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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #D2B8C9 it is the complementary color #2D4736. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #D2B8C9. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #D2B8C9 shade: #D7B8C4, #E8CAD7, #F9DCEA and #FFEEFD

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #D2B8C9. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #D2B8C9 shade: #D2B8C9, #C1A6B6, #B094A3, #9F8290 and #8E707D

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #D2B8C9 shade: #D1B7C8, #D1B7C1, #D1B7BA and #D1B7B7

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #D2B8C9 shade: #D1B7C8, #D1B7CF, #CCB7D1, #C5B7D1 and #BEB7D1

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #D2B8C9 shade matches the following richer shades: #D1B7C8, #DAADCB, #E4A4CE, #ED9AD1 and #F791D3

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #D2B8C9 shade: #D1B7C8, #C7C0C5, #BECAC2, #B4D3BF and #ABDDBC

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #D2B8C9 shade: #CCB7D1, #D1B7CF, #D1B7C8, #D1B7C1 and #D1B7BA

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #D2B8C9 shade: #B185A1, #C19EB5, #D1B7C8, #E1D0DB and #F1E9EE

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #D2B8C9 shade: #D2B8C9, #D1C5B7 and #B7D1CF

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #D2B8C9 shade: #D2B8C9, #C8D1B7 and #B7C8D1

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #D2B8C9 shade: #D2B8C9, #D1C5B7, #B7D1C0 and #B7C3D1

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #D2B8C9 shade: #D2B8C9, #D1CCB7, #B7D1C0 and #B7BBD1

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 0 / 12 / 4 / 18

HEX #D2B8C9

RGB 210 184 201

HSL 320.77, 0.22%, 0.77%

LAB 77.4, 12.2, -5.16

 

Complementary color

CMYK 37 / 0 / 24 / 72

HEX #2D4736

RGB 45 71 54

HSL 140.77, 0.22%, 0.23%

LAB 27.66, -14.24, 7.12

 

CMYK 0 / 14 / 9 / 16

HEX #D7B8C4

RGB 215 184 196

HSL 336.77, 0.28%, 0.78%

LAB 77.71, 13.08, -1.94

 

CMYK 0 / 13 / 7 / 9

HEX #E8CAD7

RGB 232 202 215

HSL 334, 0.39%, 0.85%

LAB 84.12, 12.68, -2.57

 

CMYK 0 / 12 / 6 / 2

HEX #F9DCEA

RGB 249 220 234

HSL 331.03, 0.71%, 0.92%

LAB 90.44, 12.31, -3.17

 

CMYK 0 / 7 / 1 / 0

HEX #FFEEFD

RGB 255 238 253

HSL 307.06, 1%, 0.97%

LAB 95.79, 8.31, -5.16

 

CMYK 0 / 12 / 4 / 18

HEX #D2B8C9

RGB 210 184 201

HSL 320.77, 0.22%, 0.77%

LAB 77.4, 12.2, -5.16

 

CMYK 0 / 14 / 6 / 24

HEX #C1A6B6

RGB 193 166 182

HSL 324.44, 0.18%, 0.7%

LAB 70.86, 12.59, -4.58

 

CMYK 0 / 16 / 7 / 31

HEX #B094A3

RGB 176 148 163

HSL 327.86, 0.15%, 0.64%

LAB 64.2, 13.03, -3.97

 

CMYK 0 / 18 / 9 / 38

HEX #9F8290

RGB 159 130 144

HSL 331.03, 0.13%, 0.57%

LAB 57.41, 13.51, -3.33

 

CMYK 0 / 21 / 12 / 44

HEX #8E707D

RGB 142 112 125

HSL 334, 0.12%, 0.5%

LAB 50.48, 14.06, -2.65

 

CMYK 0 / 12 / 4 / 18

HEX #D1B7C8

RGB 209 183 200

HSL 320.77, 0.22%, 0.77%

LAB 77.04, 12.21, -5.16

 

CMYK 0 / 12 / 8 / 18

HEX #D1B7C1

RGB 209 183 193

HSL 336.92, 0.22%, 0.77%

LAB 76.84, 10.98, -1.64

 

CMYK 0 / 12 / 11 / 18

HEX #D1B7BA

RGB 209 183 186

HSL 353.08, 0.22%, 0.77%

LAB 76.66, 9.78, 1.89

 

CMYK 0 / 12 / 12 / 18

HEX #D1B7B7

RGB 209 183 183

HSL 0, 0.22%, 0.77%

LAB 76.58, 9.29, 3.41

 

CMYK 0 / 12 / 4 / 18

HEX #D1B7C8

RGB 209 183 200

HSL 320.77, 0.22%, 0.77%

LAB 77.04, 12.21, -5.16

 

CMYK 0 / 12 / 1 / 18

HEX #D1B7CF

RGB 209 183 207

HSL 304.62, 0.22%, 0.77%

LAB 77.24, 13.48, -8.66

 

CMYK 2 / 12 / 0 / 18

HEX #CCB7D1

RGB 204 183 209

HSL 288.46, 0.22%, 0.77%

LAB 76.87, 12.15, -10.35

 

CMYK 6 / 12 / 0 / 18

HEX #C5B7D1

RGB 197 183 209

HSL 272.31, 0.22%, 0.77%

LAB 76.28, 9.79, -11.29

 

CMYK 9 / 12 / 0 / 18

HEX #BEB7D1

RGB 190 183 209

HSL 256.15, 0.22%, 0.77%

LAB 75.71, 7.45, -12.2

 

CMYK 0 / 12 / 4 / 18

HEX #D1B7C8

RGB 209 183 200

HSL 320.77, 0.22%, 0.77%

LAB 77.04, 12.21, -5.16

 

CMYK 0 / 21 / 7 / 15

HEX #DAADCB

RGB 218 173 203

HSL 320, 0.38%, 0.77%

LAB 75.52, 21.27, -8.96

 

CMYK 0 / 28 / 10 / 11

HEX #E4A4CE

RGB 228 164 206

HSL 320.63, 0.54%, 0.77%

LAB 74.51, 30.06, -12

 

CMYK 0 / 35 / 12 / 7

HEX #ED9AD1

RGB 237 154 209

HSL 320.24, 0.7%, 0.77%

LAB 73.36, 38.89, -15.26

 

CMYK 0 / 41 / 15 / 3

HEX #F791D3

RGB 247 145 211

HSL 321.18, 0.86%, 0.77%

LAB 72.71, 47.11, -17.23

 

CMYK 0 / 12 / 4 / 18

HEX #D1B7C8

RGB 209 183 200

HSL 320.77, 0.22%, 0.77%

LAB 77.04, 12.21, -5.16

 

CMYK 0 / 4 / 1 / 22

HEX #C7C0C5

RGB 199 192 197

HSL 317.14, 0.06%, 0.77%

LAB 78.39, 3.35, -1.65

 

CMYK 6 / 0 / 4 / 21

HEX #BECAC2

RGB 190 202 194

HSL 140, 0.1%, 0.77%

LAB 80.23, -5.59, 2.57

 

CMYK 15 / 0 / 9 / 17

HEX #B4D3BF

RGB 180 211 191

HSL 141.29, 0.26%, 0.77%

LAB 81.87, -14.16, 6.46

 

CMYK 23 / 0 / 15 / 13

HEX #ABDDBC

RGB 171 221 188

HSL 140.4, 0.42%, 0.77%

LAB 83.97, -22.67, 10.98

 

CMYK 2 / 12 / 0 / 18

HEX #CCB7D1

RGB 204 183 209

HSL 288.46, 0.22%, 0.77%

LAB 76.87, 12.15, -10.35

 

CMYK 0 / 12 / 1 / 18

HEX #D1B7CF

RGB 209 183 207

HSL 304.62, 0.22%, 0.77%

LAB 77.24, 13.48, -8.66

 

CMYK 0 / 12 / 4 / 18

HEX #D1B7C8

RGB 209 183 200

HSL 320.77, 0.22%, 0.77%

LAB 77.04, 12.21, -5.16

 

CMYK 0 / 12 / 8 / 18

HEX #D1B7C1

RGB 209 183 193

HSL 336.92, 0.22%, 0.77%

LAB 76.84, 10.98, -1.64

 

CMYK 0 / 12 / 11 / 18

HEX #D1B7BA

RGB 209 183 186

HSL 353.08, 0.22%, 0.77%

LAB 76.66, 9.78, 1.89

 

CMYK 0 / 25 / 9 / 31

HEX #B185A1

RGB 177 133 161

HSL 321.82, 0.22%, 0.61%

LAB 60.51, 21.46, -8.3

 

CMYK 0 / 18 / 6 / 24

HEX #C19EB5

RGB 193 158 181

HSL 320.57, 0.22%, 0.69%

LAB 68.84, 16.82, -7.01

 

CMYK 0 / 12 / 4 / 18

HEX #D1B7C8

RGB 209 183 200

HSL 320.77, 0.22%, 0.77%

LAB 77.04, 12.21, -5.16

 

CMYK 0 / 8 / 3 / 12

HEX #E1D0DB

RGB 225 208 219

HSL 321.18, 0.22%, 0.85%

LAB 85.12, 7.8, -3.31

 

CMYK 0 / 3 / 1 / 5

HEX #F1E9EE

RGB 241 233 238

HSL 322.5, 0.22%, 0.93%

LAB 93.08, 3.57, -1.47

 

CMYK 0 / 12 / 4 / 18

HEX #D2B8C9

RGB 210 184 201

HSL 320.77, 0.22%, 0.77%

LAB 77.4, 12.2, -5.16

 

CMYK 0 / 6 / 12 / 18

HEX #D1C5B7

RGB 209 197 183

HSL 32.31, 0.22%, 0.77%

LAB 80.13, 1.83, 8.51

 

CMYK 12 / 0 / 1 / 18

HEX #B7D1CF

RGB 183 209 207

HSL 175.38, 0.22%, 0.77%

LAB 81.93, -9.05, -1.96

 

CMYK 0 / 12 / 4 / 18

HEX #D2B8C9

RGB 210 184 201

HSL 320.77, 0.22%, 0.77%

LAB 77.4, 12.2, -5.16

 

CMYK 4 / 0 / 12 / 18

HEX #C8D1B7

RGB 200 209 183

HSL 80.77, 0.22%, 0.77%

LAB 82.54, -7.66, 11.86

 

CMYK 12 / 4 / 0 / 18

HEX #B7C8D1

RGB 183 200 209

HSL 200.77, 0.22%, 0.77%

LAB 79.6, -3.95, -6.46

 

CMYK 0 / 12 / 4 / 18

HEX #D2B8C9

RGB 210 184 201

HSL 320.77, 0.22%, 0.77%

LAB 77.4, 12.2, -5.16

 

CMYK 0 / 6 / 12 / 18

HEX #D1C5B7

RGB 209 197 183

HSL 32.31, 0.22%, 0.77%

LAB 80.13, 1.83, 8.51

 

CMYK 12 / 0 / 8 / 18

HEX #B7D1C0

RGB 183 209 192

HSL 140.77, 0.22%, 0.77%

LAB 81.55, -11.95, 5.49

 

CMYK 12 / 7 / 0 / 18

HEX #B7C3D1

RGB 183 195 209

HSL 212.31, 0.22%, 0.77%

LAB 78.29, -1.3, -8.41

 

CMYK 0 / 12 / 4 / 18

HEX #D2B8C9

RGB 210 184 201

HSL 320.77, 0.22%, 0.77%

LAB 77.4, 12.2, -5.16

 

CMYK 0 / 2 / 12 / 18

HEX #D1CCB7

RGB 209 204 183

HSL 48.46, 0.22%, 0.77%

LAB 81.93, -1.84, 11.08

 

CMYK 12 / 0 / 8 / 18

HEX #B7D1C0

RGB 183 209 192

HSL 140.77, 0.22%, 0.77%

LAB 81.55, -11.95, 5.49

 

CMYK 12 / 11 / 0 / 18

HEX #B7BBD1

RGB 183 187 209

HSL 230.77, 0.22%, 0.77%

LAB 76.2, 2.98, -11.52

 

Description

Color code: HEX #D2B8C9 | qconv.com Color code: HEX #D2B8C9 | qconv.com - big

Since the color values are relatively high compared to others, this hue appears lighter to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 210 red, 184 green and 201 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
210 184 201 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, none cyan, 12 magenta, 4 yellow and 18 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
0% 12% 4% 18% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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