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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone CMYK 10 / 5 / 0 / 7 it is the complementary color CMYK 0 / 29 / 57 / 84. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color CMYK 10 / 5 / 0 / 7. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the color tone CMYK 10 / 5 / 0 / 7: CMYK 6 / 3 / 0 / 9, CMYK 6 / 3 / 0 / 2, CMYK 1 / 0 / 0 / 0

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color CMYK 10 / 5 / 0 / 7. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the color tone CMYK 10 / 5 / 0 / 7: CMYK 10 / 5 / 0 / 7, CMYK 10 / 5 / 0 / 15, CMYK 10 / 5 / 0 / 22, CMYK 10 / 5 / 0 / 29 and CMYK 10 / 5 / 0 / 37

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 10 / 5 / 0 / 7

HEX #D5E1ED

RGB 213 225 237

HSL 210, 0.4%, 0.88%

LAB 88.97, -1.69, -7.23

 

Complementary color

CMYK 0 / 29 / 57 / 84

HEX #2A1E12

RGB 42 30 18

HSL 30, 0.4%, 0.12%

LAB 12.38, 3.87, 10.27

 

CMYK 6 / 3 / 0 / 9

HEX #DAE1E8

RGB 218 225 232

HSL 210, 0.23%, 0.88%

LAB 89.2, -1.03, -4.23

 

CMYK 6 / 3 / 0 / 2

HEX #EBF3FB

RGB 235 243 251

HSL 210, 0.67%, 0.95%

LAB 95.47, -1.16, -4.77

 

CMYK 1 / 0 / 0 / 0

HEX #FCFFFF

RGB 252 255 255

HSL 180, 1%, 0.99%

LAB 99.78, -0.98, -0.36

 

CMYK 10 / 5 / 0 / 7

HEX #D5E1ED

RGB 213 225 237

HSL 210, 0.4%, 0.88%

LAB 88.97, -1.69, -7.23

 

CMYK 10 / 5 / 0 / 15

HEX #C4CFDA

RGB 196 207 218

HSL 210, 0.23%, 0.81%

LAB 82.61, -1.58, -6.73

 

CMYK 10 / 5 / 0 / 22

HEX #B3BDC7

RGB 179 189 199

HSL 210, 0.15%, 0.74%

LAB 76.13, -1.46, -6.23

 

CMYK 10 / 5 / 0 / 29

HEX #A2ABB4

RGB 162 171 180

HSL 210, 0.11%, 0.67%

LAB 69.54, -1.34, -5.71

 

CMYK 10 / 5 / 0 / 37

HEX #9199A1

RGB 145 153 161

HSL 210, 0.08%, 0.6%

LAB 62.82, -1.22, -5.18

 

CMYK 10 / 5 / 0 / 7

HEX #D5E1ED

RGB 213 225 237

HSL 210, 0.4%, 0.88%

LAB 88.97, -1.69, -7.23

 

CMYK 10 / 7 / 0 / 7

HEX #D4DCEC

RGB 212 220 236

HSL 220, 0.39%, 0.88%

LAB 87.6, 0.38, -8.75

 

CMYK 10 / 8 / 0 / 7

HEX #D4D8EC

RGB 212 216 236

HSL 230, 0.39%, 0.88%

LAB 86.59, 2.47, -10.26

 

CMYK 10 / 10 / 0 / 7

HEX #D4D4EC

RGB 212 212 236

HSL 240, 0.39%, 0.88%

LAB 85.57, 4.57, -11.76

 

CMYK 8 / 10 / 0 / 7

HEX #D8D4EC

RGB 216 212 236

HSL 250, 0.39%, 0.88%

LAB 85.88, 5.87, -11.28

 

CMYK 10 / 5 / 0 / 7

HEX #D5E1ED

RGB 213 225 237

HSL 210, 0.4%, 0.88%

LAB 88.97, -1.69, -7.23

 

CMYK 9 / 6 / 0 / 87

HEX #1E1F21

RGB 30 31 33

HSL 220, 0.05%, 0.12%

LAB 11.73, 0.05, -1.52

 

CMYK 11 / 5 / 0 / 67

HEX #4B5054

RGB 75 80 84

HSL 206.67, 0.06%, 0.31%

LAB 33.72, -1.08, -3.04

 

CMYK 10 / 5 / 0 / 47

HEX #798087

RGB 121 128 135

HSL 210, 0.06%, 0.5%

LAB 53.22, -1.1, -4.68

 

CMYK 10 / 5 / 0 / 27

HEX #A7B1BA

RGB 167 177 186

HSL 208.42, 0.12%, 0.69%

LAB 71.69, -1.68, -5.79

 

CMYK 10 / 5 / 0 / 7

HEX #D5E1ED

RGB 213 225 237

HSL 210, 0.4%, 0.88%

LAB 88.97, -1.69, -7.23

 

CMYK 3 / 10 / 0 / 7

HEX #E5D4EC

RGB 229 212 236

HSL 282.5, 0.39%, 0.88%

LAB 86.9, 10.14, -9.65

 

CMYK 1 / 0 / 10 / 7

HEX #EAECD4

RGB 234 236 212

HSL 65, 0.39%, 0.88%

LAB 92.68, -4.75, 11.41

 

CMYK 10 / 5 / 0 / 7

HEX #D5E1ED

RGB 213 225 237

HSL 210, 0.4%, 0.88%

LAB 88.97, -1.69, -7.23

 

CMYK 0 / 10 / 5 / 7

HEX #ECD4E0

RGB 236 212 224

HSL 330, 0.39%, 0.88%

LAB 87.14, 10.34, -2.87

 

CMYK 5 / 0 / 10 / 7

HEX #E0ECD4

RGB 224 236 212

HSL 90, 0.39%, 0.88%

LAB 91.95, -8.2, 10.27

 

CMYK 10 / 5 / 0 / 7

HEX #D5E1ED

RGB 213 225 237

HSL 210, 0.4%, 0.88%

LAB 88.97, -1.69, -7.23

 

CMYK 3 / 10 / 0 / 7

HEX #E5D4EC

RGB 229 212 236

HSL 282.5, 0.39%, 0.88%

LAB 86.9, 10.14, -9.65

 

CMYK 0 / 5 / 10 / 7

HEX #ECE0D4

RGB 236 224 212

HSL 30, 0.39%, 0.88%

LAB 89.81, 2.08, 7.32

 

CMYK 7 / 0 / 10 / 7

HEX #DBECD4

RGB 219 236 212

HSL 102.5, 0.39%, 0.88%

LAB 91.6, -9.91, 9.72

 

CMYK 10 / 5 / 0 / 7

HEX #D5E1ED

RGB 213 225 237

HSL 210, 0.4%, 0.88%

LAB 88.97, -1.69, -7.23

 

CMYK 0 / 10 / 0 / 7

HEX #ECD4EC

RGB 236 212 236

HSL 300, 0.39%, 0.88%

LAB 87.47, 12.46, -8.73

 

CMYK 0 / 5 / 10 / 7

HEX #ECE0D4

RGB 236 224 212

HSL 30, 0.39%, 0.88%

LAB 89.81, 2.08, 7.32

 

CMYK 10 / 0 / 10 / 7

HEX #D4ECD4

RGB 212 236 212

HSL 120, 0.39%, 0.88%

LAB 91.12, -12.27, 8.96

 

Description

Color code: CMYK 10 / 5 / 0 / 7 | qconv.com Color code: CMYK 10 / 5 / 0 / 7 | qconv.com - big

Since the color values are relatively high compared to others, this hue appears lighter to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 213 red, 225 green and 237 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
213 225 237 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, 10 cyan, 5 magenta, none yellow and 7 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
10% 5% 0% 7% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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