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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone RGB 177 235 212 it is the complementary color RGB 78 20 43. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color RGB 177 235 212. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the color tone RGB 177 235 212: RGB 182 235 207, RGB 199 253 226, RGB 216 255 245, RGB 233 255 255 and RGB 250 255 255

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color RGB 177 235 212. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the color tone RGB 177 235 212: RGB 177 235 212, RGB 160 217 193, RGB 143 199 174, RGB 126 181 155 and RGB 109 163 136

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 25 / 0 / 10 / 8

HEX #B1EBD4

RGB 177 235 212

HSL 156.21, 0.59%, 0.81%

LAB 88.69, -23.01, 5.2

 

Complementary color

CMYK 0 / 74 / 45 / 69

HEX #4E142B

RGB 78 20 43

HSL 336.21, 0.59%, 0.19%

LAB 16.96, 29.31, -0.21

 

CMYK 23 / 0 / 12 / 8

HEX #B6EBCF

RGB 182 235 207

HSL 148.3, 0.57%, 0.82%

LAB 88.86, -22.44, 8.09

 

CMYK 21 / 0 / 11 / 1

HEX #C7FDE2

RGB 199 253 226

HSL 150, 0.93%, 0.89%

LAB 95.11, -22.28, 7.35

 

CMYK 15 / 0 / 4 / 0

HEX #D8FFF5

RGB 216 255 245

HSL 164.62, 1%, 0.92%

LAB 97.11, -14.36, 0.59

 

CMYK 9 / 0 / 0 / 0

HEX #E9FFFF

RGB 233 255 255

HSL 180, 1%, 0.96%

LAB 98.46, -7.11, -2.45

 

CMYK 2 / 0 / 0 / 0

HEX #FAFFFF

RGB 250 255 255

HSL 180, 1%, 0.99%

LAB 99.64, -1.63, -0.58

 

CMYK 25 / 0 / 10 / 8

HEX #B1EBD4

RGB 177 235 212

HSL 156.21, 0.59%, 0.81%

LAB 88.69, -23.01, 5.2

 

CMYK 26 / 0 / 11 / 15

HEX #A0D9C1

RGB 160 217 193

HSL 154.74, 0.43%, 0.74%

LAB 82.35, -23.19, 5.93

 

CMYK 28 / 0 / 13 / 22

HEX #8FC7AE

RGB 143 199 174

HSL 153.21, 0.33%, 0.67%

LAB 75.91, -23.38, 6.71

 

CMYK 30 / 0 / 14 / 29

HEX #7EB59B

RGB 126 181 155

HSL 151.64, 0.27%, 0.6%

LAB 69.36, -23.6, 7.53

 

CMYK 33 / 0 / 17 / 36

HEX #6DA388

RGB 109 163 136

HSL 150, 0.23%, 0.53%

LAB 62.7, -23.85, 8.4

 

CMYK 25 / 0 / 10 / 8

HEX #B1EBD4

RGB 177 235 212

HSL 156.21, 0.59%, 0.81%

LAB 88.69, -23.01, 5.2

 

CMYK 25 / 0 / 6 / 8

HEX #B1EBDD

RGB 177 235 221

HSL 165.52, 0.59%, 0.81%

LAB 88.92, -21.19, 0.81

 

CMYK 25 / 0 / 2 / 8

HEX #B1EBE7

RGB 177 235 231

HSL 175.86, 0.59%, 0.81%

LAB 89.17, -19.09, -4.04

 

CMYK 25 / 3 / 0 / 8

HEX #B1E5EB

RGB 177 229 235

HSL 186.21, 0.59%, 0.81%

LAB 87.67, -15.23, -8.36

 

CMYK 25 / 7 / 0 / 8

HEX #B1DBEB

RGB 177 219 235

HSL 196.55, 0.59%, 0.81%

LAB 85, -10.14, -12.34

 

CMYK 25 / 0 / 10 / 8

HEX #B1EBD4

RGB 177 235 212

HSL 156.21, 0.59%, 0.81%

LAB 88.69, -23.01, 5.2

 

CMYK 26 / 0 / 10 / 88

HEX #171F1C

RGB 23 31 28

HSL 157.5, 0.15%, 0.11%

LAB 10.89, -4.45, 0.85

 

CMYK 24 / 0 / 10 / 68

HEX #3E524A

RGB 62 82 74

HSL 156, 0.14%, 0.28%

LAB 33.03, -9.65, 2.17

 

CMYK 25 / 0 / 10 / 48

HEX #648578

RGB 100 133 120

HSL 156.36, 0.14%, 0.46%

LAB 52.77, -14.55, 3.22

 

CMYK 24 / 0 / 10 / 28

HEX #8BB8A6

RGB 139 184 166

HSL 156, 0.24%, 0.63%

LAB 71.23, -18.74, 4.28

 

CMYK 25 / 0 / 10 / 8

HEX #B1EBD4

RGB 177 235 212

HSL 156.21, 0.59%, 0.81%

LAB 88.69, -23.01, 5.2

 

CMYK 25 / 20 / 0 / 8

HEX #B1BDEB

RGB 177 189 235

HSL 227.59, 0.59%, 0.81%

LAB 77.13, 5.76, -24.23

 

CMYK 0 / 20 / 25 / 8

HEX #EBBDB1

RGB 235 189 177

HSL 12.41, 0.59%, 0.81%

LAB 80.31, 14.73, 12.31

 

CMYK 25 / 0 / 10 / 8

HEX #B1EBD4

RGB 177 235 212

HSL 156.21, 0.59%, 0.81%

LAB 88.69, -23.01, 5.2

 

CMYK 10 / 25 / 0 / 8

HEX #D4B1EB

RGB 212 177 235

HSL 276.21, 0.59%, 0.81%

LAB 76.94, 23.16, -24.25

 

CMYK 0 / 10 / 25 / 8

HEX #EBD4B1

RGB 235 212 177

HSL 36.21, 0.59%, 0.81%

LAB 85.97, 2.66, 20.24

 

CMYK 25 / 0 / 10 / 8

HEX #B1EBD4

RGB 177 235 212

HSL 156.21, 0.59%, 0.81%

LAB 88.69, -23.01, 5.2

 

CMYK 25 / 20 / 0 / 8

HEX #B1BDEB

RGB 177 189 235

HSL 227.59, 0.59%, 0.81%

LAB 77.13, 5.76, -24.23

 

CMYK 0 / 25 / 15 / 8

HEX #EBB1C8

RGB 235 177 200

HSL 336.21, 0.59%, 0.81%

LAB 78.04, 24.55, -3.41

 

CMYK 0 / 5 / 25 / 8

HEX #EBDFB1

RGB 235 223 177

HSL 47.59, 0.59%, 0.81%

LAB 88.74, -2.99, 24.06

 

CMYK 25 / 0 / 10 / 8

HEX #B1EBD4

RGB 177 235 212

HSL 156.21, 0.59%, 0.81%

LAB 88.69, -23.01, 5.2

 

CMYK 22 / 25 / 0 / 8

HEX #B7B1EB

RGB 183 177 235

HSL 246.21, 0.59%, 0.81%

LAB 74.51, 14.14, -28.18

 

CMYK 0 / 25 / 15 / 8

HEX #EBB1C8

RGB 235 177 200

HSL 336.21, 0.59%, 0.81%

LAB 78.04, 24.55, -3.41

 

CMYK 3 / 0 / 25 / 8

HEX #E5EBB1

RGB 229 235 177

HSL 66.21, 0.59%, 0.81%

LAB 91.35, -11.26, 27.55

 

Description

Color code: RGB 177 235 212 | qconv.com Color code: RGB 177 235 212 | qconv.com - big

Since the color values are relatively high compared to others, this hue appears lighter to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 177 red, 235 green and 212 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
177 235 212 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, 25 cyan, none magenta, 10 yellow and 8 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
25% 0% 10% 8% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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