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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone RGB 177 174 218 it is the complementary color RGB 78 81 37. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color RGB 177 174 218. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the color tone RGB 177 174 218: RGB 182 174 213, RGB 199 192 232, RGB 216 210 251, RGB 233 228 255 and RGB 250 246 255

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color RGB 177 174 218. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the color tone RGB 177 174 218: RGB 177 174 218, RGB 160 156 199, RGB 143 138 180, RGB 126 120 161 and RGB 109 102 142

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 19 / 20 / 0 / 15

HEX #B1AEDA

RGB 177 174 218

HSL 244.09, 0.37%, 0.77%

LAB 72.68, 10.09, -21.77

 

Complementary color

CMYK 4 / 0 / 54 / 68

HEX #4E5125

RGB 78 81 37

HSL 64.09, 0.37%, 0.23%

LAB 33.22, -8.54, 25.22

 

CMYK 15 / 18 / 0 / 16

HEX #B6AED5

RGB 182 174 213

HSL 252.31, 0.32%, 0.76%

LAB 72.91, 10.59, -18.66

 

CMYK 14 / 17 / 0 / 9

HEX #C7C0E8

RGB 199 192 232

HSL 250.5, 0.47%, 0.83%

LAB 79.42, 10.26, -18.97

 

CMYK 14 / 16 / 0 / 2

HEX #D8D2FB

RGB 216 210 251

HSL 248.78, 0.84%, 0.9%

LAB 85.83, 9.95, -19.28

 

CMYK 9 / 11 / 0 / 0

HEX #E9E4FF

RGB 233 228 255

HSL 251.11, 1%, 0.95%

LAB 91.7, 6.68, -12.45

 

CMYK 2 / 4 / 0 / 0

HEX #FAF6FF

RGB 250 246 255

HSL 266.67, 1%, 0.98%

LAB 97.41, 2.92, -3.85

 

CMYK 19 / 20 / 0 / 15

HEX #B1AEDA

RGB 177 174 218

HSL 244.09, 0.37%, 0.77%

LAB 72.68, 10.09, -21.77

 

CMYK 20 / 22 / 0 / 22

HEX #A09CC7

RGB 160 156 199

HSL 245.58, 0.28%, 0.7%

LAB 66.04, 10.46, -21.54

 

CMYK 21 / 23 / 0 / 29

HEX #8F8AB4

RGB 143 138 180

HSL 247.14, 0.22%, 0.62%

LAB 59.26, 10.86, -21.33

 

CMYK 22 / 25 / 0 / 37

HEX #7E78A1

RGB 126 120 161

HSL 248.78, 0.18%, 0.55%

LAB 52.33, 11.31, -21.14

 

CMYK 23 / 28 / 0 / 44

HEX #6D668E

RGB 109 102 142

HSL 250.5, 0.16%, 0.48%

LAB 45.23, 11.81, -20.99

 

CMYK 19 / 20 / 0 / 15

HEX #B1AEDA

RGB 177 174 218

HSL 244.09, 0.37%, 0.77%

LAB 72.68, 10.09, -21.77

 

CMYK 16 / 20 / 0 / 15

HEX #B8AEDA

RGB 184 174 218

HSL 253.64, 0.37%, 0.77%

LAB 73.24, 12.31, -20.88

 

CMYK 12 / 20 / 0 / 15

HEX #C0AEDA

RGB 192 174 218

HSL 264.55, 0.37%, 0.77%

LAB 73.89, 14.88, -19.82

 

CMYK 9 / 20 / 0 / 15

HEX #C7AEDA

RGB 199 174 218

HSL 274.09, 0.37%, 0.77%

LAB 74.49, 17.15, -18.85

 

CMYK 6 / 20 / 0 / 15

HEX #CEAEDA

RGB 206 174 218

HSL 283.64, 0.37%, 0.77%

LAB 75.11, 19.45, -17.86

 

CMYK 19 / 20 / 0 / 15

HEX #B1AEDA

RGB 177 174 218

HSL 244.09, 0.37%, 0.77%

LAB 72.68, 10.09, -21.77

 

CMYK 21 / 21 / 0 / 95

HEX #0B0B0E

RGB 11 11 14

HSL 240, 0.12%, 0.05%

LAB 3.09, 0.48, -1.3

 

CMYK 18 / 20 / 0 / 75

HEX #353441

RGB 53 52 65

HSL 244.62, 0.11%, 0.23%

LAB 22.28, 3.68, -7.94

 

CMYK 19 / 20 / 0 / 55

HEX #5E5D74

RGB 94 93 116

HSL 242.61, 0.11%, 0.41%

LAB 40.36, 5.67, -12.84

 

CMYK 19 / 20 / 0 / 35

HEX #8885A7

RGB 136 133 167

HSL 245.29, 0.16%, 0.59%

LAB 56.88, 8.41, -17.59

 

CMYK 19 / 20 / 0 / 15

HEX #B1AEDA

RGB 177 174 218

HSL 244.09, 0.37%, 0.77%

LAB 72.68, 10.09, -21.77

 

CMYK 0 / 20 / 6 / 15

HEX #DAAECE

RGB 218 174 206

HSL 316.36, 0.37%, 0.77%

LAB 75.84, 21.26, -10.11

 

CMYK 13 / 0 / 20 / 15

HEX #BDDAAE

RGB 189 218 174

HSL 99.55, 0.37%, 0.77%

LAB 83.97, -17.59, 18.51

 

CMYK 19 / 20 / 0 / 15

HEX #B1AEDA

RGB 177 174 218

HSL 244.09, 0.37%, 0.77%

LAB 72.68, 10.09, -21.77

 

CMYK 0 / 19 / 20 / 15

HEX #DAB1AE

RGB 218 177 174

HSL 4.09, 0.37%, 0.77%

LAB 75.7, 14.39, 7.15

 

CMYK 20 / 0 / 19 / 15

HEX #AEDAB1

RGB 174 218 177

HSL 124.09, 0.37%, 0.77%

LAB 83.08, -22.2, 15.54

 

CMYK 19 / 20 / 0 / 15

HEX #B1AEDA

RGB 177 174 218

HSL 244.09, 0.37%, 0.77%

LAB 72.68, 10.09, -21.77

 

CMYK 0 / 20 / 6 / 15

HEX #DAAECE

RGB 218 174 206

HSL 316.36, 0.37%, 0.77%

LAB 75.84, 21.26, -10.11

 

CMYK 1 / 0 / 20 / 15

HEX #D7DAAE

RGB 215 218 174

HSL 64.09, 0.37%, 0.77%

LAB 85.83, -8.25, 21.37

 

CMYK 20 / 0 / 15 / 15

HEX #AEDABA

RGB 174 218 186

HSL 136.36, 0.37%, 0.77%

LAB 83.28, -20.59, 11.07

 

CMYK 19 / 20 / 0 / 15

HEX #B1AEDA

RGB 177 174 218

HSL 244.09, 0.37%, 0.77%

LAB 72.68, 10.09, -21.77

 

CMYK 0 / 20 / 11 / 15

HEX #DAAEC1

RGB 218 174 193

HSL 334.09, 0.37%, 0.77%

LAB 75.47, 19.02, -3.57

 

CMYK 1 / 0 / 20 / 15

HEX #D7DAAE

RGB 215 218 174

HSL 64.09, 0.37%, 0.77%

LAB 85.83, -8.25, 21.37

 

CMYK 20 / 0 / 9 / 15

HEX #AEDAC7

RGB 174 218 199

HSL 154.09, 0.37%, 0.77%

LAB 83.58, -18.11, 4.63

 

Description

Color code: RGB 177 174 218 | qconv.com Color code: RGB 177 174 218 | qconv.com - big

Since the color values are relatively high compared to others, this hue appears lighter to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 177 red, 174 green and 218 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
177 174 218 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, 19 cyan, 20 magenta, none yellow and 15 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
19% 20% 0% 15% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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