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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone RGB 176 99 191 it is the complementary color RGB 79 156 64. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color RGB 176 99 191. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the color tone RGB 176 99 191: RGB 181 99 186, RGB 198 117 205, RGB 215 135 224, RGB 232 153 243 and RGB 249 171 255

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color RGB 176 99 191. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the color tone RGB 176 99 191: RGB 176 99 191, RGB 159 81 172, RGB 142 63 153, RGB 125 45 134 and RGB 108 27 115

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 8 / 48 / 0 / 25

HEX #B063BF

RGB 176 99 191

HSL 290.22, 0.42%, 0.57%

LAB 53.94, 45.55, -35.59

 

Complementary color

CMYK 49 / 0 / 59 / 39

HEX #4F9C40

RGB 79 156 64

HSL 110.22, 0.42%, 0.43%

LAB 57.86, -42.05, 40.26

 

CMYK 3 / 47 / 0 / 27

HEX #B563BA

RGB 181 99 186

HSL 296.55, 0.39%, 0.56%

LAB 54.34, 46.04, -32.05

 

CMYK 3 / 43 / 0 / 20

HEX #C675CD

RGB 198 117 205

HSL 295.23, 0.47%, 0.63%

LAB 60.9, 45.3, -32.5

 

CMYK 4 / 40 / 0 / 12

HEX #D787E0

RGB 215 135 224

HSL 293.93, 0.59%, 0.7%

LAB 67.39, 44.55, -32.89

 

CMYK 5 / 37 / 0 / 5

HEX #E899F3

RGB 232 153 243

HSL 292.67, 0.79%, 0.78%

LAB 73.81, 43.81, -33.23

 

CMYK 2 / 33 / 0 / 0

HEX #F9ABFF

RGB 249 171 255

HSL 295.71, 1%, 0.84%

LAB 79.89, 41.8, -30.2

 

CMYK 8 / 48 / 0 / 25

HEX #B063BF

RGB 176 99 191

HSL 290.22, 0.42%, 0.57%

LAB 53.94, 45.55, -35.59

 

CMYK 8 / 53 / 0 / 33

HEX #9F51AC

RGB 159 81 172

HSL 291.43, 0.36%, 0.5%

LAB 47.28, 46.26, -35.16

 

CMYK 7 / 59 / 0 / 40

HEX #8E3F99

RGB 142 63 153

HSL 292.67, 0.42%, 0.42%

LAB 40.58, 46.83, -34.57

 

CMYK 7 / 66 / 0 / 47

HEX #7D2D86

RGB 125 45 134

HSL 293.93, 0.5%, 0.35%

LAB 33.9, 47.09, -33.72

 

CMYK 6 / 77 / 0 / 55

HEX #6C1B73

RGB 108 27 115

HSL 295.23, 0.62%, 0.28%

LAB 27.32, 46.68, -32.39

 

CMYK 8 / 48 / 0 / 25

HEX #B063BF

RGB 176 99 191

HSL 290.22, 0.42%, 0.57%

LAB 53.94, 45.55, -35.59

 

CMYK 0 / 48 / 0 / 25

HEX #BF63BF

RGB 191 99 191

HSL 300, 0.42%, 0.57%

LAB 55.85, 49.89, -32.47

 

CMYK 0 / 48 / 8 / 25

HEX #BF63B0

RGB 191 99 176

HSL 309.78, 0.42%, 0.57%

LAB 55.21, 47.24, -24.82

 

CMYK 0 / 48 / 16 / 25

HEX #BF63A0

RGB 191 99 160

HSL 320.22, 0.42%, 0.57%

LAB 54.59, 44.61, -16.46

 

CMYK 0 / 48 / 24 / 25

HEX #BF6391

RGB 191 99 145

HSL 330, 0.42%, 0.57%

LAB 54.07, 42.35, -8.46

 

CMYK 8 / 48 / 0 / 25

HEX #B063BF

RGB 176 99 191

HSL 290.22, 0.42%, 0.57%

LAB 53.94, 45.55, -35.59

 

CMYK 8 / 48 / 0 / 5

HEX #DF7DF2

RGB 223 125 242

HSL 290.26, 0.82%, 0.72%

LAB 67.1, 55.39, -43.21

 

CMYK 8 / 47 / 0 / 85

HEX #231426

RGB 35 20 38

HSL 290, 0.31%, 0.11%

LAB 8.97, 11.73, -9.35

 

CMYK 8 / 48 / 0 / 65

HEX #522E59

RGB 82 46 89

HSL 290.23, 0.32%, 0.26%

LAB 25.17, 24.48, -19.21

 

CMYK 8 / 48 / 0 / 45

HEX #81498C

RGB 129 73 140

HSL 290.15, 0.31%, 0.42%

LAB 40.12, 35.14, -27.54

 

CMYK 8 / 48 / 0 / 25

HEX #B063BF

RGB 176 99 191

HSL 290.22, 0.42%, 0.57%

LAB 53.94, 45.55, -35.59

 

CMYK 0 / 47 / 48 / 25

HEX #BF6663

RGB 191 102 99

HSL 1.96, 0.42%, 0.57%

LAB 53.47, 35.18, 17.76

 

CMYK 48 / 0 / 27 / 25

HEX #63BF8B

RGB 99 191 139

HSL 146.09, 0.42%, 0.57%

LAB 70.72, -39.37, 17.95

 

CMYK 8 / 48 / 0 / 25

HEX #B063BF

RGB 176 99 191

HSL 290.22, 0.42%, 0.57%

LAB 53.94, 45.55, -35.59

 

CMYK 0 / 8 / 48 / 25

HEX #BFB063

RGB 191 176 99

HSL 50.22, 0.42%, 0.57%

LAB 71.57, -5.09, 41.14

 

CMYK 48 / 0 / 8 / 25

HEX #63BFB0

RGB 99 191 176

HSL 170.22, 0.42%, 0.57%

LAB 71.59, -31.11, -0.9

 

CMYK 8 / 48 / 0 / 25

HEX #B063BF

RGB 176 99 191

HSL 290.22, 0.42%, 0.57%

LAB 53.94, 45.55, -35.59

 

CMYK 0 / 47 / 48 / 25

HEX #BF6663

RGB 191 102 99

HSL 1.96, 0.42%, 0.57%

LAB 53.47, 35.18, 17.76

 

CMYK 40 / 0 / 48 / 25

HEX #72BF63

RGB 114 191 99

HSL 110.22, 0.42%, 0.57%

LAB 70.69, -41.68, 38.91

 

CMYK 48 / 2 / 0 / 25

HEX #63BCBF

RGB 99 188 191

HSL 181.96, 0.42%, 0.57%

LAB 71.13, -25.82, -9.78

 

CMYK 8 / 48 / 0 / 25

HEX #B063BF

RGB 176 99 191

HSL 290.22, 0.42%, 0.57%

LAB 53.94, 45.55, -35.59

 

CMYK 0 / 32 / 48 / 25

HEX #BF8163

RGB 191 129 99

HSL 19.57, 0.42%, 0.57%

LAB 59.6, 20.49, 25.95

 

CMYK 40 / 0 / 48 / 25

HEX #72BF63

RGB 114 191 99

HSL 110.22, 0.42%, 0.57%

LAB 70.69, -41.68, 38.91

 

CMYK 48 / 16 / 0 / 25

HEX #63A0BF

RGB 99 160 191

HSL 200.22, 0.42%, 0.57%

LAB 62.97, -11.23, -22.1

 

Description

Color code: RGB 176 99 191 | qconv.com Color code: RGB 176 99 191 | qconv.com - big

Since the color values are relatively high compared to others, this hue appears lighter to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 176 red, 99 green and 191 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
176 99 191 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, 8 cyan, 48 magenta, none yellow and 25 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
8% 48% 0% 25% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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