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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone RGB 177 124 98 it is the complementary color RGB 78 131 157. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color RGB 177 124 98. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the color tone RGB 177 124 98: RGB 182 124 93, RGB 199 142 112, RGB 216 160 131, RGB 233 178 150 and RGB 250 196 169

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color RGB 177 124 98. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the color tone RGB 177 124 98: RGB 177 124 98, RGB 160 106 79, RGB 143 88 60, RGB 126 70 41 and RGB 109 52 22

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 0 / 30 / 45 / 31

HEX #B17C62

RGB 177 124 98

HSL 19.75, 0.34%, 0.54%

LAB 56.73, 17.4, 22.42

 

Complementary color

CMYK 50 / 17 / 0 / 38

HEX #4E839D

RGB 78 131 157

HSL 199.75, 0.34%, 0.46%

LAB 52.16, -10.19, -19.36

 

CMYK 0 / 32 / 49 / 29

HEX #B67C5D

RGB 182 124 93

HSL 20.9, 0.38%, 0.54%

LAB 57.22, 18.95, 26

 

CMYK 0 / 29 / 44 / 22

HEX #C78E70

RGB 199 142 112

HSL 20.69, 0.44%, 0.61%

LAB 63.88, 17.94, 24.56

 

CMYK 0 / 26 / 39 / 15

HEX #D8A083

RGB 216 160 131

HSL 20.47, 0.52%, 0.68%

LAB 70.44, 17.07, 23.25

 

CMYK 0 / 24 / 36 / 9

HEX #E9B296

RGB 233 178 150

HSL 20.24, 0.65%, 0.75%

LAB 76.9, 16.3, 22.05

 

CMYK 0 / 22 / 32 / 2

HEX #FAC4A9

RGB 250 196 169

HSL 20, 0.89%, 0.82%

LAB 83.27, 15.61, 20.93

 

CMYK 0 / 30 / 45 / 31

HEX #B17C62

RGB 177 124 98

HSL 19.75, 0.34%, 0.54%

LAB 56.73, 17.4, 22.42

 

CMYK 0 / 34 / 51 / 37

HEX #A06A4F

RGB 160 106 79

HSL 20, 0.34%, 0.47%

LAB 49.91, 18.46, 23.93

 

CMYK 0 / 38 / 58 / 44

HEX #8F583C

RGB 143 88 60

HSL 20.24, 0.41%, 0.4%

LAB 42.98, 19.72, 25.63

 

CMYK 0 / 44 / 67 / 51

HEX #7E4629

RGB 126 70 41

HSL 20.47, 0.51%, 0.33%

LAB 35.94, 21.22, 27.57

 

CMYK 0 / 52 / 80 / 57

HEX #6D3416

RGB 109 52 22

HSL 20.69, 0.66%, 0.26%

LAB 28.81, 23, 29.67

 

CMYK 0 / 30 / 45 / 31

HEX #B17C62

RGB 177 124 98

HSL 19.75, 0.34%, 0.54%

LAB 56.73, 17.4, 22.42

 

CMYK 0 / 23 / 45 / 31

HEX #B18861

RGB 177 136 97

HSL 29.25, 0.34%, 0.54%

LAB 59.72, 10.57, 26.93

 

CMYK 0 / 16 / 45 / 31

HEX #B19561

RGB 177 149 97

HSL 39, 0.34%, 0.54%

LAB 63.1, 3.37, 31.29

 

CMYK 0 / 8 / 45 / 31

HEX #B1A261

RGB 177 162 97

HSL 48.75, 0.34%, 0.54%

LAB 66.56, -3.69, 35.68

 

CMYK 0 / 1 / 45 / 31

HEX #B1B061

RGB 177 176 97

HSL 59.25, 0.34%, 0.54%

LAB 70.36, -11.09, 40.39

 

CMYK 0 / 30 / 45 / 31

HEX #B17C62

RGB 177 124 98

HSL 19.75, 0.34%, 0.54%

LAB 56.73, 17.4, 22.42

 

CMYK 0 / 30 / 45 / 11

HEX #E4A07E

RGB 228 160 126

HSL 20, 0.65%, 0.69%

LAB 71.65, 21.28, 27.81

 

CMYK 0 / 29 / 46 / 91

HEX #18110D

RGB 24 17 13

HSL 21.82, 0.3%, 0.07%

LAB 5.64, 2.32, 3.04

 

CMYK 0 / 29 / 44 / 71

HEX #4B352A

RGB 75 53 42

HSL 20, 0.28%, 0.23%

LAB 24.35, 8.19, 10.81

 

CMYK 0 / 30 / 44 / 51

HEX #7E5846

RGB 126 88 70

HSL 19.29, 0.29%, 0.38%

LAB 40.99, 13.29, 16.68

 

CMYK 0 / 30 / 45 / 31

HEX #B17C62

RGB 177 124 98

HSL 19.75, 0.34%, 0.54%

LAB 56.73, 17.4, 22.42

 

CMYK 23 / 0 / 45 / 31

HEX #88B161

RGB 136 177 97

HSL 90.75, 0.34%, 0.54%

LAB 67.68, -27.87, 36.42

 

CMYK 45 / 41 / 0 / 31

HEX #6168B1

RGB 97 104 177

HSL 234.75, 0.34%, 0.54%

LAB 46.47, 16.89, -39.79

 

CMYK 0 / 30 / 45 / 31

HEX #B17C62

RGB 177 124 98

HSL 19.75, 0.34%, 0.54%

LAB 56.73, 17.4, 22.42

 

CMYK 45 / 0 / 31 / 31

HEX #61B17B

RGB 97 177 123

HSL 139.5, 0.34%, 0.54%

LAB 66.07, -36.73, 20.19

 

CMYK 31 / 45 / 0 / 31

HEX #7B61B1

RGB 123 97 177

HSL 259.5, 0.34%, 0.54%

LAB 46.89, 28.19, -38.98

 

CMYK 0 / 30 / 45 / 31

HEX #B17C62

RGB 177 124 98

HSL 19.75, 0.34%, 0.54%

LAB 56.73, 17.4, 22.42

 

CMYK 23 / 0 / 45 / 31

HEX #88B161

RGB 136 177 97

HSL 90.75, 0.34%, 0.54%

LAB 67.68, -27.87, 36.42

 

CMYK 45 / 14 / 0 / 31

HEX #6198B1

RGB 97 152 177

HSL 198.75, 0.34%, 0.54%

LAB 60.04, -11.34, -18.7

 

CMYK 21 / 45 / 0 / 31

HEX #8B61B1

RGB 139 97 177

HSL 271.5, 0.34%, 0.54%

LAB 48.53, 32.8, -36.29

 

CMYK 0 / 30 / 45 / 31

HEX #B17C62

RGB 177 124 98

HSL 19.75, 0.34%, 0.54%

LAB 56.73, 17.4, 22.42

 

CMYK 37 / 0 / 45 / 31

HEX #70B161

RGB 112 177 97

HSL 108.75, 0.34%, 0.54%

LAB 66.33, -36.39, 34.43

 

CMYK 45 / 14 / 0 / 31

HEX #6198B1

RGB 97 152 177

HSL 198.75, 0.34%, 0.54%

LAB 60.04, -11.34, -18.7

 

CMYK 8 / 45 / 0 / 31

HEX #A261B1

RGB 162 97 177

HSL 288.75, 0.34%, 0.54%

LAB 51.16, 39.66, -31.98

 

Description

Color code: RGB 177 124 98 | qconv.com Color code: RGB 177 124 98 | qconv.com - big

Since the color values are relatively high compared to others, this hue appears lighter to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 177 red, 124 green and 98 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
177 124 98 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, none cyan, 30 magenta, 45 yellow and 31 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
0% 30% 45% 31% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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