMYK 30 / 0 / 12 / 0

HEX #B2FFE1

RGB 178 255 225

HSL 156.62, 1%, 0.85%

LAB 94.49, -29.7, 6.82

 

CMYK 30 / 0 / 7 / 0

HEX #B2FFEE

RGB 178 255 238

HSL 166.75, 1%, 0.85%

LAB 94.81, -27.04, 0.57

 

CMYK 30 / 0 / 2 / 0

HEX #B2FFFB

RGB 178 255 251

HSL 176.88, 1%, 0.85%

LAB 95.14, -24.25, -5.64

 

CMYK 30 / 0 / 22 / 0

HEX #B2FFC8

RGB 178 255 200

HSL 137.14, 1%, 0.85%

LAB 93.95, -34.44, 18.88

 

CMYK 29 / 0 / 22 / 80

HEX #243328

RGB 36 51 40

HSL 136, 0.17%, 0.17%

LAB 19.62, -9.04, 4.99

 

CMYK 30 / 0 / 22 / 60

HEX #476650

RGB 71 102 80

HSL 137.42, 0.18%, 0.34%

LAB 40.28, -16.42, 8.86

 

CMYK 30 / 0 / 22 / 40

HEX #6B9978

RGB 107 153 120

HSL 136.96, 0.18%, 0.51%

LAB 59.22, -22.69, 12.45

 

CMYK 30 / 0 / 22 / 20

HEX #8ECCA0

RGB 142 204 160

HSL 137.42, 0.38%, 0.68%

LAB 76.97, -28.87, 15.71

 

CMYK 30 / 0 / 22 / 0

HEX #B2FFC8

RGB 178 255 200

HSL 137.14, 1%, 0.85%

LAB 93.95, -34.44, 18.88

 

CMYK 30 / 15 / 0 / 0

HEX #B2DAFF

RGB 178 218 255

HSL 208.83, 1%, 0.85%

LAB 85.42, -4.72, -22.28

 

CMYK 0 / 30 / 27 / 0

HEX #FFB2BB

RGB 255 178 187

HSL 352.99, 1%, 0.85%

LAB 80, 29.24, 6.76

 

CMYK 30 / 0 / 22 / 0

HEX #B2FFC8

RGB 178 255 200

HSL 137.14, 1%, 0.85%

LAB 93.95, -34.44, 18.88

 

CMYK 22 / 30 / 0 / 0

HEX #C8B2FF

RGB 200 178 255

HSL 257.14, 1%, 0.85%

LAB 76.88, 23.22, -35.21

 

CMYK 0 / 22 / 30 / 0

HEX #FFC8B2

RGB 255 200 178

HSL 17.14, 1%, 0.85%

LAB 84.89, 16.53, 18.49

 

CMYK 30 / 0 / 22 / 0

HEX #B2FFC8

RGB 178 255 200

HSL 137.14, 1%, 0.85%

LAB 93.95, -34.44, 18.88

 

CMYK 30 / 15 / 0 / 0

HEX #B2DAFF

RGB 178 218 255

HSL 208.83, 1%, 0.85%

LAB 85.42, -4.72, -22.28

 

CMYK 0 / 30 / 9 / 0

HEX #FFB2E9

RGB 255 178 233

HSL 317.14, 1%, 0.85%

LAB 81.28, 36.19, -16.2

 

CMYK 0 / 16 / 30 / 0

HEX #FFD7B2

RGB 255 215 178

HSL 28.83, 1%, 0.85%

LAB 88.48, 8.74, 23.47

 

CMYK 30 / 0 / 22 / 0

HEX #B2FFC8

RGB 178 255 200

HSL 137.14, 1%, 0.85%

LAB 93.95, -34.44, 18.88

 

CMYK 30 / 24 / 0 / 0

HEX #B2C3FF

RGB 178 195 255

HSL 226.75, 1%, 0.85%

LAB 79.45, 7.55, -31.39

 

CMYK 0 / 30 / 9 / 0

HEX #FFB2E9

RGB 255 178 233

HSL 317.14, 1%, 0.85%

LAB 81.28, 36.19, -16.2

 

CMYK 0 / 7 / 30 / 0

HEX #FFEEB2

RGB 255 238 178

HSL 46.75, 1%, 0.85%

LAB 94.15, -3, 31.18

 

Description

Color code: RGB 178 255 200 | qconv.com Color code: RGB 178 255 200 | qconv.com - big

Since the color values are relatively high compared to others, this hue appears lighter to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 178 red, 255 green and 200 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
178 255 200 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, 30 cyan, none magenta, 22 yellow and none key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
30% 0% 22% 0% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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