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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone RGB 178 208 64 it is the complementary color RGB 77 47 191. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color RGB 178 208 64. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the color tone RGB 178 208 64: RGB 183 208 59, RGB 200 226 78, RGB 217 244 97, RGB 234 255 116 and RGB 251 255 135

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color RGB 178 208 64. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the color tone RGB 178 208 64: RGB 178 208 64, RGB 161 190 45, RGB 144 172 26, RGB 127 154 7 and RGB 110 136 0

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 14 / 0 / 69 / 18

HEX #B2D040

RGB 178 208 64

HSL 72.5, 0.61%, 0.53%

LAB 79.01, -29.17, 64.7

 

Complementary color

CMYK 60 / 75 / 0 / 25

HEX #4D2FBF

RGB 77 47 191

HSL 252.5, 0.61%, 0.47%

LAB 32.64, 51.1, -70.44

 

CMYK 12 / 0 / 72 / 18

HEX #B7D03B

RGB 183 208 59

HSL 70.07, 0.61%, 0.52%

LAB 79.33, -27.42, 66.92

 

CMYK 12 / 0 / 65 / 11

HEX #C8E24E

RGB 200 226 78

HSL 70.54, 0.72%, 0.6%

LAB 85.62, -28.04, 66.62

 

CMYK 11 / 0 / 60 / 4

HEX #D9F461

RGB 217 244 97

HSL 71.02, 0.87%, 0.67%

LAB 91.83, -28.53, 65.97

 

CMYK 8 / 0 / 55 / 0

HEX #EAFF74

RGB 234 255 116

HSL 69.06, 1%, 0.73%

LAB 96.11, -25.67, 63

 

CMYK 2 / 0 / 47 / 0

HEX #FBFF87

RGB 251 255 135

HSL 62, 1%, 0.76%

LAB 97.54, -17.49, 56.44

 

CMYK 14 / 0 / 69 / 18

HEX #B2D040

RGB 178 208 64

HSL 72.5, 0.61%, 0.53%

LAB 79.01, -29.17, 64.7

 

CMYK 15 / 0 / 76 / 25

HEX #A1BE2D

RGB 161 190 45

HSL 72, 0.62%, 0.46%

LAB 72.62, -28.51, 64.66

 

CMYK 16 / 0 / 85 / 33

HEX #90AC1A

RGB 144 172 26

HSL 71.51, 0.74%, 0.39%

LAB 66.14, -27.67, 63.71

 

CMYK 18 / 0 / 95 / 40

HEX #7F9A07

RGB 127 154 7

HSL 71.02, 0.91%, 0.32%

LAB 59.56, -26.59, 61.32

 

CMYK 19 / 0 / 100 / 47

HEX #6E8800

RGB 110 136 0

HSL 71.47, 1%, 0.27%

LAB 52.87, -25.23, 56.79

 

CMYK 14 / 0 / 69 / 18

HEX #B2D040

RGB 178 208 64

HSL 72.5, 0.61%, 0.53%

LAB 79.01, -29.17, 64.7

 

CMYK 26 / 0 / 70 / 18

HEX #9AD03E

RGB 154 208 62

HSL 82.19, 0.61%, 0.53%

LAB 77.48, -38.66, 63.4

 

CMYK 38 / 0 / 70 / 18

HEX #82D03E

RGB 130 208 62

HSL 92.05, 0.61%, 0.53%

LAB 76.2, -47.28, 61.68

 

CMYK 50 / 0 / 70 / 18

HEX #69D03E

RGB 105 208 62

HSL 102.33, 0.61%, 0.53%

LAB 75.12, -55.17, 60.23

 

CMYK 61 / 0 / 70 / 18

HEX #51D03E

RGB 81 208 62

HSL 112.19, 0.61%, 0.53%

LAB 74.32, -61.38, 59.16

 

CMYK 14 / 0 / 69 / 18

HEX #B2D040

RGB 178 208 64

HSL 72.5, 0.61%, 0.53%

LAB 79.01, -29.17, 64.7

 

CMYK 25 / 0 / 75 / 98

HEX #030401

RGB 3 4 1

HSL 80, 0.6%, 0.01%

LAB 0.98, -0.68, 1.04

 

CMYK 15 / 0 / 69 / 78

HEX #2F3711

RGB 47 55 17

HSL 72.63, 0.53%, 0.14%

LAB 21.5, -10.2, 22.17

 

CMYK 14 / 0 / 69 / 58

HEX #5B6A21

RGB 91 106 33

HSL 72.33, 0.53%, 0.27%

LAB 42.22, -16.94, 37.61

 

CMYK 15 / 0 / 69 / 38

HEX #869D30

RGB 134 157 48

HSL 72.66, 0.53%, 0.4%

LAB 61.13, -23.51, 51.78

 

CMYK 14 / 0 / 69 / 18

HEX #B2D040

RGB 178 208 64

HSL 72.5, 0.61%, 0.53%

LAB 79.01, -29.17, 64.7

 

CMYK 70 / 0 / 42 / 18

HEX #3ED078

RGB 62 208 120

HSL 143.84, 0.61%, 0.53%

LAB 74.5, -57.67, 32.82

 

CMYK 14 / 70 / 0 / 18

HEX #B33ED0

RGB 179 62 208

HSL 288.08, 0.61%, 0.53%

LAB 48.99, 66.62, -53.19

 

CMYK 14 / 0 / 69 / 18

HEX #B2D040

RGB 178 208 64

HSL 72.5, 0.61%, 0.53%

LAB 79.01, -29.17, 64.7

 

CMYK 70 / 14 / 0 / 18

HEX #3EB3D0

RGB 62 179 208

HSL 191.92, 0.61%, 0.53%

LAB 67.89, -23.08, -24.13

 

CMYK 0 / 70 / 14 / 18

HEX #D03EB3

RGB 208 62 179

HSL 311.92, 0.61%, 0.53%

LAB 51.96, 68.4, -31.4

 

CMYK 14 / 0 / 69 / 18

HEX #B2D040

RGB 178 208 64

HSL 72.5, 0.61%, 0.53%

LAB 79.01, -29.17, 64.7

 

CMYK 70 / 0 / 42 / 18

HEX #3ED078

RGB 62 208 120

HSL 143.84, 0.61%, 0.53%

LAB 74.5, -57.67, 32.82

 

CMYK 56 / 70 / 0 / 18

HEX #5B3ED0

RGB 91 62 208

HSL 251.92, 0.61%, 0.53%

LAB 38.24, 50.23, -71.11

 

CMYK 0 / 70 / 28 / 18

HEX #D03E95

RGB 208 62 149

HSL 324.25, 0.61%, 0.53%

LAB 50.72, 64.42, -15.63

 

CMYK 14 / 0 / 69 / 18

HEX #B2D040

RGB 178 208 64

HSL 72.5, 0.61%, 0.53%

LAB 79.01, -29.17, 64.7

 

CMYK 70 / 0 / 21 / 18

HEX #3ED0A4

RGB 62 208 164

HSL 161.92, 0.61%, 0.53%

LAB 75.34, -48.62, 10.86

 

CMYK 56 / 70 / 0 / 18

HEX #5B3ED0

RGB 91 62 208

HSL 251.92, 0.61%, 0.53%

LAB 38.24, 50.23, -71.11

 

CMYK 0 / 70 / 50 / 18

HEX #D03E69

RGB 208 62 105

HSL 342.33, 0.61%, 0.53%

LAB 49.34, 59.85, 8.87

 

Description

Color code: RGB 178 208 64 | qconv.com Color code: RGB 178 208 64 | qconv.com - big

With this color yellow stands out from the other colors. The values representing the red and green hue are greater than the third value. They are close together and exceed the value of the blue hue. Since the color values are relatively high compared to others, this hue appears lighter to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 178 red, 208 green and 64 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
178 208 64 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, 14 cyan, none magenta, 69 yellow and 18 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
14% 0% 69% 18% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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