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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone RGB 175 179 189 it is the complementary color RGB 80 76 66. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color RGB 175 179 189. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the color tone RGB 175 179 189: RGB 180 179 184, RGB 197 197 203, RGB 214 215 222, RGB 231 233 241 and RGB 248 251 255

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color RGB 175 179 189. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the color tone RGB 175 179 189: RGB 175 179 189, RGB 158 161 170, RGB 141 143 151, RGB 124 125 132 and RGB 107 107 113

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 7 / 5 / 0 / 26

HEX #AFB3BD

RGB 175 179 189

HSL 222.86, 0.1%, 0.71%

LAB 72.91, 0.56, -5.57

 

Complementary color

CMYK 0 / 5 / 18 / 69

HEX #504C42

RGB 80 76 66

HSL 42.86, 0.1%, 0.29%

LAB 32.41, -0.32, 6.54

 

CMYK 2 / 3 / 0 / 28

HEX #B4B3B8

RGB 180 179 184

HSL 252, 0.03%, 0.71%

LAB 73.16, 1.3, -2.42

 

CMYK 3 / 3 / 0 / 20

HEX #C5C5CB

RGB 197 197 203

HSL 240, 0.05%, 0.78%

LAB 79.68, 1.12, -3

 

CMYK 4 / 3 / 0 / 13

HEX #D6D7DE

RGB 214 215 222

HSL 232.5, 0.11%, 0.85%

LAB 86.09, 0.95, -3.56

 

CMYK 4 / 3 / 0 / 5

HEX #E7E9F1

RGB 231 233 241

HSL 228, 0.26%, 0.93%

LAB 92.41, 0.79, -4.11

 

CMYK 3 / 2 / 0 / 0

HEX #F8FBFF

RGB 248 251 255

HSL 214.29, 1%, 0.99%

LAB 98.5, -0.27, -2.27

 

CMYK 7 / 5 / 0 / 26

HEX #AFB3BD

RGB 175 179 189

HSL 222.86, 0.1%, 0.71%

LAB 72.91, 0.56, -5.57

 

CMYK 7 / 5 / 0 / 33

HEX #9EA1AA

RGB 158 161 170

HSL 225, 0.07%, 0.64%

LAB 66.26, 0.72, -5.04

 

CMYK 7 / 5 / 0 / 41

HEX #8D8F97

RGB 141 143 151

HSL 228, 0.05%, 0.57%

LAB 59.47, 0.89, -4.49

 

CMYK 6 / 5 / 0 / 48

HEX #7C7D84

RGB 124 125 132

HSL 232.5, 0.03%, 0.5%

LAB 52.53, 1.07, -3.93

 

CMYK 5 / 5 / 0 / 56

HEX #6B6B71

RGB 107 107 113

HSL 240, 0.03%, 0.43%

LAB 45.41, 1.26, -3.35

 

CMYK 7 / 5 / 0 / 26

HEX #AFB3BD

RGB 175 179 189

HSL 222.86, 0.1%, 0.71%

LAB 72.91, 0.56, -5.57

 

CMYK 8 / 7 / 0 / 26

HEX #ADAFBC

RGB 173 175 188

HSL 232, 0.1%, 0.71%

LAB 71.67, 1.85, -6.87

 

CMYK 7 / 8 / 0 / 26

HEX #AEADBC

RGB 174 173 188

HSL 244, 0.1%, 0.71%

LAB 71.23, 3.28, -7.53

 

CMYK 6 / 8 / 0 / 26

HEX #B0ADBC

RGB 176 173 188

HSL 252, 0.1%, 0.71%

LAB 71.38, 3.96, -7.27

 

CMYK 5 / 8 / 0 / 26

HEX #B3ADBC

RGB 179 173 188

HSL 264, 0.1%, 0.71%

LAB 71.62, 4.99, -6.89

 

CMYK 7 / 5 / 0 / 26

HEX #AFB3BD

RGB 175 179 189

HSL 222.86, 0.1%, 0.71%

LAB 72.91, 0.56, -5.57

 

CMYK 8 / 5 / 0 / 6

HEX #DEE3F0

RGB 222 227 240

HSL 223.33, 0.38%, 0.91%

LAB 90.21, 0.76, -6.9

 

CMYK 8 / 6 / 0 / 86

HEX #212224

RGB 33 34 36

HSL 220, 0.04%, 0.14%

LAB 13.2, 0.05, -1.51

 

CMYK 7 / 6 / 0 / 66

HEX #515257

RGB 81 82 87

HSL 230, 0.04%, 0.33%

LAB 34.95, 0.71, -3.06

 

CMYK 7 / 5 / 0 / 46

HEX #80838A

RGB 128 131 138

HSL 222, 0.04%, 0.52%

LAB 54.72, 0.34, -4.16

 

CMYK 7 / 5 / 0 / 26

HEX #AFB3BD

RGB 175 179 189

HSL 222.86, 0.1%, 0.71%

LAB 72.91, 0.56, -5.57

 

CMYK 1 / 8 / 0 / 26

HEX #BAADBC

RGB 186 173 188

HSL 292, 0.1%, 0.71%

LAB 72.2, 7.41, -5.98

 

CMYK 2 / 0 / 8 / 26

HEX #B8BCAD

RGB 184 188 173

HSL 76, 0.1%, 0.71%

LAB 75.56, -4.11, 7.1

 

CMYK 7 / 5 / 0 / 26

HEX #AFB3BD

RGB 175 179 189

HSL 222.86, 0.1%, 0.71%

LAB 72.91, 0.56, -5.57

 

CMYK 0 / 8 / 5 / 26

HEX #BCADB2

RGB 188 173 178

HSL 340, 0.1%, 0.71%

LAB 72.09, 6.27, -0.62

 

CMYK 5 / 0 / 8 / 26

HEX #B2BCAD

RGB 178 188 173

HSL 100, 0.1%, 0.71%

LAB 75.11, -6.25, 6.39

 

CMYK 7 / 5 / 0 / 26

HEX #AFB3BD

RGB 175 179 189

HSL 222.86, 0.1%, 0.71%

LAB 72.91, 0.56, -5.57

 

CMYK 1 / 8 / 0 / 26

HEX #BAADBC

RGB 186 173 188

HSL 292, 0.1%, 0.71%

LAB 72.2, 7.41, -5.98

 

CMYK 0 / 2 / 8 / 26

HEX #BCB8AD

RGB 188 184 173

HSL 44, 0.1%, 0.71%

LAB 74.82, -0.54, 6.07

 

CMYK 7 / 0 / 8 / 26

HEX #AFBCAD

RGB 175 188 173

HSL 112, 0.1%, 0.71%

LAB 74.89, -7.31, 6.04

 

CMYK 7 / 5 / 0 / 26

HEX #AFB3BD

RGB 175 179 189

HSL 222.86, 0.1%, 0.71%

LAB 72.91, 0.56, -5.57

 

CMYK 0 / 8 / 2 / 26

HEX #BCADB9

RGB 188 173 185

HSL 312, 0.1%, 0.71%

LAB 72.28, 7.54, -4.18

 

CMYK 0 / 2 / 8 / 26

HEX #BCB8AD

RGB 188 184 173

HSL 44, 0.1%, 0.71%

LAB 74.82, -0.54, 6.07

 

CMYK 8 / 0 / 6 / 26

HEX #ADBCB0

RGB 173 188 176

HSL 132, 0.1%, 0.71%

LAB 74.82, -7.45, 4.29

 

Description

Color code: RGB 175 179 189 | qconv.com Color code: RGB 175 179 189 | qconv.com - big

Since the color values are relatively high compared to others, this hue appears lighter to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 175 red, 179 green and 189 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
175 179 189 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, 7 cyan, 5 magenta, none yellow and 26 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
7% 5% 0% 26% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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