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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone RGB 177 130 190 it is the complementary color RGB 78 125 65. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color RGB 177 130 190. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the color tone RGB 177 130 190: RGB 182 130 185, RGB 199 148 204, RGB 216 166 223, RGB 233 184 242 and RGB 250 202 255

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color RGB 177 130 190. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the color tone RGB 177 130 190: RGB 177 130 190, RGB 160 112 171, RGB 143 94 152, RGB 126 76 133 and RGB 109 58 114

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 7 / 32 / 0 / 25

HEX #B182BE

RGB 177 130 190

HSL 287, 0.32%, 0.63%

LAB 60.81, 28.7, -24.35

 

Complementary color

CMYK 38 / 0 / 48 / 51

HEX #4E7D41

RGB 78 125 65

HSL 107, 0.32%, 0.37%

LAB 47.84, -28.38, 27.66

 

CMYK 2 / 30 / 0 / 27

HEX #B682B9

RGB 182 130 185

HSL 296.73, 0.28%, 0.62%

LAB 61.14, 29.35, -20.96

 

CMYK 2 / 27 / 0 / 20

HEX #C794CC

RGB 199 148 204

HSL 294.64, 0.35%, 0.69%

LAB 67.79, 28.68, -21.34

 

CMYK 3 / 26 / 0 / 13

HEX #D8A6DF

RGB 216 166 223

HSL 292.63, 0.47%, 0.76%

LAB 74.32, 28.05, -21.7

 

CMYK 4 / 24 / 0 / 5

HEX #E9B8F2

RGB 233 184 242

HSL 290.69, 0.69%, 0.84%

LAB 80.75, 27.47, -22.05

 

CMYK 2 / 21 / 0 / 0

HEX #FACAFF

RGB 250 202 255

HSL 294.34, 1%, 0.9%

LAB 86.89, 25.81, -19.52

 

CMYK 7 / 32 / 0 / 25

HEX #B182BE

RGB 177 130 190

HSL 287, 0.32%, 0.63%

LAB 60.81, 28.7, -24.35

 

CMYK 6 / 35 / 0 / 33

HEX #A070AB

RGB 160 112 171

HSL 288.81, 0.26%, 0.55%

LAB 54.03, 29.42, -24.06

 

CMYK 6 / 38 / 0 / 40

HEX #8F5E98

RGB 143 94 152

HSL 290.69, 0.24%, 0.48%

LAB 47.12, 30.19, -23.74

 

CMYK 5 / 43 / 0 / 48

HEX #7E4C85

RGB 126 76 133

HSL 292.63, 0.27%, 0.41%

LAB 40.08, 31, -23.38

 

CMYK 4 / 49 / 0 / 55

HEX #6D3A72

RGB 109 58 114

HSL 294.64, 0.33%, 0.34%

LAB 32.9, 31.82, -22.94

 

CMYK 7 / 32 / 0 / 25

HEX #B182BE

RGB 177 130 190

HSL 287, 0.32%, 0.63%

LAB 60.81, 28.7, -24.35

 

CMYK 2 / 32 / 0 / 25

HEX #BB82BE

RGB 187 130 190

HSL 297, 0.32%, 0.63%

LAB 61.87, 31.96, -22.64

 

CMYK 0 / 32 / 4 / 25

HEX #BE82B7

RGB 190 130 183

HSL 307, 0.32%, 0.63%

LAB 61.94, 31.64, -18.54

 

CMYK 0 / 32 / 9 / 25

HEX #BE82AD

RGB 190 130 173

HSL 317, 0.32%, 0.63%

LAB 61.59, 29.84, -13.38

 

CMYK 0 / 32 / 14 / 25

HEX #BE82A3

RGB 190 130 163

HSL 327, 0.32%, 0.63%

LAB 61.27, 28.13, -8.16

 

CMYK 7 / 32 / 0 / 25

HEX #B182BE

RGB 177 130 190

HSL 287, 0.32%, 0.63%

LAB 60.81, 28.7, -24.35

 

CMYK 7 / 32 / 0 / 5

HEX #E1A5F1

RGB 225 165 241

HSL 287.37, 0.73%, 0.8%

LAB 75.62, 34.92, -29.42

 

CMYK 8 / 32 / 0 / 85

HEX #221925

RGB 34 25 37

HSL 285, 0.19%, 0.12%

LAB 10.33, 7.35, -6.53

 

CMYK 7 / 32 / 0 / 65

HEX #523C58

RGB 82 60 88

HSL 287.14, 0.19%, 0.29%

LAB 28.72, 15.38, -13.06

 

CMYK 7 / 32 / 0 / 45

HEX #815F8B

RGB 129 95 139

HSL 286.36, 0.19%, 0.46%

LAB 45.24, 22.12, -19.01

 

CMYK 7 / 32 / 0 / 25

HEX #B182BE

RGB 177 130 190

HSL 287, 0.32%, 0.63%

LAB 60.81, 28.7, -24.35

 

CMYK 0 / 32 / 31 / 25

HEX #BE8283

RGB 190 130 131

HSL 359, 0.32%, 0.63%

LAB 60.38, 23.3, 8.86

 

CMYK 32 / 0 / 19 / 25

HEX #82BE99

RGB 130 190 153

HSL 143, 0.32%, 0.63%

LAB 72.14, -27.2, 12.6

 

CMYK 7 / 32 / 0 / 25

HEX #B182BE

RGB 177 130 190

HSL 287, 0.32%, 0.63%

LAB 60.81, 28.7, -24.35

 

CMYK 0 / 7 / 32 / 25

HEX #BEB182

RGB 190 177 130

HSL 47, 0.32%, 0.63%

LAB 72.23, -2.55, 25.77

 

CMYK 32 / 0 / 7 / 25

HEX #82BEB1

RGB 130 190 177

HSL 167, 0.32%, 0.63%

LAB 72.73, -22.17, 0.38

 

CMYK 7 / 32 / 0 / 25

HEX #B182BE

RGB 177 130 190

HSL 287, 0.32%, 0.63%

LAB 60.81, 28.7, -24.35

 

CMYK 0 / 32 / 31 / 25

HEX #BE8283

RGB 190 130 131

HSL 359, 0.32%, 0.63%

LAB 60.38, 23.3, 8.86

 

CMYK 25 / 0 / 32 / 25

HEX #8FBE82

RGB 143 190 130

HSL 107, 0.32%, 0.63%

LAB 72.41, -26.96, 25.43

 

CMYK 32 / 0 / 1 / 25

HEX #82BEBD

RGB 130 190 189

HSL 179, 0.32%, 0.63%

LAB 73.05, -19.42, -5.68

 

CMYK 7 / 32 / 0 / 25

HEX #B182BE

RGB 177 130 190

HSL 287, 0.32%, 0.63%

LAB 60.81, 28.7, -24.35

 

CMYK 0 / 23 / 32 / 25

HEX #BE9382

RGB 190 147 130

HSL 17, 0.32%, 0.63%

LAB 64.5, 13.75, 15.22

 

CMYK 25 / 0 / 32 / 25

HEX #8FBE82

RGB 143 190 130

HSL 107, 0.32%, 0.63%

LAB 72.41, -26.96, 25.43

 

CMYK 32 / 9 / 0 / 25

HEX #82ADBE

RGB 130 173 190

HSL 197, 0.32%, 0.63%

LAB 68.28, -10.28, -13.35

 

Description

Color code: RGB 177 130 190 | qconv.com Color code: RGB 177 130 190 | qconv.com - big

Since the color values are relatively high compared to others, this hue appears lighter to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 177 red, 130 green and 190 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
177 130 190 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, 7 cyan, 32 magenta, none yellow and 25 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
7% 32% 0% 25% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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