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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone RGB 175 190 205 it is the complementary color RGB 80 65 50. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color RGB 175 190 205. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the color tone RGB 175 190 205: RGB 180 190 200, RGB 197 208 219, RGB 214 226 238, RGB 231 244 255 and RGB 248 255 255

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color RGB 175 190 205. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the color tone RGB 175 190 205: RGB 175 190 205, RGB 158 172 186, RGB 141 154 167, RGB 124 136 148 and RGB 107 118 129

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 15 / 7 / 0 / 20

HEX #AFBECD

RGB 175 190 205

HSL 210, 0.23%, 0.75%

LAB 76.28, -2.07, -9.29

 

Complementary color

CMYK 0 / 19 / 38 / 69

HEX #504132

RGB 80 65 50

HSL 30, 0.23%, 0.25%

LAB 28.69, 3.95, 11.59

 

CMYK 10 / 5 / 0 / 22

HEX #B4BEC8

RGB 180 190 200

HSL 210, 0.15%, 0.75%

LAB 76.5, -1.46, -6.22

 

CMYK 10 / 5 / 0 / 14

HEX #C5D0DB

RGB 197 208 219

HSL 210, 0.23%, 0.82%

LAB 82.96, -1.58, -6.73

 

CMYK 10 / 5 / 0 / 7

HEX #D6E2EE

RGB 214 226 238

HSL 210, 0.41%, 0.89%

LAB 89.33, -1.69, -7.22

 

CMYK 9 / 4 / 0 / 0

HEX #E7F4FF

RGB 231 244 255

HSL 207.5, 1%, 0.95%

LAB 95.54, -2.19, -6.76

 

CMYK 3 / 0 / 0 / 0

HEX #F8FFFF

RGB 248 255 255

HSL 180, 1%, 0.99%

LAB 99.49, -2.29, -0.81

 

CMYK 15 / 7 / 0 / 20

HEX #AFBECD

RGB 175 190 205

HSL 210, 0.23%, 0.75%

LAB 76.28, -2.07, -9.29

 

CMYK 15 / 8 / 0 / 27

HEX #9EACBA

RGB 158 172 186

HSL 210, 0.17%, 0.67%

LAB 69.7, -1.96, -8.83

 

CMYK 16 / 8 / 0 / 35

HEX #8D9AA7

RGB 141 154 167

HSL 210, 0.13%, 0.6%

LAB 62.98, -1.85, -8.36

 

CMYK 16 / 8 / 0 / 42

HEX #7C8894

RGB 124 136 148

HSL 210, 0.1%, 0.53%

LAB 56.12, -1.73, -7.89

 

CMYK 17 / 9 / 0 / 49

HEX #6B7681

RGB 107 118 129

HSL 210, 0.09%, 0.46%

LAB 49.09, -1.61, -7.42

 

CMYK 15 / 7 / 0 / 20

HEX #AFBECD

RGB 175 190 205

HSL 210, 0.23%, 0.75%

LAB 76.28, -2.07, -9.29

 

CMYK 14 / 9 / 0 / 20

HEX #B0BACD

RGB 176 186 205

HSL 219.31, 0.22%, 0.75%

LAB 75.3, 0.4, -10.75

 

CMYK 14 / 12 / 0 / 20

HEX #B0B5CD

RGB 176 181 205

HSL 229.66, 0.22%, 0.75%

LAB 73.99, 3.11, -12.71

 

CMYK 14 / 14 / 0 / 20

HEX #B0B0CD

RGB 176 176 205

HSL 240, 0.22%, 0.75%

LAB 72.69, 5.83, -14.66

 

CMYK 12 / 14 / 0 / 20

HEX #B5B0CD

RGB 181 176 205

HSL 250.34, 0.22%, 0.75%

LAB 73.08, 7.47, -14.03

 

CMYK 15 / 7 / 0 / 20

HEX #AFBECD

RGB 175 190 205

HSL 210, 0.23%, 0.75%

LAB 76.28, -2.07, -9.29

 

CMYK 0 / 0 / 0 / 100

HEX #010101

RGB 1 1 1

HSL 0, 0%, 0%

LAB 0.27, 0, -0

 

CMYK 15 / 8 / 0 / 80

HEX #2C3034

RGB 44 48 52

HSL 210, 0.08%, 0.19%

LAB 19.63, -0.72, -3.15

 

CMYK 15 / 8 / 0 / 60

HEX #585F67

RGB 88 95 103

HSL 212, 0.08%, 0.37%

LAB 39.98, -0.88, -5.49

 

CMYK 15 / 7 / 0 / 40

HEX #838F9A

RGB 131 143 154

HSL 208.7, 0.1%, 0.56%

LAB 58.79, -1.95, -7.3

 

CMYK 15 / 7 / 0 / 20

HEX #AFBECD

RGB 175 190 205

HSL 210, 0.23%, 0.75%

LAB 76.28, -2.07, -9.29

 

CMYK 4 / 14 / 0 / 20

HEX #C5B0CD

RGB 197 176 205

HSL 283.45, 0.22%, 0.75%

LAB 74.4, 12.82, -11.92

 

CMYK 1 / 0 / 14 / 20

HEX #CACDB0

RGB 202 205 176

HSL 66.21, 0.22%, 0.75%

LAB 81.49, -6.02, 14.1

 

CMYK 15 / 7 / 0 / 20

HEX #AFBECD

RGB 175 190 205

HSL 210, 0.23%, 0.75%

LAB 76.28, -2.07, -9.29

 

CMYK 0 / 14 / 7 / 20

HEX #CDB0BF

RGB 205 176 191

HSL 328.97, 0.22%, 0.75%

LAB 74.69, 12.99, -3.75

 

CMYK 7 / 0 / 14 / 20

HEX #BFCDB0

RGB 191 205 176

HSL 88.97, 0.22%, 0.75%

LAB 80.67, -9.97, 12.83

 

CMYK 15 / 7 / 0 / 20

HEX #AFBECD

RGB 175 190 205

HSL 210, 0.23%, 0.75%

LAB 76.28, -2.07, -9.29

 

CMYK 4 / 14 / 0 / 20

HEX #C5B0CD

RGB 197 176 205

HSL 283.45, 0.22%, 0.75%

LAB 74.4, 12.82, -11.92

 

CMYK 0 / 7 / 14 / 20

HEX #CDBFB0

RGB 205 191 176

HSL 31.03, 0.22%, 0.75%

LAB 78.1, 2.42, 9.33

SW® 7511

CMYK 10 / 0 / 14 / 20

HEX #B9CDB0

RGB 185 205 176

HSL 101.38, 0.22%, 0.75%

LAB 80.24, -12.09, 12.17

 

CMYK 15 / 7 / 0 / 20

HEX #AFBECD

RGB 175 190 205

HSL 210, 0.23%, 0.75%

LAB 76.28, -2.07, -9.29

 

CMYK 0 / 14 / 0 / 20

HEX #CDB0CD

RGB 205 176 205

HSL 300, 0.22%, 0.75%

LAB 75.1, 15.53, -10.8

 

CMYK 0 / 7 / 14 / 20

HEX #CDBFB0

RGB 205 191 176

HSL 31.03, 0.22%, 0.75%

LAB 78.1, 2.42, 9.33

SW® 7511

CMYK 14 / 0 / 14 / 20

HEX #B0CDB0

RGB 176 205 176

HSL 120, 0.22%, 0.75%

LAB 79.63, -15.21, 11.22

 

Description

Color code: RGB 175 190 205 | qconv.com Color code: RGB 175 190 205 | qconv.com - big

Since the color values are relatively high compared to others, this hue appears lighter to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 175 red, 190 green and 205 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
175 190 205 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, 15 cyan, 7 magenta, none yellow and 20 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
15% 7% 0% 20% C M Y K



Brands

This color is used by at least one manufactures. Here you can see which:

59% - Vegan Mom - Food &am...
Link: http://veganmom.de

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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