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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone RGB 176 171 221 it is the complementary color RGB 79 84 34. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color RGB 176 171 221. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the color tone RGB 176 171 221: RGB 181 171 216, RGB 198 189 235, RGB 215 207 254, RGB 232 225 255 and RGB 249 243 255

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color RGB 176 171 221. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the color tone RGB 176 171 221: RGB 176 171 221, RGB 159 153 202, RGB 142 135 183, RGB 125 117 164 and RGB 108 99 145

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 20 / 23 / 0 / 13

HEX #B0ABDD

RGB 176 171 221

HSL 246, 0.42%, 0.77%

LAB 71.94, 12.12, -24.54

 

Complementary color

CMYK 6 / 0 / 60 / 67

HEX #4F5422

RGB 79 84 34

HSL 66, 0.42%, 0.23%

LAB 34.23, -10.13, 28.08

 

CMYK 16 / 21 / 0 / 15

HEX #B5ABD8

RGB 181 171 216

HSL 253.33, 0.37%, 0.76%

LAB 72.17, 12.57, -21.43

 

CMYK 16 / 20 / 0 / 8

HEX #C6BDEB

RGB 198 189 235

HSL 251.74, 0.53%, 0.83%

LAB 78.69, 12.2, -21.7

 

CMYK 15 / 19 / 0 / 0

HEX #D7CFFE

RGB 215 207 254

HSL 250.21, 0.96%, 0.9%

LAB 85.11, 11.86, -21.97

 

CMYK 9 / 12 / 0 / 0

HEX #E8E1FF

RGB 232 225 255

HSL 254, 1%, 0.94%

LAB 90.88, 7.92, -13.68

 

CMYK 2 / 5 / 0 / 0

HEX #F9F3FF

RGB 249 243 255

HSL 270, 1%, 0.98%

LAB 96.6, 4.13, -5.05

 

CMYK 20 / 23 / 0 / 13

HEX #B0ABDD

RGB 176 171 221

HSL 246, 0.42%, 0.77%

LAB 71.94, 12.12, -24.54

 

CMYK 21 / 24 / 0 / 21

HEX #9F99CA

RGB 159 153 202

HSL 247.35, 0.32%, 0.7%

LAB 65.29, 12.53, -24.36

 

CMYK 22 / 26 / 0 / 28

HEX #8E87B7

RGB 142 135 183

HSL 248.75, 0.25%, 0.62%

LAB 58.51, 12.99, -24.2

 

CMYK 24 / 29 / 0 / 36

HEX #7D75A4

RGB 125 117 164

HSL 250.21, 0.21%, 0.55%

LAB 51.57, 13.5, -24.07

 

CMYK 26 / 32 / 0 / 43

HEX #6C6391

RGB 108 99 145

HSL 251.74, 0.19%, 0.48%

LAB 44.46, 14.09, -23.98

 

CMYK 20 / 23 / 0 / 13

HEX #B0ABDD

RGB 176 171 221

HSL 246, 0.42%, 0.77%

LAB 71.94, 12.12, -24.54

 

CMYK 16 / 22 / 0 / 14

HEX #B8ABDC

RGB 184 171 220

HSL 255.92, 0.41%, 0.77%

LAB 72.55, 14.4, -23.01

 

CMYK 12 / 22 / 0 / 14

HEX #C1ABDC

RGB 193 171 220

HSL 266.94, 0.41%, 0.77%

LAB 73.31, 17.27, -21.8

 

CMYK 9 / 22 / 0 / 14

HEX #C9ABDC

RGB 201 171 220

HSL 276.73, 0.41%, 0.77%

LAB 74, 19.86, -20.67

 

CMYK 5 / 22 / 0 / 14

HEX #D1ABDC

RGB 209 171 220

HSL 286.53, 0.41%, 0.77%

LAB 74.73, 22.47, -19.5

 

CMYK 20 / 23 / 0 / 13

HEX #B0ABDD

RGB 176 171 221

HSL 246, 0.42%, 0.77%

LAB 71.94, 12.12, -24.54

 

CMYK 18 / 24 / 0 / 93

HEX #0E0D11

RGB 14 13 17

HSL 255, 0.13%, 0.06%

LAB 3.81, 1.04, -1.86

 

CMYK 21 / 22 / 0 / 73

HEX #363544

RGB 54 53 68

HSL 244, 0.12%, 0.24%

LAB 22.82, 4.21, -9.13

 

CMYK 20 / 23 / 0 / 53

HEX #5F5C77

RGB 95 92 119

HSL 246.67, 0.13%, 0.41%

LAB 40.28, 7.39, -14.79

 

CMYK 21 / 22 / 0 / 33

HEX #8784AA

RGB 135 132 170

HSL 244.74, 0.18%, 0.59%

LAB 56.64, 9.37, -19.68

 

CMYK 20 / 23 / 0 / 13

HEX #B0ABDD

RGB 176 171 221

HSL 246, 0.42%, 0.77%

LAB 71.94, 12.12, -24.54

 

CMYK 0 / 22 / 6 / 14

HEX #DCABCE

RGB 220 171 206

HSL 317.14, 0.41%, 0.77%

LAB 75.33, 23.56, -10.86

 

CMYK 15 / 0 / 22 / 14

HEX #BADCAB

RGB 186 220 171

HSL 101.63, 0.41%, 0.77%

LAB 84.26, -20.11, 20.45

 

CMYK 20 / 23 / 0 / 13

HEX #B0ABDD

RGB 176 171 221

HSL 246, 0.42%, 0.77%

LAB 71.94, 12.12, -24.54

 

CMYK 0 / 20 / 22 / 14

HEX #DCB0AB

RGB 220 176 171

HSL 6.12, 0.41%, 0.77%

LAB 75.58, 15.22, 8.63

 

CMYK 22 / 0 / 20 / 14

HEX #ABDCB0

RGB 171 220 176

HSL 126.12, 0.41%, 0.77%

LAB 83.43, -24.35, 16.54

 

CMYK 20 / 23 / 0 / 13

HEX #B0ABDD

RGB 176 171 221

HSL 246, 0.42%, 0.77%

LAB 71.94, 12.12, -24.54

 

CMYK 0 / 22 / 6 / 14

HEX #DCABCE

RGB 220 171 206

HSL 317.14, 0.41%, 0.77%

LAB 75.33, 23.56, -10.86

 

CMYK 2 / 0 / 22 / 14

HEX #D8DCAB

RGB 216 220 171

HSL 64.9, 0.41%, 0.77%

LAB 86.37, -9.34, 23.69

 

CMYK 22 / 0 / 15 / 14

HEX #ABDCBA

RGB 171 220 186

HSL 138.37, 0.41%, 0.77%

LAB 83.65, -22.55, 11.58

 

CMYK 20 / 23 / 0 / 13

HEX #B0ABDD

RGB 176 171 221

HSL 246, 0.42%, 0.77%

LAB 71.94, 12.12, -24.54

 

CMYK 0 / 22 / 13 / 14

HEX #DCABBF

RGB 220 171 191

HSL 335.51, 0.41%, 0.77%

LAB 74.89, 21.02, -3.3

 

CMYK 2 / 0 / 22 / 14

HEX #D8DCAB

RGB 216 220 171

HSL 64.9, 0.41%, 0.77%

LAB 86.37, -9.34, 23.69

 

CMYK 22 / 0 / 9 / 14

HEX #ABDCC9

RGB 171 220 201

HSL 156.73, 0.41%, 0.77%

LAB 84, -19.66, 4.15

 

Description

Color code: RGB 176 171 221 | qconv.com Color code: RGB 176 171 221 | qconv.com - big

Since the color values are relatively high compared to others, this hue appears lighter to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 176 red, 171 green and 221 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
176 171 221 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, 20 cyan, 23 magenta, none yellow and 13 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
20% 23% 0% 13% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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