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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone RGB 177 1 101 it is the complementary color RGB 78 254 154. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color RGB 177 1 101. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the color tone RGB 177 1 101: RGB 182 1 96, RGB 199 19 115, RGB 216 37 134, RGB 233 55 153 and RGB 250 73 172

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color RGB 177 1 101. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the color tone RGB 177 1 101: RGB 177 1 101, RGB 160 0 82, RGB 143 0 63, RGB 126 0 44 and RGB 109 0 25

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 0 / 99 / 43 / 31

HEX #B10165

RGB 177 1 101

HSL 325.91, 0.99%, 0.35%

LAB 38.39, 65.37, -5.26

 

Complementary color

CMYK 69 / 0 / 39 / 0

HEX #4EFE9A

RGB 78 254 154

HSL 145.91, 0.99%, 0.65%

LAB 89.32, -65.94, 35.21

 

CMYK 0 / 99 / 47 / 29

HEX #B60160

RGB 182 1 96

HSL 328.51, 0.99%, 0.36%

LAB 39.26, 66.05, -0.68

 

CMYK 0 / 90 / 42 / 22

HEX #C71373

RGB 199 19 115

HSL 328, 0.83%, 0.43%

LAB 44.01, 69.53, -5.22

 

CMYK 0 / 83 / 38 / 15

HEX #D82586

RGB 216 37 134

HSL 327.49, 0.71%, 0.5%

LAB 49.06, 71.99, -8.98

 

CMYK 0 / 76 / 34 / 9

HEX #E93799

RGB 233 55 153

HSL 326.97, 0.8%, 0.56%

LAB 54.4, 73.47, -12.01

 

CMYK 0 / 71 / 31 / 2

HEX #FA49AC

RGB 250 73 172

HSL 326.44, 0.95%, 0.63%

LAB 59.95, 74.24, -14.47

 

CMYK 0 / 99 / 43 / 31

HEX #B10165

RGB 177 1 101

HSL 325.91, 0.99%, 0.35%

LAB 38.39, 65.37, -5.26

 

CMYK 0 / 100 / 49 / 37

HEX #A00052

RGB 160 0 82

HSL 329.25, 1%, 0.31%

LAB 34.15, 60.01, 0.34

 

CMYK 0 / 100 / 56 / 44

HEX #8F003F

RGB 143 0 63

HSL 333.57, 1%, 0.28%

LAB 29.91, 54.51, 6.34

 

CMYK 0 / 100 / 65 / 51

HEX #7E002C

RGB 126 0 44

HSL 339.05, 1%, 0.25%

LAB 25.62, 49.01, 12.74

 

CMYK 0 / 100 / 77 / 57

HEX #6D0019

RGB 109 0 25

HSL 346.24, 1%, 0.21%

LAB 21.29, 43.56, 19.55

 

CMYK 0 / 99 / 43 / 31

HEX #B10165

RGB 177 1 101

HSL 325.91, 0.99%, 0.35%

LAB 38.39, 65.37, -5.26

 

CMYK 0 / 100 / 58 / 31

HEX #B1004A

RGB 177 0 74

HSL 334.92, 1%, 0.35%

LAB 37.56, 63.38, 10.88

 

CMYK 0 / 100 / 75 / 31

HEX #B1002D

RGB 177 0 45

HSL 344.75, 1%, 0.35%

LAB 37, 61.88, 28.75

 

CMYK 0 / 100 / 92 / 31

HEX #B1000F

RGB 177 0 15

HSL 354.92, 1%, 0.35%

LAB 36.71, 61.09, 45.14

 

CMYK 0 / 92 / 100 / 31

HEX #B10F00

RGB 177 15 0

HSL 5.08, 1%, 0.35%

LAB 37.28, 59.08, 51.32

 

CMYK 0 / 99 / 43 / 31

HEX #B10165

RGB 177 1 101

HSL 325.91, 0.99%, 0.35%

LAB 38.39, 65.37, -5.26

 

CMYK 0 / 100 / 43 / 11

HEX #E40182

RGB 228 1 130

HSL 325.9, 0.99%, 0.45%

LAB 49.65, 78.91, -5.43

 

CMYK 0 / 100 / 42 / 91

HEX #18000E

RGB 24 0 14

HSL 325, 1%, 0.05%

LAB 2.04, 9.88, -2.7

 

CMYK 0 / 100 / 43 / 71

HEX #4B002B

RGB 75 0 43

HSL 325.6, 1%, 0.15%

LAB 13.65, 35.92, -5.2

 

CMYK 0 / 99 / 43 / 51

HEX #7E0148

RGB 126 1 72

HSL 325.92, 0.98%, 0.25%

LAB 26.52, 51.06, -5.12

 

CMYK 0 / 99 / 43 / 31

HEX #B10165

RGB 177 1 101

HSL 325.91, 0.99%, 0.35%

LAB 38.39, 65.37, -5.26

 

CMYK 0 / 38 / 100 / 31

HEX #B16D00

RGB 177 109 0

HSL 36.95, 1%, 0.35%

LAB 52.16, 20.48, 59.4

 

CMYK 100 / 2 / 0 / 31

HEX #00AEB1

RGB 0 174 177

HSL 181.02, 1%, 0.35%

LAB 64.52, -35.17, -12.14

 

CMYK 0 / 99 / 43 / 31

HEX #B10165

RGB 177 1 101

HSL 325.91, 0.99%, 0.35%

LAB 38.39, 65.37, -5.26

 

CMYK 42 / 0 / 100 / 31

HEX #67B100

RGB 103 177 0

HSL 85.08, 1%, 0.35%

LAB 65.22, -46.32, 66.1

 

CMYK 100 / 42 / 0 / 31

HEX #0067B1

RGB 0 103 177

HSL 205.08, 1%, 0.35%

LAB 42.57, 3.72, -46.21

 

CMYK 0 / 99 / 43 / 31

HEX #B10165

RGB 177 1 101

HSL 325.91, 0.99%, 0.35%

LAB 38.39, 65.37, -5.26

 

CMYK 0 / 38 / 100 / 31

HEX #B16D00

RGB 177 109 0

HSL 36.95, 1%, 0.35%

LAB 52.16, 20.48, 59.4

 

CMYK 100 / 0 / 58 / 31

HEX #00B14A

RGB 0 177 74

HSL 145.08, 1%, 0.35%

LAB 63.29, -60.29, 41.49

 

CMYK 100 / 62 / 0 / 31

HEX #0044B1

RGB 0 68 177

HSL 216.95, 1%, 0.35%

LAB 32.5, 27.02, -62.52

 

CMYK 0 / 99 / 43 / 31

HEX #B10165

RGB 177 1 101

HSL 325.91, 0.99%, 0.35%

LAB 38.39, 65.37, -5.26

 

CMYK 0 / 8 / 100 / 31

HEX #B1A200

RGB 177 162 0

HSL 54.92, 1%, 0.35%

LAB 65.89, -8.63, 68.84

 

CMYK 100 / 0 / 58 / 31

HEX #00B14A

RGB 0 177 74

HSL 145.08, 1%, 0.35%

LAB 63.29, -60.29, 41.49

 

CMYK 100 / 92 / 0 / 31

HEX #000FB1

RGB 0 15 177

HSL 234.92, 1%, 0.35%

LAB 22, 56.29, -79.89

 

Description

Color code: RGB 177 1 101 | qconv.com Color code: RGB 177 1 101 | qconv.com - big

This color makes magenta stand out from the other colors. The values representing the red and blue hue are greater than the third value. They are close together and exceed the value of the green hue. Since the color values are relatively low compared to others, this hue appears darker to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 177 red, 1 green and 101 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
177 1 101 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, none cyan, 99 magenta, 43 yellow and 31 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
0% 99% 43% 31% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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