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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone RGB 178 109 195 it is the complementary color RGB 77 146 60. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color RGB 178 109 195. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the color tone RGB 178 109 195: RGB 183 109 190, RGB 200 127 209, RGB 217 145 228, RGB 234 163 247 and RGB 251 181 255

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color RGB 178 109 195. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the color tone RGB 178 109 195: RGB 178 109 195, RGB 161 91 176, RGB 144 73 157, RGB 127 55 138 and RGB 110 37 119

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 9 / 44 / 0 / 24

HEX #B26DC3

RGB 178 109 195

HSL 288.14, 0.42%, 0.6%

LAB 56.43, 41.62, -33.97

 

Complementary color

CMYK 47 / 0 / 59 / 43

HEX #4D923C

RGB 77 146 60

HSL 108.14, 0.42%, 0.4%

LAB 54.51, -38.91, 38.28

 

CMYK 4 / 43 / 0 / 25

HEX #B76DBE

RGB 183 109 190

HSL 294.81, 0.38%, 0.59%

LAB 56.8, 42.14, -30.49

 

CMYK 4 / 39 / 0 / 18

HEX #C87FD1

RGB 200 127 209

HSL 293.41, 0.47%, 0.66%

LAB 63.39, 41.38, -30.86

 

CMYK 5 / 36 / 0 / 11

HEX #D991E4

RGB 217 145 228

HSL 292.05, 0.61%, 0.73%

LAB 69.9, 40.63, -31.2

 

CMYK 5 / 34 / 0 / 3

HEX #EAA3F7

RGB 234 163 247

HSL 290.71, 0.84%, 0.8%

LAB 76.32, 39.92, -31.52

 

CMYK 2 / 29 / 0 / 0

HEX #FBB5FF

RGB 251 181 255

HSL 296.76, 1%, 0.85%

LAB 82.26, 37.19, -26.55

 

CMYK 9 / 44 / 0 / 24

HEX #B26DC3

RGB 178 109 195

HSL 288.14, 0.42%, 0.6%

LAB 56.43, 41.62, -33.97

 

CMYK 9 / 48 / 0 / 31

HEX #A15BB0

RGB 161 91 176

HSL 289.41, 0.35%, 0.52%

LAB 49.73, 42.4, -33.63

 

CMYK 8 / 54 / 0 / 38

HEX #90499D

RGB 144 73 157

HSL 290.71, 0.37%, 0.45%

LAB 42.96, 43.12, -33.21

 

CMYK 8 / 60 / 0 / 46

HEX #7F378A

RGB 127 55 138

HSL 292.05, 0.43%, 0.38%

LAB 36.14, 43.7, -32.61

 

CMYK 8 / 69 / 0 / 53

HEX #6E2577

RGB 110 37 119

HSL 293.41, 0.53%, 0.31%

LAB 29.34, 43.9, -31.71

 

CMYK 9 / 44 / 0 / 24

HEX #B26DC3

RGB 178 109 195

HSL 288.14, 0.42%, 0.6%

LAB 56.43, 41.62, -33.97

 

CMYK 2 / 44 / 0 / 24

HEX #C06EC3

RGB 192 110 195

HSL 297.88, 0.41%, 0.6%

LAB 58.32, 45.28, -30.9

 

CMYK 0 / 44 / 6 / 24

HEX #C36EB8

RGB 195 110 184

HSL 307.76, 0.41%, 0.6%

LAB 58.24, 44.2, -24.71

 

CMYK 0 / 44 / 13 / 24

HEX #C36EAA

RGB 195 110 170

HSL 317.65, 0.41%, 0.6%

LAB 57.71, 41.82, -17.48

 

CMYK 0 / 44 / 21 / 24

HEX #C36E9B

RGB 195 110 155

HSL 328.24, 0.41%, 0.6%

LAB 57.19, 39.44, -9.58

 

CMYK 9 / 44 / 0 / 24

HEX #B26DC3

RGB 178 109 195

HSL 288.14, 0.42%, 0.6%

LAB 56.43, 41.62, -33.97

 

CMYK 9 / 44 / 0 / 4

HEX #E18AF6

RGB 225 138 246

HSL 288.33, 0.86%, 0.75%

LAB 70.06, 50.13, -40.75

 

CMYK 10 / 45 / 0 / 84

HEX #26172A

RGB 38 23 42

HSL 287.37, 0.29%, 0.13%

LAB 10.5, 11.85, -9.92

 

CMYK 9 / 44 / 0 / 64

HEX #55345D

RGB 85 52 93

HSL 288.29, 0.28%, 0.28%

LAB 27.23, 22.73, -18.57

 

CMYK 9 / 44 / 0 / 44

HEX #835090

RGB 131 80 144

HSL 287.81, 0.29%, 0.44%

LAB 42.12, 32.65, -26.83

 

CMYK 9 / 44 / 0 / 24

HEX #B26DC3

RGB 178 109 195

HSL 288.14, 0.42%, 0.6%

LAB 56.43, 41.62, -33.97

 

CMYK 0 / 44 / 44 / 24

HEX #C36E6E

RGB 195 110 110

HSL 0, 0.41%, 0.6%

LAB 55.97, 33.59, 14.86

 

CMYK 44 / 0 / 26 / 24

HEX #6EC390

RGB 110 195 144

HSL 144, 0.41%, 0.6%

LAB 72.47, -37.23, 17.76

 

CMYK 9 / 44 / 0 / 24

HEX #B26DC3

RGB 178 109 195

HSL 288.14, 0.42%, 0.6%

LAB 56.43, 41.62, -33.97

 

CMYK 0 / 9 / 44 / 24

HEX #C3B26E

RGB 195 178 110

HSL 48, 0.41%, 0.6%

LAB 72.61, -3.4, 36.89

 

CMYK 44 / 0 / 9 / 24

HEX #6EC3B2

RGB 110 195 178

HSL 168, 0.41%, 0.6%

LAB 73.26, -29.86, 0.5

 

CMYK 9 / 44 / 0 / 24

HEX #B26DC3

RGB 178 109 195

HSL 288.14, 0.42%, 0.6%

LAB 56.43, 41.62, -33.97

 

CMYK 0 / 44 / 44 / 24

HEX #C36E6E

RGB 195 110 110

HSL 0, 0.41%, 0.6%

LAB 55.97, 33.59, 14.86

 

CMYK 35 / 0 / 44 / 24

HEX #7FC36E

RGB 127 195 110

HSL 108, 0.41%, 0.6%

LAB 72.67, -37.73, 36

 

CMYK 44 / 0 / 0 / 24

HEX #6EC3C3

RGB 110 195 195

HSL 180, 0.41%, 0.6%

LAB 73.73, -25.69, -8.05

 

CMYK 9 / 44 / 0 / 24

HEX #B26DC3

RGB 178 109 195

HSL 288.14, 0.42%, 0.6%

LAB 56.43, 41.62, -33.97

 

CMYK 0 / 31 / 44 / 24

HEX #C3876E

RGB 195 135 110

HSL 17.65, 0.41%, 0.6%

LAB 61.7, 19.96, 22.68

 

CMYK 35 / 0 / 44 / 24

HEX #7FC36E

RGB 127 195 110

HSL 108, 0.41%, 0.6%

LAB 72.67, -37.73, 36

 

CMYK 44 / 13 / 0 / 24

HEX #6EAAC3

RGB 110 170 195

HSL 197.65, 0.41%, 0.6%

LAB 66.52, -12.81, -18.87

 

Description

Color code: RGB 178 109 195 | qconv.com Color code: RGB 178 109 195 | qconv.com - big

Since the color values are relatively high compared to others, this hue appears lighter to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 178 red, 109 green and 195 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
178 109 195 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, 9 cyan, 44 magenta, none yellow and 24 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
9% 44% 0% 24% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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