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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone RGB 177 167 225 it is the complementary color RGB 78 88 30. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color RGB 177 167 225. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the color tone RGB 177 167 225: RGB 182 167 220, RGB 199 185 239, RGB 216 203 255, RGB 233 221 255 and RGB 250 239 255

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color RGB 177 167 225. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the color tone RGB 177 167 225: RGB 177 167 225, RGB 160 149 206, RGB 143 131 187, RGB 126 113 168 and RGB 109 95 149

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 21 / 26 / 0 / 12

HEX #B1A7E1

RGB 177 167 225

HSL 250.34, 0.49%, 0.77%

LAB 71.16, 15.56, -27.93

 

Complementary color

CMYK 11 / 0 / 66 / 65

HEX #4E581E

RGB 78 88 30

HSL 70.34, 0.49%, 0.23%

LAB 35.39, -13.26, 31.42

 

CMYK 17 / 24 / 0 / 14

HEX #B6A7DC

RGB 182 167 220

HSL 256.98, 0.43%, 0.76%

LAB 71.38, 15.99, -24.81

 

CMYK 17 / 23 / 0 / 6

HEX #C7B9EF

RGB 199 185 239

HSL 255.56, 0.63%, 0.83%

LAB 77.92, 15.55, -25.02

 

CMYK 15 / 20 / 0 / 0

HEX #D8CBFF

RGB 216 203 255

HSL 255, 1%, 0.9%

LAB 84.24, 14.51, -23.81

 

CMYK 9 / 13 / 0 / 0

HEX #E9DDFF

RGB 233 221 255

HSL 261.18, 1%, 0.93%

LAB 89.98, 10.33, -15.02

 

CMYK 2 / 6 / 0 / 0

HEX #FAEFFF

RGB 250 239 255

HSL 281.25, 1%, 0.97%

LAB 95.7, 6.5, -6.37

 

CMYK 21 / 26 / 0 / 12

HEX #B1A7E1

RGB 177 167 225

HSL 250.34, 0.49%, 0.77%

LAB 71.16, 15.56, -27.93

 

CMYK 22 / 28 / 0 / 19

HEX #A095CE

RGB 160 149 206

HSL 251.58, 0.37%, 0.7%

LAB 64.5, 16.05, -27.79

 

CMYK 24 / 30 / 0 / 27

HEX #8F83BB

RGB 143 131 187

HSL 252.86, 0.29%, 0.62%

LAB 57.71, 16.59, -27.69

 

CMYK 25 / 33 / 0 / 34

HEX #7E71A8

RGB 126 113 168

HSL 254.18, 0.24%, 0.55%

LAB 50.77, 17.2, -27.62

 

CMYK 27 / 36 / 0 / 42

HEX #6D5F95

RGB 109 95 149

HSL 255.56, 0.22%, 0.48%

LAB 43.66, 17.9, -27.6

 

CMYK 21 / 26 / 0 / 12

HEX #B1A7E1

RGB 177 167 225

HSL 250.34, 0.49%, 0.77%

LAB 71.16, 15.56, -27.93

 

CMYK 17 / 26 / 0 / 12

HEX #BAA7E1

RGB 186 167 225

HSL 259.66, 0.49%, 0.77%

LAB 71.9, 18.34, -26.72

 

CMYK 13 / 26 / 0 / 12

HEX #C4A7E1

RGB 196 167 225

HSL 270, 0.49%, 0.77%

LAB 72.77, 21.48, -25.32

 

CMYK 9 / 26 / 0 / 12

HEX #CDA7E1

RGB 205 167 225

HSL 279.31, 0.49%, 0.77%

LAB 73.58, 24.35, -24.01

 

CMYK 4 / 26 / 0 / 12

HEX #D7A7E1

RGB 215 167 225

HSL 289.66, 0.49%, 0.77%

LAB 74.52, 27.57, -22.49

 

CMYK 21 / 26 / 0 / 12

HEX #B1A7E1

RGB 177 167 225

HSL 250.34, 0.49%, 0.77%

LAB 71.16, 15.56, -27.93

 

CMYK 19 / 24 / 0 / 92

HEX #111015

RGB 17 16 21

HSL 252, 0.14%, 0.07%

LAB 4.91, 1.43, -2.76

 

CMYK 21 / 26 / 0 / 72

HEX #393548

RGB 57 53 72

HSL 252.63, 0.15%, 0.25%

LAB 23.28, 6.46, -11.08

 

CMYK 21 / 26 / 0 / 52

HEX #615B7B

RGB 97 91 123

HSL 251.25, 0.15%, 0.42%

LAB 40.33, 9.72, -17.14

 

CMYK 21 / 26 / 0 / 32

HEX #8981AE

RGB 137 129 174

HSL 250.67, 0.22%, 0.59%

LAB 56.16, 12.72, -22.69

 

CMYK 21 / 26 / 0 / 12

HEX #B1A7E1

RGB 177 167 225

HSL 250.34, 0.49%, 0.77%

LAB 71.16, 15.56, -27.93

 

CMYK 0 / 26 / 9 / 12

HEX #E1A7CC

RGB 225 167 204

HSL 321.72, 0.49%, 0.77%

LAB 74.83, 27.09, -10.46

 

CMYK 20 / 0 / 26 / 12

HEX #B5E1A7

RGB 181 225 167

HSL 105.52, 0.49%, 0.77%

LAB 85.23, -24.92, 23.82

 

CMYK 21 / 26 / 0 / 12

HEX #B1A7E1

RGB 177 167 225

HSL 250.34, 0.49%, 0.77%

LAB 71.16, 15.56, -27.93

 

CMYK 0 / 21 / 26 / 12

HEX #E1B1A7

RGB 225 177 167

HSL 10.34, 0.49%, 0.77%

LAB 76.22, 15.98, 11.78

 

CMYK 26 / 0 / 21 / 12

HEX #A7E1B1

RGB 167 225 177

HSL 130.34, 0.49%, 0.77%

LAB 84.61, -27.89, 17.62

 

CMYK 21 / 26 / 0 / 12

HEX #B1A7E1

RGB 177 167 225

HSL 250.34, 0.49%, 0.77%

LAB 71.16, 15.56, -27.93

 

CMYK 0 / 26 / 9 / 12

HEX #E1A7CC

RGB 225 167 204

HSL 321.72, 0.49%, 0.77%

LAB 74.83, 27.09, -10.46

 

CMYK 4 / 0 / 26 / 12

HEX #D7E1A7

RGB 215 225 167

HSL 70.34, 0.49%, 0.77%

LAB 87.53, -12.78, 27.33

 

CMYK 26 / 0 / 16 / 12

HEX #A7E1BC

RGB 167 225 188

HSL 141.72, 0.49%, 0.77%

LAB 84.84, -25.88, 12.19

 

CMYK 21 / 26 / 0 / 12

HEX #B1A7E1

RGB 177 167 225

HSL 250.34, 0.49%, 0.77%

LAB 71.16, 15.56, -27.93

 

CMYK 0 / 26 / 17 / 12

HEX #E1A7BA

RGB 225 167 186

HSL 340.34, 0.49%, 0.77%

LAB 74.31, 24.16, -1.35

 

CMYK 4 / 0 / 26 / 12

HEX #D7E1A7

RGB 215 225 167

HSL 70.34, 0.49%, 0.77%

LAB 87.53, -12.78, 27.33

 

CMYK 26 / 0 / 9 / 12

HEX #A7E1CD

RGB 167 225 205

HSL 159.31, 0.49%, 0.77%

LAB 85.24, -22.56, 3.8

 

Description

Color code: RGB 177 167 225 | qconv.com Color code: RGB 177 167 225 | qconv.com - big

Since the color values are relatively high compared to others, this hue appears lighter to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 177 red, 167 green and 225 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
177 167 225 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, 21 cyan, 26 magenta, none yellow and 12 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
21% 26% 0% 12% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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