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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone RGB 175 169 21 it is the complementary color RGB 80 86 234. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color RGB 175 169 21. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the color tone RGB 175 169 21: RGB 180 169 16, RGB 197 187 35, RGB 214 205 54, RGB 231 223 73 and RGB 248 241 92

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color RGB 175 169 21. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the color tone RGB 175 169 21: RGB 175 169 21, RGB 158 151 2, RGB 141 133 0, RGB 124 115 0 and RGB 107 97 0

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 0 / 3 / 88 / 31

HEX #AFA915

RGB 175 169 21

HSL 57.66, 0.79%, 0.38%

LAB 67.68, -12.86, 67.05

 

Complementary color

CMYK 66 / 63 / 0 / 8

HEX #5056EA

RGB 80 86 234

HSL 237.66, 0.79%, 0.62%

LAB 44.66, 43.12, -75.48

 

CMYK 0 / 6 / 91 / 29

HEX #B4A910

RGB 180 169 16

HSL 55.98, 0.84%, 0.38%

LAB 68.11, -10.74, 68.47

 

CMYK 0 / 5 / 82 / 23

HEX #C5BB23

RGB 197 187 35

HSL 56.3, 0.7%, 0.45%

LAB 74.53, -12.11, 70.28

 

CMYK 0 / 4 / 75 / 16

HEX #D6CD36

RGB 214 205 54

HSL 56.63, 0.66%, 0.53%

LAB 80.86, -13.27, 70.9

 

CMYK 0 / 3 / 68 / 9

HEX #E7DF49

RGB 231 223 73

HSL 56.96, 0.77%, 0.6%

LAB 87.12, -14.26, 70.79

 

CMYK 0 / 3 / 63 / 3

HEX #F8F15C

RGB 248 241 92

HSL 57.31, 0.92%, 0.67%

LAB 93.29, -15.09, 70.25

 

CMYK 0 / 3 / 88 / 31

HEX #AFA915

RGB 175 169 21

HSL 57.66, 0.79%, 0.38%

LAB 67.68, -12.86, 67.05

 

CMYK 0 / 4 / 99 / 38

HEX #9E9702

RGB 158 151 2

HSL 57.31, 0.98%, 0.31%

LAB 61.14, -11.38, 64.33

 

CMYK 0 / 6 / 100 / 45

HEX #8D8500

RGB 141 133 0

HSL 56.6, 1%, 0.28%

LAB 54.49, -9.58, 59.11

 

CMYK 0 / 7 / 100 / 51

HEX #7C7300

RGB 124 115 0

HSL 55.65, 1%, 0.24%

LAB 47.68, -7.68, 53.47

 

CMYK 0 / 9 / 100 / 58

HEX #6B6100

RGB 107 97 0

HSL 54.39, 1%, 0.21%

LAB 40.7, -5.7, 47.68

 

CMYK 0 / 3 / 88 / 31

HEX #AFA915

RGB 175 169 21

HSL 57.66, 0.79%, 0.38%

LAB 67.68, -12.86, 67.05

 

CMYK 10 / 0 / 88 / 32

HEX #9BAD14

RGB 155 173 20

HSL 67.06, 0.79%, 0.38%

LAB 67.21, -23.65, 66.19

 

CMYK 25 / 0 / 88 / 32

HEX #82AD14

RGB 130 173 20

HSL 76.86, 0.79%, 0.38%

LAB 65.5, -34.06, 64.09

 

CMYK 40 / 0 / 88 / 32

HEX #68AD14

RGB 104 173 20

HSL 87.06, 0.79%, 0.38%

LAB 64.06, -43.9, 62.3

 

CMYK 54 / 0 / 88 / 32

HEX #4FAD14

RGB 79 173 20

HSL 96.86, 0.79%, 0.38%

LAB 63.01, -51.88, 60.99

 

CMYK 0 / 3 / 88 / 31

HEX #AFA915

RGB 175 169 21

HSL 57.66, 0.79%, 0.38%

LAB 67.68, -12.86, 67.05

 

CMYK 0 / 4 / 88 / 11

HEX #E2DA1B

RGB 226 218 27

HSL 57.59, 0.79%, 0.5%

LAB 85.2, -15.45, 81.7

 

CMYK 0 / 5 / 86 / 91

HEX #161503

RGB 22 21 3

HSL 56.84, 0.76%, 0.05%

LAB 6.44, -2.57, 8.37

 

CMYK 0 / 4 / 88 / 71

HEX #494609

RGB 73 70 9

HSL 57.19, 0.78%, 0.16%

LAB 28.94, -6.54, 34.02

 

CMYK 0 / 3 / 88 / 51

HEX #7C780F

RGB 124 120 15

HSL 57.8, 0.78%, 0.27%

LAB 49.19, -10.12, 51.45

 

CMYK 0 / 3 / 88 / 31

HEX #AFA915

RGB 175 169 21

HSL 57.66, 0.79%, 0.38%

LAB 67.68, -12.86, 67.05

 

CMYK 88 / 0 / 75 / 32

HEX #14AD2B

RGB 20 173 43

HSL 129.02, 0.79%, 0.38%

LAB 61.84, -61.34, 52.98

 

CMYK 40 / 88 / 0 / 32

HEX #6814AD

RGB 104 20 173

HSL 272.94, 0.79%, 0.38%

LAB 30.55, 60.26, -63.07

 

CMYK 0 / 3 / 88 / 31

HEX #AFA915

RGB 175 169 21

HSL 57.66, 0.79%, 0.38%

LAB 67.68, -12.86, 67.05

 

CMYK 88 / 0 / 5 / 32

HEX #14ADA5

RGB 20 173 165

HSL 176.86, 0.79%, 0.38%

LAB 63.96, -37.55, -6.28

 

CMYK 5 / 88 / 0 / 32

HEX #A514AD

RGB 165 20 173

HSL 296.86, 0.79%, 0.38%

LAB 40.44, 69.71, -46.56

 

CMYK 0 / 3 / 88 / 31

HEX #AFA915

RGB 175 169 21

HSL 57.66, 0.79%, 0.38%

LAB 67.68, -12.86, 67.05

 

CMYK 88 / 0 / 75 / 32

HEX #14AD2B

RGB 20 173 43

HSL 129.02, 0.79%, 0.38%

LAB 61.84, -61.34, 52.98

 

CMYK 88 / 84 / 0 / 32

HEX #141CAD

RGB 20 28 173

HSL 236.86, 0.79%, 0.38%

LAB 23.66, 50.41, -74.71

 

CMYK 0 / 88 / 13 / 32

HEX #AD1496

RGB 173 20 150

HSL 309.02, 0.79%, 0.38%

LAB 40.55, 67.77, -32.46

 

CMYK 0 / 3 / 88 / 31

HEX #AFA915

RGB 175 169 21

HSL 57.66, 0.79%, 0.38%

LAB 67.68, -12.86, 67.05

 

CMYK 88 / 0 / 49 / 32

HEX #14AD59

RGB 20 173 89

HSL 147.06, 0.79%, 0.38%

LAB 62.3, -55.6, 32.89

 

CMYK 88 / 84 / 0 / 32

HEX #141CAD

RGB 20 28 173

HSL 236.86, 0.79%, 0.38%

LAB 23.66, 50.41, -74.71

 

CMYK 0 / 88 / 40 / 32

HEX #AD1468

RGB 173 20 104

HSL 327.06, 0.79%, 0.38%

LAB 38.52, 62.29, -7.05

 

Description

Color code: RGB 175 169 21 | qconv.com Color code: RGB 175 169 21 | qconv.com - big

With this color yellow stands out from the other colors. The values representing the red and green hue are greater than the third value. They are close together and exceed the value of the blue hue. Since the color values are relatively high compared to others, this hue appears lighter to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 175 red, 169 green and 21 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
175 169 21 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, none cyan, 3 magenta, 88 yellow and 31 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
0% 3% 88% 31% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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