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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone RGB 175 44 13 it is the complementary color RGB 80 211 242. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color RGB 175 44 13. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the color tone RGB 175 44 13: RGB 180 44 8, RGB 197 62 27, RGB 214 80 46, RGB 231 98 65 and RGB 248 116 84

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color RGB 175 44 13. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the color tone RGB 175 44 13: RGB 175 44 13, RGB 158 26 0, RGB 141 8 0, RGB 124 0 0 and RGB 107 0 0

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 0 / 75 / 93 / 31

HEX #AF2C0D

RGB 175 44 13

HSL 11.48, 0.86%, 0.37%

LAB 39.49, 51.39, 47.61

 

Complementary color

CMYK 67 / 13 / 0 / 5

HEX #50D3F2

RGB 80 211 242

HSL 191.48, 0.86%, 0.63%

LAB 78.87, -26.2, -25.72

 

CMYK 0 / 76 / 96 / 29

HEX #B42C08

RGB 180 44 8

HSL 12.56, 0.91%, 0.37%

LAB 40.45, 52.93, 50.33

 

CMYK 0 / 69 / 86 / 23

HEX #C53E1B

RGB 197 62 27

HSL 12.35, 0.76%, 0.44%

LAB 46.17, 52.16, 48.91

 

CMYK 0 / 63 / 79 / 16

HEX #D6502E

RGB 214 80 46

HSL 12.14, 0.67%, 0.51%

LAB 52.1, 51, 46.51

 

CMYK 0 / 58 / 72 / 9

HEX #E76241

RGB 231 98 65

HSL 11.93, 0.78%, 0.58%

LAB 58.14, 49.68, 43.98

 

CMYK 0 / 53 / 66 / 3

HEX #F87454

RGB 248 116 84

HSL 11.71, 0.92%, 0.65%

LAB 64.23, 48.32, 41.6

 

CMYK 0 / 75 / 93 / 31

HEX #AF2C0D

RGB 175 44 13

HSL 11.48, 0.86%, 0.37%

LAB 39.49, 51.39, 47.61

 

CMYK 0 / 84 / 100 / 38

HEX #9E1A00

RGB 158 26 0

HSL 9.87, 1%, 0.31%

LAB 34, 51.47, 47.42

 

CMYK 0 / 94 / 100 / 45

HEX #8D0800

RGB 141 8 0

HSL 3.4, 1%, 0.28%

LAB 29, 50.24, 42.23

 

CMYK 0 / 100 / 100 / 51

HEX #7C0000

RGB 124 0 0

HSL 0, 1%, 0.24%

LAB 24.59, 46.97, 36.84

 

CMYK 0 / 100 / 100 / 58

HEX #6B0000

RGB 107 0 0

HSL 0, 1%, 0.21%

LAB 20.54, 42.28, 31.36

 

CMYK 0 / 75 / 93 / 31

HEX #AF2C0D

RGB 175 44 13

HSL 11.48, 0.86%, 0.37%

LAB 39.49, 51.39, 47.61

 

CMYK 0 / 60 / 93 / 31

HEX #AF460D

RGB 175 70 13

HSL 21.11, 0.86%, 0.37%

LAB 43.54, 40.46, 50.42

 

CMYK 0 / 45 / 93 / 31

HEX #AF610D

RGB 175 97 13

HSL 31.11, 0.86%, 0.37%

LAB 49.12, 26.43, 54.43

 

CMYK 0 / 29 / 93 / 31

HEX #AF7C0D

RGB 175 124 13

HSL 41.11, 0.86%, 0.37%

LAB 55.64, 11.38, 59.26

 

CMYK 0 / 14 / 93 / 31

HEX #AF970D

RGB 175 151 13

HSL 51.11, 0.86%, 0.37%

LAB 62.74, -3.49, 64.63

 

CMYK 0 / 75 / 93 / 31

HEX #AF2C0D

RGB 175 44 13

HSL 11.48, 0.86%, 0.37%

LAB 39.49, 51.39, 47.61

 

CMYK 0 / 75 / 92 / 11

HEX #E23911

RGB 226 57 17

HSL 11.48, 0.86%, 0.48%

LAB 50.85, 63.04, 58.49

 

CMYK 0 / 73 / 91 / 91

HEX #160602

RGB 22 6 2

HSL 12, 0.83%, 0.05%

LAB 2.76, 4.79, 3.4

 

CMYK 0 / 75 / 93 / 71

HEX #491205

RGB 73 18 5

HSL 11.47, 0.87%, 0.15%

LAB 14.73, 25.38, 20.47

 

CMYK 0 / 75 / 93 / 51

HEX #7C1F09

RGB 124 31 9

HSL 11.48, 0.86%, 0.26%

LAB 27.53, 39, 35.85

 

CMYK 0 / 75 / 93 / 31

HEX #AF2C0D

RGB 175 44 13

HSL 11.48, 0.86%, 0.37%

LAB 39.49, 51.39, 47.61

 

CMYK 35 / 0 / 93 / 31

HEX #71AF0D

RGB 113 175 13

HSL 82.96, 0.86%, 0.37%

LAB 65.12, -41.68, 64.56

 

CMYK 93 / 73 / 0 / 31

HEX #0D30AF

RGB 13 48 175

HSL 227.04, 0.86%, 0.37%

LAB 27.56, 39.81, -69.45

 

CMYK 0 / 75 / 93 / 31

HEX #AF2C0D

RGB 175 44 13

HSL 11.48, 0.86%, 0.37%

LAB 39.49, 51.39, 47.61

 

CMYK 93 / 0 / 76 / 31

HEX #0DAF2A

RGB 13 175 42

HSL 130.74, 0.86%, 0.37%

LAB 62.43, -62.5, 53.91

 

CMYK 76 / 93 / 0 / 31

HEX #2A0DAF

RGB 42 13 175

HSL 250.74, 0.86%, 0.37%

LAB 23.25, 57.31, -76.55

 

CMYK 0 / 75 / 93 / 31

HEX #AF2C0D

RGB 175 44 13

HSL 11.48, 0.86%, 0.37%

LAB 39.49, 51.39, 47.61

 

CMYK 35 / 0 / 93 / 31

HEX #71AF0D

RGB 113 175 13

HSL 82.96, 0.86%, 0.37%

LAB 65.12, -41.68, 64.56

 

CMYK 93 / 17 / 0 / 31

HEX #0D91AF

RGB 13 145 175

HSL 191.11, 0.86%, 0.37%

LAB 55.51, -20.96, -24.71

 

CMYK 57 / 93 / 0 / 31

HEX #4B0DAF

RGB 75 13 175

HSL 262.96, 0.86%, 0.37%

LAB 26.39, 59.35, -71.26

 

CMYK 0 / 75 / 93 / 31

HEX #AF2C0D

RGB 175 44 13

HSL 11.48, 0.86%, 0.37%

LAB 39.49, 51.39, 47.61

 

CMYK 63 / 0 / 93 / 31

HEX #40AF0D

RGB 64 175 13

HSL 101.11, 0.86%, 0.37%

LAB 63.16, -56.67, 62.14

 

CMYK 93 / 17 / 0 / 31

HEX #0D91AF

RGB 13 145 175

HSL 191.11, 0.86%, 0.37%

LAB 55.51, -20.96, -24.71

 

CMYK 29 / 93 / 0 / 31

HEX #7C0DAF

RGB 124 13 175

HSL 281.11, 0.86%, 0.37%

LAB 33.28, 64.77, -59.67

 

Description

Color code: RGB 175 44 13 | qconv.com Color code: RGB 175 44 13 | qconv.com - big

With this color, red stands out from the other colors. The value that represents the red hue is greater than the other two values. It is far different from the value for the green and blue hue. Since the color values are relatively low compared to others, this hue appears darker to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 175 red, 44 green and 13 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
175 44 13 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, none cyan, 75 magenta, 93 yellow and 31 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
0% 75% 93% 31% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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