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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone RGB 175 92 84 it is the complementary color RGB 80 163 171. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color RGB 175 92 84. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the color tone RGB 175 92 84: RGB 180 92 79, RGB 197 110 98, RGB 214 128 117, RGB 231 146 136 and RGB 248 164 155

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color RGB 175 92 84. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the color tone RGB 175 92 84: RGB 175 92 84, RGB 158 74 65, RGB 141 56 46, RGB 124 38 27 and RGB 107 20 8

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 0 / 47 / 52 / 31

HEX #AF5C54

RGB 175 92 84

HSL 5.27, 0.36%, 0.51%

LAB 48.77, 32.88, 19.87

 

Complementary color

CMYK 53 / 5 / 0 / 33

HEX #50A3AB

RGB 80 163 171

HSL 185.27, 0.36%, 0.49%

LAB 62.37, -22.86, -11.87

 

CMYK 0 / 49 / 56 / 29

HEX #B45C4F

RGB 180 92 79

HSL 7.72, 0.4%, 0.51%

LAB 49.4, 34.39, 23.78

 

CMYK 0 / 44 / 50 / 23

HEX #C56E62

RGB 197 110 98

HSL 7.27, 0.46%, 0.58%

LAB 55.99, 33.15, 21.88

 

CMYK 0 / 40 / 45 / 16

HEX #D68075

RGB 214 128 117

HSL 6.8, 0.54%, 0.65%

LAB 62.52, 32, 20.24

 

CMYK 0 / 37 / 41 / 9

HEX #E79288

RGB 231 146 136

HSL 6.32, 0.66%, 0.72%

LAB 68.99, 30.96, 18.79

 

CMYK 0 / 34 / 38 / 3

HEX #F8A49B

RGB 248 164 155

HSL 5.81, 0.87%, 0.79%

LAB 75.37, 30.01, 17.48

 

CMYK 0 / 47 / 52 / 31

HEX #AF5C54

RGB 175 92 84

HSL 5.27, 0.36%, 0.51%

LAB 48.77, 32.88, 19.87

 

CMYK 0 / 53 / 59 / 38

HEX #9E4A41

RGB 158 74 65

HSL 5.81, 0.42%, 0.44%

LAB 42.07, 34.15, 21.96

 

CMYK 0 / 60 / 67 / 45

HEX #8D382E

RGB 141 56 46

HSL 6.32, 0.51%, 0.37%

LAB 35.38, 35.45, 24.5

 

CMYK 0 / 69 / 78 / 51

HEX #7C261B

RGB 124 38 27

HSL 6.8, 0.64%, 0.3%

LAB 28.77, 36.61, 27.59

 

CMYK 0 / 81 / 93 / 58

HEX #6B1408

RGB 107 20 8

HSL 7.27, 0.86%, 0.23%

LAB 22.46, 37.2, 30.17

 

CMYK 0 / 47 / 52 / 31

HEX #AF5C54

RGB 175 92 84

HSL 5.27, 0.36%, 0.51%

LAB 48.77, 32.88, 19.87

 

CMYK 0 / 39 / 51 / 31

HEX #AF6B55

RGB 175 107 85

HSL 14.67, 0.36%, 0.51%

LAB 52.16, 24.76, 23.76

 

CMYK 0 / 30 / 51 / 31

HEX #AF7A55

RGB 175 122 85

HSL 24.67, 0.36%, 0.51%

LAB 55.77, 16.35, 28.45

 

CMYK 0 / 22 / 51 / 31

HEX #AF8955

RGB 175 137 85

HSL 34.67, 0.36%, 0.51%

LAB 59.58, 7.96, 33.26

 

CMYK 0 / 13 / 51 / 31

HEX #AF9855

RGB 175 152 85

HSL 44.67, 0.36%, 0.51%

LAB 63.53, -0.31, 38.12

 

CMYK 0 / 47 / 52 / 31

HEX #AF5C54

RGB 175 92 84

HSL 5.27, 0.36%, 0.51%

LAB 48.77, 32.88, 19.87

 

CMYK 0 / 47 / 52 / 11

HEX #E2776C

RGB 226 119 108

HSL 5.59, 0.67%, 0.65%

LAB 62.04, 40.4, 24.94

 

CMYK 0 / 45 / 50 / 91

HEX #160C0B

RGB 22 12 11

HSL 5.45, 0.33%, 0.06%

LAB 4.13, 3.59, 1.73

 

CMYK 0 / 48 / 52 / 71

HEX #492623

RGB 73 38 35

HSL 4.74, 0.35%, 0.21%

LAB 19.74, 16.09, 9.23

 

CMYK 0 / 48 / 52 / 51

HEX #7C413C

RGB 124 65 60

HSL 4.69, 0.35%, 0.36%

LAB 34.79, 24.89, 14.47

 

CMYK 0 / 47 / 52 / 31

HEX #AF5C54

RGB 175 92 84

HSL 5.27, 0.36%, 0.51%

LAB 48.77, 32.88, 19.87

 

CMYK 15 / 0 / 51 / 31

HEX #95AF55

RGB 149 175 85

HSL 77.33, 0.36%, 0.51%

LAB 67.8, -23.21, 42.77

 

CMYK 51 / 35 / 0 / 31

HEX #5571AF

RGB 85 113 175

HSL 221.33, 0.36%, 0.51%

LAB 48.05, 7.75, -36.17

 

CMYK 0 / 47 / 52 / 31

HEX #AF5C54

RGB 175 92 84

HSL 5.27, 0.36%, 0.51%

LAB 48.77, 32.88, 19.87

 

CMYK 51 / 0 / 47 / 31

HEX #55AF5C

RGB 85 175 92

HSL 124.67, 0.36%, 0.51%

LAB 64.45, -44.48, 34.38

 

CMYK 47 / 51 / 0 / 31

HEX #5C55AF

RGB 92 85 175

HSL 244.67, 0.36%, 0.51%

LAB 41, 26.87, -47.35

 

CMYK 0 / 47 / 52 / 31

HEX #AF5C54

RGB 175 92 84

HSL 5.27, 0.36%, 0.51%

LAB 48.77, 32.88, 19.87

 

CMYK 15 / 0 / 51 / 31

HEX #95AF55

RGB 149 175 85

HSL 77.33, 0.36%, 0.51%

LAB 67.8, -23.21, 42.77

 

CMYK 51 / 5 / 0 / 31

HEX #55A7AF

RGB 85 167 175

HSL 185.33, 0.36%, 0.51%

LAB 63.89, -22.7, -11.82

 

CMYK 37 / 51 / 0 / 31

HEX #6E55AF

RGB 110 85 175

HSL 256.67, 0.36%, 0.51%

LAB 42.62, 31.31, -44.67

 

CMYK 0 / 47 / 52 / 31

HEX #AF5C54

RGB 175 92 84

HSL 5.27, 0.36%, 0.51%

LAB 48.77, 32.88, 19.87

 

CMYK 30 / 0 / 51 / 31

HEX #7AAF55

RGB 122 175 85

HSL 95.33, 0.36%, 0.51%

LAB 66.1, -33.54, 40.32

 

CMYK 51 / 5 / 0 / 31

HEX #55A7AF

RGB 85 167 175

HSL 185.33, 0.36%, 0.51%

LAB 63.89, -22.7, -11.82

 

CMYK 22 / 51 / 0 / 31

HEX #8955AF

RGB 137 85 175

HSL 274.67, 0.36%, 0.51%

LAB 45.51, 38.58, -39.89

 

Description

Color code: RGB 175 92 84 | qconv.com Color code: RGB 175 92 84 | qconv.com - big

Since the color values are relatively high compared to others, this hue appears lighter to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 175 red, 92 green and 84 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
175 92 84 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, none cyan, 47 magenta, 52 yellow and 31 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
0% 47% 52% 31% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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