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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone RGB 177 152 126 it is the complementary color RGB 78 103 129. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color RGB 177 152 126. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the RGB 177 152 126 shade: RGB 182 152 121, RGB 199 170 140, RGB 216 188 159, RGB 233 206 178 and RGB 250 224 197

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color RGB 177 152 126. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the RGB 177 152 126 shade: RGB 177 152 126, RGB 160 134 107, RGB 143 116 88, RGB 126 98 69 and RGB 109 80 50

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the RGB 177 152 126 shade: RGB 177 151 124, RGB 177 137 124 and RGB 177 124 124

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the RGB 177 152 126 shade: RGB 177 151 124, RGB 177 165 124, RGB 174 177 124, RGB 160 177 124 and RGB 146 177 124

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The RGB 177 152 126 shade matches the following richer shades: RGB 177 151 124, RGB 194 151 107, RGB 210 152 90, RGB 227 152 74 and RGB 244 152 57

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the RGB 177 152 126 shade: RGB 177 151 124, RGB 160 151 141, RGB 143 150 158, RGB 126 150 175 and RGB 109 150 192

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the RGB 177 152 126 shade: RGB 177 124 126, RGB 177 137 124, RGB 177 150 124, RGB 177 164 124 and RGB 175 177 124

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the RGB 177 152 126 shade: RGB 136 110 82, RGB 161 130 99, RGB 177 151 124, RGB 192 171 150 and RGB 208 192 176

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the RGB 177 152 126 shade: RGB 177 152 126, RGB 140 177 124 and RGB 130 124 177

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the RGB 177 152 126 shade: RGB 177 152 126, RGB 124 177 150 and RGB 150 124 177

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the RGB 177 152 126 shade: RGB 177 152 126, RGB 140 177 124, RGB 124 150 177 and RGB 161 124 177

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the RGB 177 152 126 shade: RGB 177 152 126, RGB 124 177 124, RGB 124 150 177 and RGB 177 124 177

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 0 / 14 / 29 / 31

HEX #B1987E

RGB 177 152 126

HSL 30.59, 0.25%, 0.59%

LAB 64.41, 5.27, 17.12

 

Complementary color

CMYK 40 / 20 / 0 / 49

HEX #4E6781

RGB 78 103 129

HSL 210.59, 0.25%, 0.41%

LAB 42.62, -2.16, -17.4

 

CMYK 0 / 16 / 34 / 29

HEX #B69879

RGB 182 152 121

HSL 30.49, 0.29%, 0.59%

LAB 64.79, 6.61, 20.49

 

CMYK 0 / 15 / 30 / 22

HEX #C7AA8C

RGB 199 170 140

HSL 30.51, 0.35%, 0.66%

LAB 71.41, 6.07, 19.39

 

CMYK 0 / 13 / 26 / 15

HEX #D8BC9F

RGB 216 188 159

HSL 30.53, 0.42%, 0.74%

LAB 77.92, 5.59, 18.36

 

CMYK 0 / 12 / 24 / 9

HEX #E9CEB2

RGB 233 206 178

HSL 30.55, 0.56%, 0.81%

LAB 84.32, 5.18, 17.39

 

CMYK 0 / 10 / 21 / 2

HEX #FAE0C5

RGB 250 224 197

HSL 30.57, 0.84%, 0.88%

LAB 90.63, 4.8, 16.48

 

CMYK 0 / 14 / 29 / 31

HEX #B1987E

RGB 177 152 126

HSL 30.59, 0.25%, 0.59%

LAB 64.41, 5.27, 17.12

 

CMYK 0 / 16 / 33 / 37

HEX #A0866B

RGB 160 134 107

HSL 30.57, 0.22%, 0.52%

LAB 57.64, 5.8, 18.24

 

CMYK 0 / 19 / 38 / 44

HEX #8F7458

RGB 143 116 88

HSL 30.55, 0.24%, 0.45%

LAB 50.73, 6.44, 19.46

 

CMYK 0 / 22 / 45 / 51

HEX #7E6245

RGB 126 98 69

HSL 30.53, 0.29%, 0.38%

LAB 43.65, 7.22, 20.81

 

CMYK 0 / 27 / 54 / 57

HEX #6D5032

RGB 109 80 50

HSL 30.51, 0.37%, 0.31%

LAB 36.4, 8.2, 22.33

 

CMYK 0 / 15 / 30 / 31

HEX #B1977C

RGB 177 151 124

HSL 30.57, 0.25%, 0.59%

LAB 64.11, 5.54, 17.82

 

CMYK 0 / 23 / 30 / 31

HEX #B1897C

RGB 177 137 124

HSL 14.72, 0.25%, 0.59%

LAB 60.51, 13.33, 12.82

 

CMYK 0 / 30 / 30 / 31

HEX #B17C7C

RGB 177 124 124

HSL 0, 0.25%, 0.59%

LAB 57.29, 20.63, 8.27

 

CMYK 0 / 15 / 30 / 31

HEX #B1977C

RGB 177 151 124

HSL 30.57, 0.25%, 0.59%

LAB 64.11, 5.54, 17.82

 

CMYK 0 / 7 / 30 / 31

HEX #B1A57C

RGB 177 165 124

HSL 46.42, 0.25%, 0.59%

LAB 67.81, -2.09, 22.86

 

CMYK 2 / 0 / 30 / 31

HEX #AEB17C

RGB 174 177 124

HSL 63.4, 0.25%, 0.59%

LAB 70.8, -9.67, 26.84

 

CMYK 10 / 0 / 30 / 31

HEX #A0B17C

RGB 160 177 124

HSL 79.25, 0.25%, 0.59%

LAB 69.73, -15.11, 25.22

 

CMYK 18 / 0 / 30 / 31

HEX #92B17C

RGB 146 177 124

HSL 95.09, 0.25%, 0.59%

LAB 68.76, -20.37, 23.74

 

CMYK 0 / 15 / 30 / 31

HEX #B1977C

RGB 177 151 124

HSL 30.57, 0.25%, 0.59%

LAB 64.11, 5.54, 17.82

 

CMYK 0 / 22 / 45 / 24

HEX #C2976B

RGB 194 151 107

HSL 30.34, 0.42%, 0.59%

LAB 65.49, 10.42, 29.31

 

CMYK 0 / 28 / 57 / 18

HEX #D2985A

RGB 210 152 90

HSL 31, 0.57%, 0.59%

LAB 67.2, 14.99, 40.84

 

CMYK 0 / 33 / 67 / 11

HEX #E3984A

RGB 227 152 74

HSL 30.59, 0.73%, 0.59%

LAB 68.95, 21.02, 51.3

 

CMYK 0 / 38 / 77 / 4

HEX #F49839

RGB 244 152 57

HSL 30.48, 0.89%, 0.59%

LAB 70.86, 27.27, 61.44

 

CMYK 0 / 15 / 30 / 31

HEX #B1977C

RGB 177 151 124

HSL 30.57, 0.25%, 0.59%

LAB 64.11, 5.54, 17.82

 

CMYK 0 / 6 / 12 / 37

HEX #A0978D

RGB 160 151 141

HSL 31.58, 0.09%, 0.59%

LAB 62.95, 1.52, 6.44

 

CMYK 9 / 5 / 0 / 38

HEX #8F969E

RGB 143 150 158

HSL 212, 0.07%, 0.59%

LAB 61.76, -0.87, -5.08

 

CMYK 28 / 14 / 0 / 31

HEX #7E96AF

RGB 126 150 175

HSL 210.61, 0.23%, 0.59%

LAB 61.08, -2.57, -15.84

 

CMYK 43 / 22 / 0 / 25

HEX #6D96C0

RGB 109 150 192

HSL 210.36, 0.4%, 0.59%

LAB 60.67, -2.88, -26.16

 

CMYK 0 / 30 / 29 / 31

HEX #B17C7E

RGB 177 124 126

HSL 357.74, 0.25%, 0.59%

LAB 57.34, 20.91, 7.19

 

CMYK 0 / 23 / 30 / 31

HEX #B1897C

RGB 177 137 124

HSL 14.72, 0.25%, 0.59%

LAB 60.51, 13.33, 12.82

 

CMYK 0 / 15 / 30 / 31

HEX #B1967C

RGB 177 150 124

HSL 29.43, 0.25%, 0.59%

LAB 63.85, 6.1, 17.46

 

CMYK 0 / 7 / 30 / 31

HEX #B1A47C

RGB 177 164 124

HSL 45.28, 0.25%, 0.59%

LAB 67.54, -1.56, 22.5

 

CMYK 1 / 0 / 30 / 31

HEX #AFB17C

RGB 175 177 124

HSL 62.26, 0.25%, 0.59%

LAB 70.88, -9.27, 26.96

 

CMYK 0 / 19 / 40 / 47

HEX #886E52

RGB 136 110 82

HSL 31.11, 0.25%, 0.43%

LAB 48.25, 6.14, 19.5

 

CMYK 0 / 19 / 39 / 37

HEX #A18263

RGB 161 130 99

HSL 30, 0.25%, 0.51%

LAB 56.53, 7.45, 21.28

 

CMYK 0 / 15 / 30 / 31

HEX #B1977C

RGB 177 151 124

HSL 30.57, 0.25%, 0.59%

LAB 64.11, 5.54, 17.82

 

CMYK 0 / 11 / 22 / 25

HEX #C0AB96

RGB 192 171 150

HSL 30, 0.25%, 0.67%

LAB 71.24, 4.23, 13.59

 

CMYK 0 / 8 / 15 / 18

HEX #D0C0B0

RGB 208 192 176

HSL 30, 0.25%, 0.75%

LAB 78.6, 2.99, 10.09

 

CMYK 0 / 14 / 29 / 31

HEX #B1987E

RGB 177 152 126

HSL 30.59, 0.25%, 0.59%

LAB 64.41, 5.27, 17.12

 

CMYK 21 / 0 / 30 / 31

HEX #8CB17C

RGB 140 177 124

HSL 101.89, 0.25%, 0.59%

LAB 68.37, -22.57, 23.15

 

CMYK 27 / 30 / 0 / 31

HEX #827CB1

RGB 130 124 177

HSL 246.79, 0.25%, 0.59%

LAB 54.38, 14.19, -27.21

 

CMYK 0 / 14 / 29 / 31

HEX #B1987E

RGB 177 152 126

HSL 30.59, 0.25%, 0.59%

LAB 64.41, 5.27, 17.12

 

CMYK 30 / 0 / 15 / 31

HEX #7CB196

RGB 124 177 150

HSL 149.43, 0.25%, 0.59%

LAB 67.97, -23.26, 8.27

 

CMYK 15 / 30 / 0 / 31

HEX #967CB1

RGB 150 124 177

HSL 269.43, 0.25%, 0.59%

LAB 56.16, 20.54, -24.32

 

CMYK 0 / 14 / 29 / 31

HEX #B1987E

RGB 177 152 126

HSL 30.59, 0.25%, 0.59%

LAB 64.41, 5.27, 17.12

 

CMYK 21 / 0 / 30 / 31

HEX #8CB17C

RGB 140 177 124

HSL 101.89, 0.25%, 0.59%

LAB 68.37, -22.57, 23.15

 

CMYK 30 / 15 / 0 / 31

HEX #7C96B1

RGB 124 150 177

HSL 210.57, 0.25%, 0.59%

LAB 61.02, -2.68, -17.07

 

CMYK 9 / 30 / 0 / 31

HEX #A17CB1

RGB 161 124 177

HSL 281.89, 0.25%, 0.59%

LAB 57.24, 24.15, -22.57

 

CMYK 0 / 14 / 29 / 31

HEX #B1987E

RGB 177 152 126

HSL 30.59, 0.25%, 0.59%

LAB 64.41, 5.27, 17.12

 

CMYK 30 / 0 / 30 / 31

HEX #7CB17C

RGB 124 177 124

HSL 120, 0.25%, 0.59%

LAB 67.42, -28.16, 21.7

 

CMYK 30 / 15 / 0 / 31

HEX #7C96B1

RGB 124 150 177

HSL 210.57, 0.25%, 0.59%

LAB 61.02, -2.68, -17.07

 

CMYK 0 / 30 / 0 / 31

HEX #B17CB1

RGB 177 124 177

HSL 300, 0.25%, 0.59%

LAB 58.92, 29.48, -19.85

 

Description

Color code: RGB 177 152 126 | qconv.com Color code: RGB 177 152 126 | qconv.com - big

Bright color: high color values create a bright impression.

The breakdown of the color into the RGB color system: of 255 maximum color components, 177 red, 152 green and 126 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
177 152 126 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, none cyan, 14 magenta, 29 yellow and 31 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
0% 14% 29% 31% C M Y K



Brands

This color is used by at least one manufactures. Here you can see which:

13% - Home | JoMalone.com
Link: http://www.jomalone.com

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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