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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone RGB 175 207 216 it is the complementary color RGB 80 48 39. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color RGB 175 207 216. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the color tone RGB 175 207 216: RGB 180 207 211, RGB 197 225 230, RGB 214 243 249, RGB 231 255 255 and RGB 248 255 255

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color RGB 175 207 216. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the color tone RGB 175 207 216: RGB 175 207 216, RGB 158 189 197, RGB 141 171 178, RGB 124 153 159 and RGB 107 135 140

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 19 / 4 / 0 / 15

HEX #AFCFD8

RGB 175 207 216

HSL 193.17, 0.34%, 0.77%

LAB 81.13, -8.69, -8.01

 

Complementary color

CMYK 0 / 40 / 51 / 69

HEX #503027

RGB 80 48 39

HSL 13.17, 0.34%, 0.23%

LAB 23.56, 13.42, 11.85

 

CMYK 15 / 2 / 0 / 17

HEX #B4CFD3

RGB 180 207 211

HSL 187.74, 0.26%, 0.77%

LAB 81.31, -8.17, -5.03

 

CMYK 14 / 2 / 0 / 10

HEX #C5E1E6

RGB 197 225 230

HSL 189.09, 0.4%, 0.84%

LAB 87.7, -8.18, -5.56

 

CMYK 14 / 2 / 0 / 2

HEX #D6F3F9

RGB 214 243 249

HSL 190.29, 0.74%, 0.91%

LAB 93.99, -8.2, -6.08

 

CMYK 9 / 0 / 0 / 0

HEX #E7FFFF

RGB 231 255 255

HSL 180, 1%, 0.95%

LAB 98.32, -7.74, -2.66

 

CMYK 3 / 0 / 0 / 0

HEX #F8FFFF

RGB 248 255 255

HSL 180, 1%, 0.99%

LAB 99.49, -2.29, -0.81

 

CMYK 19 / 4 / 0 / 15

HEX #AFCFD8

RGB 175 207 216

HSL 193.17, 0.34%, 0.77%

LAB 81.13, -8.69, -8.01

 

CMYK 20 / 4 / 0 / 23

HEX #9EBDC5

RGB 158 189 197

HSL 192.31, 0.25%, 0.7%

LAB 74.63, -8.69, -7.52

 

CMYK 21 / 4 / 0 / 30

HEX #8DABB2

RGB 141 171 178

HSL 191.35, 0.19%, 0.63%

LAB 68.02, -8.69, -7.01

 

CMYK 22 / 4 / 0 / 38

HEX #7C999F

RGB 124 153 159

HSL 190.29, 0.15%, 0.55%

LAB 61.28, -8.7, -6.5

 

CMYK 24 / 4 / 0 / 45

HEX #6B878C

RGB 107 135 140

HSL 189.09, 0.13%, 0.48%

LAB 54.39, -8.72, -5.96

 

CMYK 19 / 4 / 0 / 15

HEX #AFCFD8

RGB 175 207 216

HSL 193.17, 0.34%, 0.77%

LAB 81.13, -8.69, -8.01

 

CMYK 19 / 7 / 0 / 15

HEX #B0C9D8

RGB 176 201 216

HSL 202.5, 0.34%, 0.77%

LAB 79.59, -5.24, -10.29

 

CMYK 19 / 10 / 0 / 15

HEX #B0C2D8

RGB 176 194 216

HSL 213, 0.34%, 0.77%

LAB 77.74, -1.53, -13.05

 

CMYK 19 / 13 / 0 / 15

HEX #B0BBD8

RGB 176 187 216

HSL 223.5, 0.34%, 0.77%

LAB 75.9, 2.23, -15.81

 

CMYK 19 / 16 / 0 / 15

HEX #B0B5D8

RGB 176 181 216

HSL 232.5, 0.34%, 0.77%

LAB 74.34, 5.49, -18.17

 

CMYK 19 / 4 / 0 / 15

HEX #AFCFD8

RGB 175 207 216

HSL 193.17, 0.34%, 0.77%

LAB 81.13, -8.69, -8.01

 

CMYK 17 / 0 / 0 / 95

HEX #0A0C0C

RGB 10 12 12

HSL 180, 0.09%, 0.04%

LAB 3.2, -0.55, -0.2

 

CMYK 19 / 5 / 0 / 75

HEX #333C3F

RGB 51 60 63

HSL 195, 0.11%, 0.22%

LAB 24.62, -2.96, -3.11

 

CMYK 19 / 4 / 0 / 55

HEX #5C6D72

RGB 92 109 114

HSL 193.64, 0.11%, 0.4%

LAB 44.84, -5.16, -4.92

 

CMYK 19 / 4 / 0 / 35

HEX #869EA5

RGB 134 158 165

HSL 193.55, 0.15%, 0.59%

LAB 63.54, -6.82, -6.46

 

CMYK 19 / 4 / 0 / 15

HEX #AFCFD8

RGB 175 207 216

HSL 193.17, 0.34%, 0.77%

LAB 81.13, -8.69, -8.01

 

CMYK 11 / 19 / 0 / 15

HEX #C1B0D8

RGB 193 176 216

HSL 265.5, 0.34%, 0.77%

LAB 74.41, 13.69, -17.94

 

CMYK 0 / 4 / 19 / 15

HEX #D8D0B0

RGB 216 208 176

HSL 48, 0.34%, 0.77%

LAB 83.36, -2.45, 16.9

 

CMYK 19 / 4 / 0 / 15

HEX #AFCFD8

RGB 175 207 216

HSL 193.17, 0.34%, 0.77%

LAB 81.13, -8.69, -8.01

 

CMYK 0 / 19 / 4 / 15

HEX #D8B0CF

RGB 216 176 207

HSL 313.5, 0.34%, 0.77%

LAB 76.16, 19.67, -10.19

 

CMYK 4 / 0 / 19 / 15

HEX #CFD8B0

RGB 207 216 176

HSL 73.5, 0.34%, 0.77%

LAB 84.75, -9.85, 18.73

 

CMYK 19 / 4 / 0 / 15

HEX #AFCFD8

RGB 175 207 216

HSL 193.17, 0.34%, 0.77%

LAB 81.13, -8.69, -8.01

 

CMYK 11 / 19 / 0 / 15

HEX #C1B0D8

RGB 193 176 216

HSL 265.5, 0.34%, 0.77%

LAB 74.41, 13.69, -17.94

 

CMYK 0 / 14 / 19 / 15

HEX #D8B9B0

RGB 216 185 176

HSL 13.5, 0.34%, 0.77%

LAB 77.54, 9.66, 8.66

 

CMYK 8 / 0 / 19 / 15

HEX #C7D8B0

RGB 199 216 176

HSL 85.5, 0.34%, 0.77%

LAB 84.17, -12.73, 17.83

 

CMYK 19 / 4 / 0 / 15

HEX #AFCFD8

RGB 175 207 216

HSL 193.17, 0.34%, 0.77%

LAB 81.13, -8.69, -8.01

 

CMYK 6 / 19 / 0 / 15

HEX #CCB0D8

RGB 204 176 216

HSL 282, 0.34%, 0.77%

LAB 75.36, 17.31, -16.42

 

CMYK 0 / 14 / 19 / 15

HEX #D8B9B0

RGB 216 185 176

HSL 13.5, 0.34%, 0.77%

LAB 77.54, 9.66, 8.66

 

CMYK 13 / 0 / 19 / 15

HEX #BBD8B0

RGB 187 216 176

HSL 103.5, 0.34%, 0.77%

LAB 83.34, -16.95, 16.56

 

Description

Color code: RGB 175 207 216 | qconv.com Color code: RGB 175 207 216 | qconv.com - big

Since the color values are relatively high compared to others, this hue appears lighter to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 175 red, 207 green and 216 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
175 207 216 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, 19 cyan, 4 magenta, none yellow and 15 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
19% 4% 0% 15% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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