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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone RGB 177 173 63 it is the complementary color RGB 78 82 192. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color RGB 177 173 63. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the color tone RGB 177 173 63: RGB 182 173 58, RGB 199 191 77, RGB 216 209 96, RGB 233 227 115 and RGB 250 245 134

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color RGB 177 173 63. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the color tone RGB 177 173 63: RGB 177 173 63, RGB 160 155 44, RGB 143 137 25, RGB 126 119 6 and RGB 109 101 0

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 0 / 2 / 64 / 31

HEX #B1AD3F

RGB 177 173 63

HSL 57.89, 0.48%, 0.47%

LAB 69.18, -12.31, 54.99

 

Complementary color

CMYK 59 / 57 / 0 / 25

HEX #4E52C0

RGB 78 82 192

HSL 237.89, 0.48%, 0.53%

LAB 40.34, 31.32, -58.43

 

CMYK 0 / 5 / 68 / 29

HEX #B6AD3A

RGB 182 173 58

HSL 55.65, 0.52%, 0.47%

LAB 69.57, -10.45, 57.58

 

CMYK 0 / 4 / 61 / 22

HEX #C7BF4D

RGB 199 191 77

HSL 56.07, 0.52%, 0.54%

LAB 76.03, -11.3, 56.86

 

CMYK 0 / 3 / 56 / 15

HEX #D8D160

RGB 216 209 96

HSL 56.5, 0.61%, 0.61%

LAB 82.4, -12.01, 55.89

 

CMYK 0 / 3 / 51 / 9

HEX #E9E373

RGB 233 227 115

HSL 56.95, 0.73%, 0.68%

LAB 88.69, -12.6, 54.8

 

CMYK 0 / 2 / 46 / 2

HEX #FAF586

RGB 250 245 134

HSL 57.41, 0.92%, 0.75%

LAB 94.89, -13.11, 53.67

 

CMYK 0 / 2 / 64 / 31

HEX #B1AD3F

RGB 177 173 63

HSL 57.89, 0.48%, 0.47%

LAB 69.18, -12.31, 54.99

 

CMYK 0 / 3 / 73 / 37

HEX #A09B2C

RGB 160 155 44

HSL 57.41, 0.57%, 0.4%

LAB 62.59, -11.4, 55.46

 

CMYK 0 / 4 / 83 / 44

HEX #8F8919

RGB 143 137 25

HSL 56.95, 0.7%, 0.33%

LAB 55.89, -10.26, 55.13

 

CMYK 0 / 6 / 95 / 51

HEX #7E7706

RGB 126 119 6

HSL 56.5, 0.91%, 0.26%

LAB 49.06, -8.83, 53.32

 

CMYK 0 / 7 / 100 / 57

HEX #6D6500

RGB 109 101 0

HSL 55.6, 1%, 0.21%

LAB 42.09, -7.02, 48.77

 

CMYK 0 / 2 / 64 / 31

HEX #B1AD3F

RGB 177 173 63

HSL 57.89, 0.48%, 0.47%

LAB 69.18, -12.31, 54.99

 

CMYK 8 / 0 / 65 / 31

HEX #A3B13E

RGB 163 177 62

HSL 67.3, 0.48%, 0.47%

LAB 69.17, -20.37, 55.05

 

CMYK 19 / 0 / 65 / 31

HEX #90B13E

RGB 144 177 62

HSL 77.22, 0.48%, 0.47%

LAB 67.81, -28.21, 53.21

 

CMYK 29 / 0 / 65 / 31

HEX #7DB13E

RGB 125 177 62

HSL 87.13, 0.48%, 0.47%

LAB 66.64, -35.62, 51.6

 

CMYK 40 / 0 / 65 / 31

HEX #6AB13E

RGB 106 177 62

HSL 97.04, 0.48%, 0.47%

LAB 65.64, -42.42, 50.22

 

CMYK 0 / 2 / 64 / 31

HEX #B1AD3F

RGB 177 173 63

HSL 57.89, 0.48%, 0.47%

LAB 69.18, -12.31, 54.99

 

CMYK 0 / 2 / 64 / 11

HEX #E4DF51

RGB 228 223 81

HSL 57.96, 0.73%, 0.61%

LAB 86.93, -15.06, 67.47

 

CMYK 0 / 4 / 63 / 91

HEX #181709

RGB 24 23 9

HSL 56, 0.45%, 0.06%

LAB 7.47, -2.19, 7.45

 

CMYK 0 / 3 / 64 / 71

HEX #4B491B

RGB 75 73 27

HSL 57.5, 0.47%, 0.2%

LAB 30.25, -6.19, 27.23

 

CMYK 0 / 2 / 64 / 51

HEX #7E7B2D

RGB 126 123 45

HSL 57.78, 0.47%, 0.34%

LAB 50.44, -9.39, 41.72

 

CMYK 0 / 2 / 64 / 31

HEX #B1AD3F

RGB 177 173 63

HSL 57.89, 0.48%, 0.47%

LAB 69.18, -12.31, 54.99

 

CMYK 65 / 0 / 55 / 31

HEX #3EB14F

RGB 62 177 79

HSL 128.87, 0.48%, 0.47%

LAB 64.19, -52.67, 40.37

 

CMYK 29 / 65 / 0 / 31

HEX #7D3EB1

RGB 125 62 177

HSL 272.87, 0.48%, 0.47%

LAB 39.55, 48.32, -50.69

 

CMYK 0 / 2 / 64 / 31

HEX #B1AD3F

RGB 177 173 63

HSL 57.89, 0.48%, 0.47%

LAB 69.18, -12.31, 54.99

 

CMYK 65 / 0 / 3 / 31

HEX #3EB1AB

RGB 62 177 171

HSL 176.87, 0.48%, 0.47%

LAB 66.07, -33.12, -6.42

 

CMYK 3 / 65 / 0 / 31

HEX #AB3EB1

RGB 171 62 177

HSL 296.87, 0.48%, 0.47%

LAB 46.01, 59.16, -39.99

 

CMYK 0 / 2 / 64 / 31

HEX #B1AD3F

RGB 177 173 63

HSL 57.89, 0.48%, 0.47%

LAB 69.18, -12.31, 54.99

 

CMYK 65 / 0 / 55 / 31

HEX #3EB14F

RGB 62 177 79

HSL 128.87, 0.48%, 0.47%

LAB 64.19, -52.67, 40.37

 

CMYK 65 / 62 / 0 / 31

HEX #3E44B1

RGB 62 68 177

HSL 236.87, 0.48%, 0.47%

LAB 34.67, 32.37, -58.89

 

CMYK 0 / 65 / 10 / 31

HEX #B13EA0

RGB 177 62 160

HSL 308.87, 0.48%, 0.47%

LAB 46.08, 57.8, -29.75

 

CMYK 0 / 2 / 64 / 31

HEX #B1AD3F

RGB 177 173 63

HSL 57.89, 0.48%, 0.47%

LAB 69.18, -12.31, 54.99

 

CMYK 65 / 0 / 36 / 31

HEX #3EB172

RGB 62 177 114

HSL 147.13, 0.48%, 0.47%

LAB 64.71, -46.84, 23

 

CMYK 65 / 62 / 0 / 31

HEX #3E44B1

RGB 62 68 177

HSL 236.87, 0.48%, 0.47%

LAB 34.67, 32.37, -58.89

 

CMYK 0 / 65 / 29 / 31

HEX #B13E7D

RGB 177 62 125

HSL 327.13, 0.48%, 0.47%

LAB 44.62, 52.77, -10.88

 

Description

Color code: RGB 177 173 63 | qconv.com Color code: RGB 177 173 63 | qconv.com - big

Since the color values are relatively high compared to others, this hue appears lighter to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 177 red, 173 green and 63 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
177 173 63 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, none cyan, 2 magenta, 64 yellow and 31 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
0% 2% 64% 31% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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