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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone RGB 177 225 202 it is the complementary color RGB 78 30 53. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color RGB 177 225 202. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the color tone RGB 177 225 202: RGB 182 225 197, RGB 199 243 216, RGB 216 255 235, RGB 233 255 254 and RGB 250 255 255

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color RGB 177 225 202. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the color tone RGB 177 225 202: RGB 177 225 202, RGB 160 207 183, RGB 143 189 164, RGB 126 171 145 and RGB 109 153 126

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 21 / 0 / 10 / 12

HEX #B1E1CA

RGB 177 225 202

HSL 151.25, 0.44%, 0.79%

LAB 85.74, -20.06, 6.18

 

Complementary color

CMYK 0 / 62 / 32 / 69

HEX #4E1E35

RGB 78 30 53

HSL 331.25, 0.44%, 0.21%

LAB 19.25, 25.53, -3.93

 

CMYK 19 / 0 / 12 / 12

HEX #B6E1C5

RGB 182 225 197

HSL 140.93, 0.42%, 0.8%

LAB 85.92, -19.41, 9.11

 

CMYK 18 / 0 / 11 / 5

HEX #C7F3D8

RGB 199 243 216

HSL 143.18, 0.65%, 0.87%

LAB 92.22, -19.28, 8.36

 

CMYK 15 / 0 / 8 / 0

HEX #D8FFEB

RGB 216 255 235

HSL 149.23, 1%, 0.92%

LAB 96.87, -16.24, 5.38

 

CMYK 9 / 0 / 0 / 0

HEX #E9FFFE

RGB 233 255 254

HSL 177.27, 1%, 0.96%

LAB 98.43, -7.3, -1.97

 

CMYK 2 / 0 / 0 / 0

HEX #FAFFFF

RGB 250 255 255

HSL 180, 1%, 0.99%

LAB 99.64, -1.63, -0.58

 

CMYK 21 / 0 / 10 / 12

HEX #B1E1CA

RGB 177 225 202

HSL 151.25, 0.44%, 0.79%

LAB 85.74, -20.06, 6.18

 

CMYK 23 / 0 / 12 / 19

HEX #A0CFB7

RGB 160 207 183

HSL 149.36, 0.33%, 0.72%

LAB 79.34, -20.22, 6.93

 

CMYK 24 / 0 / 13 / 26

HEX #8FBDA4

RGB 143 189 164

HSL 147.39, 0.26%, 0.65%

LAB 72.84, -20.39, 7.71

 

CMYK 26 / 0 / 15 / 33

HEX #7EAB91

RGB 126 171 145

HSL 145.33, 0.21%, 0.58%

LAB 66.22, -20.6, 8.55

 

CMYK 29 / 0 / 18 / 40

HEX #6D997E

RGB 109 153 126

HSL 143.18, 0.18%, 0.51%

LAB 59.47, -20.83, 9.44

 

CMYK 21 / 0 / 10 / 12

HEX #B1E1CA

RGB 177 225 202

HSL 151.25, 0.44%, 0.79%

LAB 85.74, -20.06, 6.18

 

CMYK 21 / 0 / 7 / 12

HEX #B1E1D2

RGB 177 225 210

HSL 161.25, 0.44%, 0.79%

LAB 85.93, -18.48, 2.25

 

CMYK 21 / 0 / 4 / 12

HEX #B1E1D9

RGB 177 225 217

HSL 170, 0.44%, 0.79%

LAB 86.11, -17.05, -1.19

 

CMYK 21 / 0 / 0 / 12

HEX #B1E0E1

RGB 177 224 225

HSL 181.25, 0.44%, 0.79%

LAB 86.05, -14.87, -5.49

 

CMYK 21 / 4 / 0 / 12

HEX #B1D8E1

RGB 177 216 225

HSL 191.25, 0.44%, 0.79%

LAB 83.91, -10.79, -8.66

 

CMYK 21 / 0 / 10 / 12

HEX #B1E1CA

RGB 177 225 202

HSL 151.25, 0.44%, 0.79%

LAB 85.74, -20.06, 6.18

 

CMYK 19 / 0 / 10 / 92

HEX #111513

RGB 17 21 19

HSL 150, 0.11%, 0.07%

LAB 6.35, -2.08, 0.65

 

CMYK 21 / 0 / 10 / 72

HEX #394841

RGB 57 72 65

HSL 152, 0.12%, 0.25%

LAB 29.12, -7.67, 2.22

 

CMYK 21 / 0 / 11 / 52

HEX #617B6E

RGB 97 123 110

HSL 150, 0.12%, 0.43%

LAB 49.29, -12.28, 4.02

 

CMYK 21 / 0 / 10 / 32

HEX #89AE9C

RGB 137 174 156

HSL 150.81, 0.19%, 0.61%

LAB 68.01, -16.29, 5.13

 

CMYK 21 / 0 / 10 / 12

HEX #B1E1CA

RGB 177 225 202

HSL 151.25, 0.44%, 0.79%

LAB 85.74, -20.06, 6.18

 

CMYK 21 / 15 / 0 / 12

HEX #B1BFE1

RGB 177 191 225

HSL 222.5, 0.44%, 0.79%

LAB 77.31, 2.39, -18.56

 

CMYK 0 / 19 / 21 / 12

HEX #E1B7B1

RGB 225 183 177

HSL 7.5, 0.44%, 0.79%

LAB 77.9, 14.21, 8.76

 

CMYK 21 / 0 / 10 / 12

HEX #B1E1CA

RGB 177 225 202

HSL 151.25, 0.44%, 0.79%

LAB 85.74, -20.06, 6.18

 

CMYK 10 / 21 / 0 / 12

HEX #CAB1E1

RGB 202 177 225

HSL 271.25, 0.44%, 0.79%

LAB 75.72, 17.91, -20.77

 

CMYK 0 / 10 / 21 / 12

HEX #E1CAB1

RGB 225 202 177

HSL 31.25, 0.44%, 0.79%

LAB 82.61, 4.15, 15.42

 

CMYK 21 / 0 / 10 / 12

HEX #B1E1CA

RGB 177 225 202

HSL 151.25, 0.44%, 0.79%

LAB 85.74, -20.06, 6.18

 

CMYK 21 / 15 / 0 / 12

HEX #B1BFE1

RGB 177 191 225

HSL 222.5, 0.44%, 0.79%

LAB 77.31, 2.39, -18.56

 

CMYK 0 / 21 / 11 / 12

HEX #E1B1C8

RGB 225 177 200

HSL 331.25, 0.44%, 0.79%

LAB 77.05, 21.04, -4.97

 

CMYK 0 / 6 / 21 / 12

HEX #E1D3B1

RGB 225 211 177

HSL 42.5, 0.44%, 0.79%

LAB 84.88, -0.54, 18.6

 

CMYK 21 / 0 / 10 / 12

HEX #B1E1CA

RGB 177 225 202

HSL 151.25, 0.44%, 0.79%

LAB 85.74, -20.06, 6.18

 

CMYK 21 / 21 / 0 / 12

HEX #B2B1E1

RGB 178 177 225

HSL 241.25, 0.44%, 0.79%

LAB 73.77, 10.33, -23.92

 

CMYK 0 / 21 / 11 / 12

HEX #E1B1C8

RGB 225 177 200

HSL 331.25, 0.44%, 0.79%

LAB 77.05, 21.04, -4.97

 

CMYK 0 / 0 / 21 / 12

HEX #E0E1B1

RGB 224 225 177

HSL 61.25, 0.44%, 0.79%

LAB 88.39, -8.07, 23.44

 

Description

Color code: RGB 177 225 202 | qconv.com Color code: RGB 177 225 202 | qconv.com - big

Since the color values are relatively high compared to others, this hue appears lighter to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 177 red, 225 green and 202 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
177 225 202 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, 21 cyan, none magenta, 10 yellow and 12 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
21% 0% 10% 12% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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