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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone RGB 177 134 162 it is the complementary color RGB 78 121 93. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color RGB 177 134 162. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the RGB 177 134 162 shade: RGB 182 134 157, RGB 199 152 176, RGB 216 170 195, RGB 233 188 214 and RGB 250 206 233

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color RGB 177 134 162. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the RGB 177 134 162 shade: RGB 177 134 162, RGB 160 116 143, RGB 143 98 124, RGB 126 80 105 and RGB 109 62 86

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the RGB 177 134 162 shade: RGB 177 134 162, RGB 177 134 150, RGB 177 134 139 and RGB 177 134 134

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the RGB 177 134 162 shade: RGB 177 134 162, RGB 177 134 174, RGB 169 134 177, RGB 157 134 177 and RGB 145 134 177

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The RGB 177 134 162 shade matches the following richer shades: RGB 177 134 162, RGB 194 118 167, RGB 210 101 172, RGB 226 85 177 and RGB 242 69 182

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the RGB 177 134 162 shade: RGB 177 134 162, RGB 161 150 157, RGB 145 166 152, RGB 129 182 148 and RGB 113 198 143

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the RGB 177 134 162 shade: RGB 169 134 177, RGB 177 134 175, RGB 177 134 163, RGB 177 134 151 and RGB 177 134 140

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the RGB 177 134 162 shade: RGB 139 89 122, RGB 161 109 143, RGB 177 134 162, RGB 194 159 181 and RGB 210 184 201

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the RGB 177 134 162 shade: RGB 177 134 162, RGB 177 157 134 and RGB 134 177 175

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the RGB 177 134 162 shade: RGB 177 134 162, RGB 163 177 134 and RGB 134 163 177

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the RGB 177 134 162 shade: RGB 177 134 162, RGB 177 157 134, RGB 134 177 148 and RGB 134 154 177

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the RGB 177 134 162 shade: RGB 177 134 162, RGB 177 170 134, RGB 134 177 148 and RGB 134 141 177

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 0 / 24 / 8 / 31

HEX #B186A2

RGB 177 134 162

HSL 320.93, 0.22%, 0.61%

LAB 60.79, 21.07, -8.46

 

Complementary color

CMYK 36 / 0 / 23 / 53

HEX #4E795D

RGB 78 121 93

HSL 140.93, 0.22%, 0.39%

LAB 47.09, -21.4, 10.72

 

CMYK 0 / 26 / 14 / 29

HEX #B6869D

RGB 182 134 157

HSL 331.25, 0.25%, 0.62%

LAB 61.16, 22.01, -5

 

CMYK 0 / 24 / 12 / 22

HEX #C798B0

RGB 199 152 176

HSL 329.36, 0.3%, 0.69%

LAB 67.82, 21.39, -5.67

 

CMYK 0 / 21 / 10 / 15

HEX #D8AAC3

RGB 216 170 195

HSL 327.39, 0.37%, 0.76%

LAB 74.37, 20.82, -6.3

 

CMYK 0 / 19 / 8 / 9

HEX #E9BCD6

RGB 233 188 214

HSL 325.33, 0.51%, 0.83%

LAB 80.82, 20.29, -6.89

 

CMYK 0 / 18 / 7 / 2

HEX #FACEE9

RGB 250 206 233

HSL 323.18, 0.81%, 0.89%

LAB 87.17, 19.81, -7.46

 

CMYK 0 / 24 / 8 / 31

HEX #B186A2

RGB 177 134 162

HSL 320.93, 0.22%, 0.61%

LAB 60.79, 21.07, -8.46

 

CMYK 0 / 28 / 11 / 37

HEX #A0748F

RGB 160 116 143

HSL 323.18, 0.19%, 0.54%

LAB 53.97, 21.72, -7.84

 

CMYK 0 / 31 / 13 / 44

HEX #8F627C

RGB 143 98 124

HSL 325.33, 0.19%, 0.47%

LAB 47.01, 22.44, -7.17

 

CMYK 0 / 37 / 17 / 51

HEX #7E5069

RGB 126 80 105

HSL 327.39, 0.22%, 0.4%

LAB 39.9, 23.24, -6.41

 

CMYK 0 / 43 / 21 / 57

HEX #6D3E56

RGB 109 62 86

HSL 329.36, 0.27%, 0.34%

LAB 32.63, 24.11, -5.52

 

CMYK 0 / 24 / 8 / 31

HEX #B186A2

RGB 177 134 162

HSL 320.93, 0.22%, 0.61%

LAB 60.79, 21.07, -8.46

 

CMYK 0 / 24 / 15 / 31

HEX #B18696

RGB 177 134 150

HSL 337.67, 0.22%, 0.61%

LAB 60.43, 19, -2.14

 

CMYK 0 / 24 / 21 / 31

HEX #B1868B

RGB 177 134 139

HSL 353.02, 0.22%, 0.61%

LAB 60.12, 17.22, 3.72

 

CMYK 0 / 24 / 24 / 31

HEX #B18686

RGB 177 134 134

HSL 0, 0.22%, 0.61%

LAB 60, 16.46, 6.39

 

CMYK 0 / 24 / 8 / 31

HEX #B186A2

RGB 177 134 162

HSL 320.93, 0.22%, 0.61%

LAB 60.79, 21.07, -8.46

 

CMYK 0 / 24 / 2 / 31

HEX #B186AE

RGB 177 134 174

HSL 304.19, 0.22%, 0.61%

LAB 61.18, 23.29, -14.71

 

CMYK 5 / 24 / 0 / 31

HEX #A986B1

RGB 169 134 177

HSL 288.84, 0.22%, 0.61%

LAB 60.48, 21.14, -17.55

 

CMYK 11 / 24 / 0 / 31

HEX #9D86B1

RGB 157 134 177

HSL 272.09, 0.22%, 0.61%

LAB 59.34, 17.09, -19.4

 

CMYK 18 / 24 / 0 / 31

HEX #9186B1

RGB 145 134 177

HSL 255.35, 0.22%, 0.61%

LAB 58.27, 13.12, -21.12

 

CMYK 0 / 24 / 8 / 31

HEX #B186A2

RGB 177 134 162

HSL 320.93, 0.22%, 0.61%

LAB 60.79, 21.07, -8.46

 

CMYK 0 / 39 / 14 / 24

HEX #C276A7

RGB 194 118 167

HSL 321.32, 0.38%, 0.61%

LAB 59.17, 36.74, -13.55

 

CMYK 0 / 52 / 18 / 18

HEX #D265AC

RGB 210 101 172

HSL 320.92, 0.55%, 0.61%

LAB 58.03, 51.45, -17.97

 

CMYK 0 / 62 / 22 / 11

HEX #E255B1

RGB 226 85 177

HSL 320.85, 0.71%, 0.61%

LAB 57.88, 64.02, -20.86

 

CMYK 0 / 71 / 25 / 5

HEX #F245B6

RGB 242 69 182

HSL 320.81, 0.87%, 0.61%

LAB 58.52, 74.72, -22.55

 

CMYK 0 / 24 / 8 / 31

HEX #B186A2

RGB 177 134 162

HSL 320.93, 0.22%, 0.61%

LAB 60.79, 21.07, -8.46

 

CMYK 0 / 7 / 2 / 37

HEX #A1969D

RGB 161 150 157

HSL 321.82, 0.06%, 0.61%

LAB 63.2, 5.34, -2.22

 

CMYK 13 / 0 / 8 / 35

HEX #91A698

RGB 145 166 152

HSL 140, 0.11%, 0.61%

LAB 66.18, -10.13, 4.77

 

CMYK 29 / 0 / 19 / 29

HEX #81B694

RGB 129 182 148

HSL 141.51, 0.27%, 0.61%

LAB 69.66, -24.56, 11.8

 

CMYK 43 / 0 / 28 / 22

HEX #71C68F

RGB 113 198 143

HSL 141.18, 0.43%, 0.61%

LAB 73.47, -37.94, 19.7

 

CMYK 5 / 24 / 0 / 31

HEX #A986B1

RGB 169 134 177

HSL 288.84, 0.22%, 0.61%

LAB 60.48, 21.14, -17.55

 

CMYK 0 / 24 / 1 / 31

HEX #B186AF

RGB 177 134 175

HSL 302.79, 0.22%, 0.61%

LAB 61.21, 23.49, -15.22

 

CMYK 0 / 24 / 8 / 31

HEX #B186A3

RGB 177 134 163

HSL 319.53, 0.22%, 0.61%

LAB 60.82, 21.25, -8.98

 

CMYK 0 / 24 / 15 / 31

HEX #B18697

RGB 177 134 151

HSL 336.28, 0.22%, 0.61%

LAB 60.46, 19.16, -2.67

 

CMYK 0 / 24 / 21 / 31

HEX #B1868C

RGB 177 134 140

HSL 351.63, 0.22%, 0.61%

LAB 60.15, 17.38, 3.18

 

CMYK 0 / 36 / 12 / 45

HEX #8B597A

RGB 139 89 122

HSL 320.4, 0.22%, 0.45%

LAB 44.29, 25.84, -10.1

 

CMYK 0 / 32 / 11 / 37

HEX #A16D8F

RGB 161 109 143

HSL 320.77, 0.22%, 0.53%

LAB 52.4, 26.08, -10.19

 

CMYK 0 / 24 / 8 / 31

HEX #B186A2

RGB 177 134 162

HSL 320.93, 0.22%, 0.61%

LAB 60.79, 21.07, -8.46

 

CMYK 0 / 18 / 7 / 24

HEX #C29FB5

RGB 194 159 181

HSL 322.29, 0.22%, 0.69%

LAB 69.18, 16.62, -6.49

 

CMYK 0 / 12 / 4 / 18

HEX #D2B8C9

RGB 210 184 201

HSL 320.77, 0.22%, 0.77%

LAB 77.4, 12.2, -5.16

 

CMYK 0 / 24 / 8 / 31

HEX #B186A2

RGB 177 134 162

HSL 320.93, 0.22%, 0.61%

LAB 60.79, 21.07, -8.46

 

CMYK 0 / 11 / 24 / 31

HEX #B19D86

RGB 177 157 134

HSL 32.09, 0.22%, 0.61%

LAB 65.89, 3.66, 14.73

 

CMYK 24 / 0 / 1 / 31

HEX #86B1AF

RGB 134 177 175

HSL 177.21, 0.22%, 0.61%

LAB 69.19, -14.74, -3.68

 

CMYK 0 / 24 / 8 / 31

HEX #B186A2

RGB 177 134 162

HSL 320.93, 0.22%, 0.61%

LAB 60.79, 21.07, -8.46

 

CMYK 8 / 0 / 24 / 31

HEX #A3B186

RGB 163 177 134

HSL 79.53, 0.22%, 0.61%

LAB 70.14, -12.48, 20.43

 

CMYK 24 / 8 / 0 / 31

HEX #86A3B1

RGB 134 163 177

HSL 199.53, 0.22%, 0.61%

LAB 65.31, -6.79, -10.55

 

CMYK 0 / 24 / 8 / 31

HEX #B186A2

RGB 177 134 162

HSL 320.93, 0.22%, 0.61%

LAB 60.79, 21.07, -8.46

 

CMYK 0 / 11 / 24 / 31

HEX #B19D86

RGB 177 157 134

HSL 32.09, 0.22%, 0.61%

LAB 65.89, 3.66, 14.73

 

CMYK 24 / 0 / 16 / 31

HEX #86B194

RGB 134 177 148

HSL 139.53, 0.22%, 0.61%

LAB 68.5, -20.41, 10.2

 

CMYK 24 / 13 / 0 / 31

HEX #869AB1

RGB 134 154 177

HSL 212.09, 0.22%, 0.61%

LAB 62.81, -1.83, -14.31

 

CMYK 0 / 24 / 8 / 31

HEX #B186A2

RGB 177 134 162

HSL 320.93, 0.22%, 0.61%

LAB 60.79, 21.07, -8.46

 

CMYK 0 / 4 / 24 / 31

HEX #B1AA86

RGB 177 170 134

HSL 50.23, 0.22%, 0.61%

LAB 69.34, -3.39, 19.5

 

CMYK 24 / 0 / 16 / 31

HEX #86B194

RGB 134 177 148

HSL 139.53, 0.22%, 0.61%

LAB 68.5, -20.41, 10.2

 

CMYK 24 / 20 / 0 / 31

HEX #868DB1

RGB 134 141 177

HSL 230.23, 0.22%, 0.61%

LAB 59.24, 5.54, -19.71

 

Description

Color code: RGB 177 134 162 | qconv.com Color code: RGB 177 134 162 | qconv.com - big

Bright color: high color values create a bright impression.

The breakdown of the color into the RGB color system: of 255 maximum color components, 177 red, 134 green and 162 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
177 134 162 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, none cyan, 24 magenta, 8 yellow and 31 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
0% 24% 8% 31% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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