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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #D8BC9F it is the complementary color #274360. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #D8BC9F. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #D8BC9F shade: #DDBC9A, #EECEAD, #FFE0C0, #FFF2D3 and #FFFFE6

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #D8BC9F. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #D8BC9F shade: #D8BC9F, #C7AA8C, #B69879, #A58666 and #947453

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #D8BC9F shade: #D9BDA1, #D9AEA1 and #D9A1A1

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #D8BC9F shade: #D9BDA1, #D9CCA1, #D6D9A1, #C7D9A1 and #B8D9A1

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #D8BC9F shade matches the following richer shades: #D9BDA1, #E3BD96, #EEBE8B and #F9BE81

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #D8BC9F shade: #D9BDA1, #CEBDAC, #C3BDB6, #B8BDC1 and #AEBCCC

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #D8BC9F shade: #D9A1A3, #D9AEA1, #D9BDA1, #D9CCA1 and #D7D9A1

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #D8BC9F shade: #C19466, #CDA984, #D9BDA1, #E5D2BE and #F0E6DB

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #D8BC9F shade: #D8BC9F, #B2D9A1 and #A6A1D9

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #D8BC9F shade: #D8BC9F, #A1D9BD and #BDA1D9

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #D8BC9F shade: #D8BC9F, #B2D9A1, #A1BDD9 and #C8A1D9

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #D8BC9F shade: #D8BC9F, #A1D9A1, #A1BDD9 and #D9A1D9

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 0 / 13 / 26 / 15

HEX #D8BC9F

RGB 216 188 159

HSL 30.53, 0.42%, 0.74%

LAB 77.92, 5.59, 18.36

 

Complementary color

CMYK 59 / 30 / 0 / 62

HEX #274360

RGB 39 67 96

HSL 210.53, 0.42%, 0.26%

LAB 27.55, -0.91, -20.35

 

CMYK 0 / 15 / 30 / 13

HEX #DDBC9A

RGB 221 188 154

HSL 30.45, 0.5%, 0.74%

LAB 78.27, 6.84, 21.59

 

CMYK 0 / 13 / 27 / 7

HEX #EECEAD

RGB 238 206 173

HSL 30.46, 0.66%, 0.81%

LAB 84.66, 6.36, 20.57

 

CMYK 0 / 12 / 25 / 0

HEX #FFE0C0

RGB 255 224 192

HSL 30.48, 1%, 0.88%

LAB 90.95, 5.94, 19.6

 

CMYK 0 / 5 / 17 / 0

HEX #FFF2D3

RGB 255 242 211

HSL 42.27, 1%, 0.91%

LAB 95.78, -0.54, 16.54

 

CMYK 0 / 0 / 10 / 0

HEX #FFFFE6

RGB 255 255 230

HSL 60, 1%, 0.95%

LAB 99.41, -4.17, 11.95

 

CMYK 0 / 13 / 26 / 15

HEX #D8BC9F

RGB 216 188 159

HSL 30.53, 0.42%, 0.74%

LAB 77.92, 5.59, 18.36

 

CMYK 0 / 15 / 30 / 22

HEX #C7AA8C

RGB 199 170 140

HSL 30.51, 0.35%, 0.66%

LAB 71.41, 6.07, 19.39

 

CMYK 0 / 16 / 34 / 29

HEX #B69879

RGB 182 152 121

HSL 30.49, 0.29%, 0.59%

LAB 64.79, 6.61, 20.49

 

CMYK 0 / 19 / 38 / 35

HEX #A58666

RGB 165 134 102

HSL 30.48, 0.26%, 0.52%

LAB 58.05, 7.24, 21.69

 

CMYK 0 / 22 / 44 / 42

HEX #947453

RGB 148 116 83

HSL 30.46, 0.28%, 0.45%

LAB 51.16, 7.99, 23.01

 

CMYK 0 / 13 / 26 / 15

HEX #D9BDA1

RGB 217 189 161

HSL 30, 0.42%, 0.74%

LAB 78.3, 5.72, 17.83

 

CMYK 0 / 20 / 26 / 15

HEX #D9AEA1

RGB 217 174 161

HSL 13.93, 0.42%, 0.74%

LAB 74.57, 13.73, 12.61

 

CMYK 0 / 26 / 26 / 15

HEX #D9A1A1

RGB 217 161 161

HSL 0, 0.42%, 0.74%

LAB 71.43, 20.75, 8.14

 

CMYK 0 / 13 / 26 / 15

HEX #D9BDA1

RGB 217 189 161

HSL 30, 0.42%, 0.74%

LAB 78.3, 5.72, 17.83

 

CMYK 0 / 6 / 26 / 15

HEX #D9CCA1

RGB 217 204 161

HSL 46.07, 0.42%, 0.74%

LAB 82.11, -2.15, 23.1

 

CMYK 1 / 0 / 26 / 15

HEX #D6D9A1

RGB 214 217 161

HSL 63.21, 0.42%, 0.74%

LAB 85.25, -9.95, 27.33

 

CMYK 8 / 0 / 26 / 15

HEX #C7D9A1

RGB 199 217 161

HSL 79.29, 0.42%, 0.74%

LAB 84.14, -15.5, 25.64

 

CMYK 15 / 0 / 26 / 15

HEX #B8D9A1

RGB 184 217 161

HSL 95.36, 0.42%, 0.74%

LAB 83.12, -20.91, 24.08

 

CMYK 0 / 13 / 26 / 15

HEX #D9BDA1

RGB 217 189 161

HSL 30, 0.42%, 0.74%

LAB 78.3, 5.72, 17.83

 

CMYK 0 / 17 / 34 / 11

HEX #E3BD96

RGB 227 189 150

HSL 30.39, 0.58%, 0.74%

LAB 79, 8.13, 24.81

 

CMYK 0 / 20 / 42 / 7

HEX #EEBE8B

RGB 238 190 139

HSL 30.91, 0.74%, 0.74%

LAB 80.11, 10.66, 32.27

 

CMYK 0 / 24 / 48 / 2

HEX #F9BE81

RGB 249 190 129

HSL 30.5, 0.91%, 0.74%

LAB 81.04, 14.03, 38.89

 

CMYK 0 / 13 / 26 / 15

HEX #D9BDA1

RGB 217 189 161

HSL 30, 0.42%, 0.74%

LAB 78.3, 5.72, 17.83

 

CMYK 0 / 8 / 17 / 19

HEX #CEBDAC

RGB 206 189 172

HSL 30, 0.26%, 0.74%

LAB 77.58, 3.21, 10.76

 

CMYK 0 / 3 / 7 / 24

HEX #C3BDB6

RGB 195 189 182

HSL 32.31, 0.1%, 0.74%

LAB 76.91, 0.86, 4.27

 

CMYK 5 / 2 / 0 / 24

HEX #B8BDC1

RGB 184 189 193

HSL 206.67, 0.07%, 0.74%

LAB 76.34, -0.96, -2.63

 

CMYK 15 / 8 / 0 / 20

HEX #AEBCCC

RGB 174 188 204

HSL 212, 0.23%, 0.74%

LAB 75.65, -1.53, -9.69

 

CMYK 0 / 26 / 25 / 15

HEX #D9A1A3

RGB 217 161 163

HSL 357.86, 0.42%, 0.74%

LAB 71.48, 21.03, 7.11

 

CMYK 0 / 20 / 26 / 15

HEX #D9AEA1

RGB 217 174 161

HSL 13.93, 0.42%, 0.74%

LAB 74.57, 13.73, 12.61

 

CMYK 0 / 13 / 26 / 15

HEX #D9BDA1

RGB 217 189 161

HSL 30, 0.42%, 0.74%

LAB 78.3, 5.72, 17.83

 

CMYK 0 / 6 / 26 / 15

HEX #D9CCA1

RGB 217 204 161

HSL 46.07, 0.42%, 0.74%

LAB 82.11, -2.15, 23.1

 

CMYK 1 / 0 / 26 / 15

HEX #D7D9A1

RGB 215 217 161

HSL 62.14, 0.42%, 0.74%

LAB 85.32, -9.57, 27.44

 

CMYK 0 / 23 / 47 / 24

HEX #C19466

RGB 193 148 102

HSL 30.33, 0.42%, 0.58%

LAB 64.54, 11.14, 30.78

 

CMYK 0 / 18 / 36 / 20

HEX #CDA984

RGB 205 169 132

HSL 30.41, 0.42%, 0.66%

LAB 71.57, 7.95, 24.04

 

CMYK 0 / 13 / 26 / 15

HEX #D9BDA1

RGB 217 189 161

HSL 30, 0.42%, 0.74%

LAB 78.3, 5.72, 17.83

 

CMYK 0 / 8 / 17 / 10

HEX #E5D2BE

RGB 229 210 190

HSL 30.77, 0.43%, 0.82%

LAB 85.24, 3.37, 12.29

 

CMYK 0 / 4 / 9 / 6

HEX #F0E6DB

RGB 240 230 219

HSL 31.43, 0.41%, 0.9%

LAB 91.79, 1.54, 6.55

 

CMYK 0 / 13 / 26 / 15

HEX #D8BC9F

RGB 216 188 159

HSL 30.53, 0.42%, 0.74%

LAB 77.92, 5.59, 18.36

 

CMYK 18 / 0 / 26 / 15

HEX #B2D9A1

RGB 178 217 161

HSL 101.79, 0.42%, 0.74%

LAB 82.73, -23.01, 23.49

 

CMYK 24 / 26 / 0 / 15

HEX #A6A1D9

RGB 166 161 217

HSL 245.36, 0.42%, 0.74%

LAB 68.47, 13.7, -27.75

 

CMYK 0 / 13 / 26 / 15

HEX #D8BC9F

RGB 216 188 159

HSL 30.53, 0.42%, 0.74%

LAB 77.92, 5.59, 18.36

 

CMYK 26 / 0 / 13 / 15

HEX #A1D9BD

RGB 161 217 189

HSL 150, 0.42%, 0.74%

LAB 82.31, -23.67, 8.01

 

CMYK 13 / 26 / 0 / 15

HEX #BDA1D9

RGB 189 161 217

HSL 270, 0.42%, 0.74%

LAB 70.4, 20.88, -24.62

 

CMYK 0 / 13 / 26 / 15

HEX #D8BC9F

RGB 216 188 159

HSL 30.53, 0.42%, 0.74%

LAB 77.92, 5.59, 18.36

 

CMYK 18 / 0 / 26 / 15

HEX #B2D9A1

RGB 178 217 161

HSL 101.79, 0.42%, 0.74%

LAB 82.73, -23.01, 23.49

 

CMYK 26 / 13 / 0 / 15

HEX #A1BDD9

RGB 161 189 217

HSL 210, 0.42%, 0.74%

LAB 75.44, -3.23, -17.15

 

CMYK 8 / 26 / 0 / 15

HEX #C8A1D9

RGB 200 161 217

HSL 281.79, 0.42%, 0.74%

LAB 71.4, 24.42, -22.99

 

CMYK 0 / 13 / 26 / 15

HEX #D8BC9F

RGB 216 188 159

HSL 30.53, 0.42%, 0.74%

LAB 77.92, 5.59, 18.36

 

CMYK 26 / 0 / 26 / 15

HEX #A1D9A1

RGB 161 217 161

HSL 120, 0.42%, 0.74%

LAB 81.72, -28.79, 21.93

 

CMYK 26 / 13 / 0 / 15

HEX #A1BDD9

RGB 161 189 217

HSL 210, 0.42%, 0.74%

LAB 75.44, -3.23, -17.15

 

CMYK 0 / 26 / 0 / 15

HEX #D9A1D9

RGB 217 161 217

HSL 300, 0.42%, 0.74%

LAB 73.06, 29.95, -20.32

 

Description

Color code: HEX #D8BC9F | qconv.com Color code: HEX #D8BC9F | qconv.com - big

Bright color: high color values create a bright impression.

The breakdown of the color into the RGB color system: of 255 maximum color components, 216 red, 188 green and 159 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
216 188 159 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, none cyan, 13 magenta, 26 yellow and 15 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
0% 13% 26% 15% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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