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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone RGB 178 160 154 it is the complementary color RGB 77 95 101. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color RGB 178 160 154. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the color tone RGB 178 160 154: RGB 183 160 149, RGB 200 178 168, RGB 217 196 187, RGB 234 214 206 and RGB 251 232 225

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color RGB 178 160 154. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the color tone RGB 178 160 154: RGB 178 160 154, RGB 161 142 135, RGB 144 124 116, RGB 127 106 97 and RGB 110 88 78

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 0 / 10 / 13 / 30

HEX #B2A09A

RGB 178 160 154

HSL 15, 0.13%, 0.65%

LAB 67.23, 5.55, 5.51

 

Complementary color

CMYK 24 / 6 / 0 / 60

HEX #4D5F65

RGB 77 95 101

HSL 195, 0.13%, 0.35%

LAB 39.07, -5.33, -5.69

 

CMYK 0 / 13 / 19 / 28

HEX #B7A095

RGB 183 160 149

HSL 19.41, 0.19%, 0.65%

LAB 67.56, 6.62, 8.82

 

CMYK 0 / 11 / 16 / 22

HEX #C8B2A8

RGB 200 178 168

HSL 18.75, 0.23%, 0.72%

LAB 74.16, 6.24, 7.98

 

CMYK 0 / 10 / 14 / 15

HEX #D9C4BB

RGB 217 196 187

HSL 18, 0.28%, 0.79%

LAB 80.64, 5.9, 7.19

 

CMYK 0 / 9 / 12 / 8

HEX #EAD6CE

RGB 234 214 206

HSL 17.14, 0.4%, 0.86%

LAB 87.02, 5.59, 6.44

 

CMYK 0 / 8 / 10 / 2

HEX #FBE8E1

RGB 251 232 225

HSL 16.15, 0.76%, 0.93%

LAB 93.3, 5.3, 5.72

 

CMYK 0 / 10 / 13 / 30

HEX #B2A09A

RGB 178 160 154

HSL 15, 0.13%, 0.65%

LAB 67.23, 5.55, 5.51

 

CMYK 0 / 12 / 16 / 37

HEX #A18E87

RGB 161 142 135

HSL 16.15, 0.12%, 0.58%

LAB 60.49, 5.91, 6.32

 

CMYK 0 / 14 / 19 / 44

HEX #907C74

RGB 144 124 116

HSL 17.14, 0.11%, 0.51%

LAB 53.61, 6.32, 7.2

 

CMYK 0 / 17 / 24 / 50

HEX #7F6A61

RGB 127 106 97

HSL 18, 0.13%, 0.44%

LAB 46.56, 6.81, 8.15

 

CMYK 0 / 20 / 29 / 57

HEX #6E584E

RGB 110 88 78

HSL 18.75, 0.17%, 0.37%

LAB 39.32, 7.39, 9.21

 

CMYK 0 / 10 / 13 / 30

HEX #B2A09A

RGB 178 160 154

HSL 15, 0.13%, 0.65%

LAB 67.23, 5.55, 5.51

 

CMYK 0 / 8 / 13 / 31

HEX #B1A39A

RGB 177 163 154

HSL 23.48, 0.13%, 0.65%

LAB 67.93, 3.53, 6.5

 

CMYK 0 / 6 / 13 / 31

HEX #B1A79A

RGB 177 167 154

HSL 33.91, 0.13%, 0.65%

LAB 68.98, 1.34, 8.01

 

CMYK 0 / 3 / 13 / 31

HEX #B1AB9A

RGB 177 171 154

HSL 44.35, 0.13%, 0.65%

LAB 70.04, -0.82, 9.52

 

CMYK 0 / 1 / 13 / 31

HEX #B1AF9A

RGB 177 175 154

HSL 54.78, 0.13%, 0.65%

LAB 71.1, -2.97, 11.03

 

CMYK 0 / 10 / 13 / 30

HEX #B2A09A

RGB 178 160 154

HSL 15, 0.13%, 0.65%

LAB 67.23, 5.55, 5.51

 

CMYK 0 / 10 / 14 / 10

HEX #E5CEC6

RGB 229 206 198

HSL 15.48, 0.37%, 0.84%

LAB 84.42, 6.71, 6.88

 

CMYK 0 / 12 / 12 / 90

HEX #191616

RGB 25 22 22

HSL 0, 0.06%, 0.09%

LAB 7.57, 1.46, 0.51

 

CMYK 0 / 11 / 13 / 70

HEX #4C4442

RGB 76 68 66

HSL 12, 0.07%, 0.28%

LAB 29.57, 2.99, 2.44

 

CMYK 0 / 10 / 13 / 50

HEX #7F726E

RGB 127 114 110

HSL 14.12, 0.07%, 0.46%

LAB 49.1, 4.32, 4.04

 

CMYK 0 / 10 / 13 / 30

HEX #B2A09A

RGB 178 160 154

HSL 15, 0.13%, 0.65%

LAB 67.23, 5.55, 5.51

 

CMYK 6 / 0 / 13 / 31

HEX #A6B19A

RGB 166 177 154

HSL 88.7, 0.13%, 0.65%

LAB 70.79, -8.1, 10.46

 

CMYK 13 / 11 / 0 / 31

HEX #9A9DB1

RGB 154 157 177

HSL 232.17, 0.13%, 0.65%

LAB 65.09, 3.03, -10.73

 

CMYK 0 / 10 / 13 / 30

HEX #B2A09A

RGB 178 160 154

HSL 15, 0.13%, 0.65%

LAB 67.23, 5.55, 5.51

 

CMYK 13 / 0 / 10 / 31

HEX #9AB19F

RGB 154 177 159

HSL 133.04, 0.13%, 0.65%

LAB 70.05, -11.47, 6.54

 

CMYK 10 / 13 / 0 / 31

HEX #9F9AB1

RGB 159 154 177

HSL 253.04, 0.13%, 0.65%

LAB 64.69, 6.4, -11.29

 

CMYK 0 / 10 / 13 / 30

HEX #B2A09A

RGB 178 160 154

HSL 15, 0.13%, 0.65%

LAB 67.23, 5.55, 5.51

 

CMYK 6 / 0 / 13 / 31

HEX #A6B19A

RGB 166 177 154

HSL 88.7, 0.13%, 0.65%

LAB 70.79, -8.1, 10.46

 

CMYK 13 / 3 / 0 / 31

HEX #9AABB1

RGB 154 171 177

HSL 195.65, 0.13%, 0.65%

LAB 68.87, -4.66, -5.1

 

CMYK 7 / 13 / 0 / 31

HEX #A49AB1

RGB 164 154 177

HSL 266.09, 0.13%, 0.65%

LAB 65.1, 8.12, -10.62

 

CMYK 0 / 10 / 13 / 30

HEX #B2A09A

RGB 178 160 154

HSL 15, 0.13%, 0.65%

LAB 67.23, 5.55, 5.51

 

CMYK 10 / 0 / 13 / 31

HEX #9FB19A

RGB 159 177 154

HSL 106.96, 0.13%, 0.65%

LAB 70.28, -10.63, 9.67

 

CMYK 13 / 3 / 0 / 31

HEX #9AABB1

RGB 154 171 177

HSL 195.65, 0.13%, 0.65%

LAB 68.87, -4.66, -5.1

 

CMYK 3 / 13 / 0 / 31

HEX #AB9AB1

RGB 171 154 177

HSL 284.35, 0.13%, 0.65%

LAB 65.7, 10.54, -9.66

 

Description

Color code: RGB 178 160 154 | qconv.com Color code: RGB 178 160 154 | qconv.com - big

Since the color values are relatively high compared to others, this hue appears lighter to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 178 red, 160 green and 154 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
178 160 154 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, none cyan, 10 magenta, 13 yellow and 30 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
0% 10% 13% 30% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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