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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone RGB 175 117 204 it is the complementary color RGB 80 138 51. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color RGB 175 117 204. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the color tone RGB 175 117 204: RGB 180 117 199, RGB 197 135 218, RGB 214 153 237, RGB 231 171 255 and RGB 248 189 255

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color RGB 175 117 204. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the color tone RGB 175 117 204: RGB 175 117 204, RGB 158 99 185, RGB 141 81 166, RGB 124 63 147 and RGB 107 45 128

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 14 / 43 / 0 / 20

HEX #AF75CC

RGB 175 117 204

HSL 280, 0.46%, 0.63%

LAB 58.22, 38.25, -36.31

 

Complementary color

CMYK 42 / 0 / 63 / 46

HEX #508A33

RGB 80 138 51

HSL 100, 0.46%, 0.37%

LAB 51.97, -35.41, 39.72

 

CMYK 10 / 41 / 0 / 22

HEX #B475C7

RGB 180 117 199

HSL 286.1, 0.42%, 0.62%

LAB 58.55, 38.7, -32.92

 

CMYK 10 / 38 / 0 / 15

HEX #C587DA

RGB 197 135 218

HSL 284.82, 0.53%, 0.69%

LAB 65.17, 37.93, -33.16

 

CMYK 10 / 35 / 0 / 7

HEX #D699ED

RGB 214 153 237

HSL 283.57, 0.7%, 0.76%

LAB 71.69, 37.2, -33.4

 

CMYK 9 / 33 / 0 / 0

HEX #E7ABFF

RGB 231 171 255

HSL 282.86, 1%, 0.84%

LAB 78.07, 36.31, -33.15

 

CMYK 3 / 26 / 0 / 0

HEX #F8BDFF

RGB 248 189 255

HSL 293.64, 1%, 0.87%

LAB 83.74, 32.03, -24.32

 

CMYK 14 / 43 / 0 / 20

HEX #AF75CC

RGB 175 117 204

HSL 280, 0.46%, 0.63%

LAB 58.22, 38.25, -36.31

 

CMYK 15 / 46 / 0 / 27

HEX #9E63B9

RGB 158 99 185

HSL 281.16, 0.38%, 0.56%

LAB 51.49, 39.06, -36.13

 

CMYK 15 / 51 / 0 / 35

HEX #8D51A6

RGB 141 81 166

HSL 282.35, 0.34%, 0.48%

LAB 44.66, 39.89, -35.9

 

CMYK 16 / 57 / 0 / 42

HEX #7C3F93

RGB 124 63 147

HSL 283.57, 0.4%, 0.41%

LAB 37.75, 40.66, -35.59

 

CMYK 16 / 65 / 0 / 50

HEX #6B2D80

RGB 107 45 128

HSL 284.82, 0.48%, 0.34%

LAB 30.79, 41.24, -35.1

 

CMYK 14 / 43 / 0 / 20

HEX #AF75CC

RGB 175 117 204

HSL 280, 0.46%, 0.63%

LAB 58.22, 38.25, -36.31

 

CMYK 7 / 43 / 0 / 20

HEX #BD75CC

RGB 189 117 204

HSL 289.66, 0.46%, 0.63%

LAB 59.8, 42.42, -33.73

 

CMYK 0 / 43 / 0 / 20

HEX #CC75CC

RGB 204 117 204

HSL 300, 0.46%, 0.63%

LAB 61.58, 46.91, -30.82

 

CMYK 0 / 43 / 7 / 20

HEX #CC75BD

RGB 204 117 189

HSL 310.34, 0.46%, 0.63%

LAB 60.99, 44.25, -23.25

 

CMYK 0 / 43 / 14 / 20

HEX #CC75AF

RGB 204 117 175

HSL 320, 0.46%, 0.63%

LAB 60.48, 41.91, -16.05

 

CMYK 14 / 43 / 0 / 20

HEX #AF75CC

RGB 175 117 204

HSL 280, 0.46%, 0.63%

LAB 58.22, 38.25, -36.31

 

CMYK 0 / 0 / 0 / 100

HEX #000000

RGB 0 0 0

HSL 0, 0%, 0%

LAB 0, 0, 0

 

CMYK 14 / 43 / 0 / 80

HEX #2C1D33

RGB 44 29 51

HSL 280.91, 0.28%, 0.16%

LAB 13.55, 12.38, -11.67

 

CMYK 14 / 42 / 0 / 60

HEX #583B66

RGB 88 59 102

HSL 280.47, 0.27%, 0.32%

LAB 29.82, 21.51, -20.33

 

CMYK 14 / 42 / 0 / 40

HEX #835899

RGB 131 88 153

HSL 279.69, 0.27%, 0.47%

LAB 44.38, 30.02, -28.7

 

CMYK 14 / 43 / 0 / 20

HEX #AF75CC

RGB 175 117 204

HSL 280, 0.46%, 0.63%

LAB 58.22, 38.25, -36.31

 

CMYK 0 / 43 / 37 / 20

HEX #CC7580

RGB 204 117 128

HSL 352.41, 0.46%, 0.63%

LAB 59.08, 35.29, 8.97

 

CMYK 43 / 0 / 31 / 20

HEX #75CC8C

RGB 117 204 140

HSL 135.86, 0.46%, 0.63%

LAB 75.36, -40.06, 23.91

 

CMYK 14 / 43 / 0 / 20

HEX #AF75CC

RGB 175 117 204

HSL 280, 0.46%, 0.63%

LAB 58.22, 38.25, -36.31

 

CMYK 0 / 14 / 43 / 20

HEX #CCAF75

RGB 204 175 117

HSL 40, 0.46%, 0.63%

LAB 72.75, 2.62, 33.59

 

CMYK 43 / 0 / 14 / 20

HEX #75CCAF

RGB 117 204 175

HSL 160, 0.46%, 0.63%

LAB 76.11, -33.03, 6.29

 

CMYK 14 / 43 / 0 / 20

HEX #AF75CC

RGB 175 117 204

HSL 280, 0.46%, 0.63%

LAB 58.22, 38.25, -36.31

 

CMYK 0 / 43 / 37 / 20

HEX #CC7580

RGB 204 117 128

HSL 352.41, 0.46%, 0.63%

LAB 59.08, 35.29, 8.97

 

CMYK 28 / 0 / 43 / 20

HEX #92CC75

RGB 146 204 117

HSL 100, 0.46%, 0.63%

LAB 76.42, -34.43, 37.44

 

CMYK 43 / 0 / 6 / 20

HEX #75CCC0

RGB 117 204 192

HSL 171.72, 0.46%, 0.63%

LAB 76.54, -29.12, -2.24

 

CMYK 14 / 43 / 0 / 20

HEX #AF75CC

RGB 175 117 204

HSL 280, 0.46%, 0.63%

LAB 58.22, 38.25, -36.31

 

CMYK 0 / 36 / 43 / 20

HEX #CC8375

RGB 204 131 117

HSL 9.66, 0.46%, 0.63%

LAB 61.96, 26.5, 19.26

 

CMYK 28 / 0 / 43 / 20

HEX #92CC75

RGB 146 204 117

HSL 100, 0.46%, 0.63%

LAB 76.42, -34.43, 37.44

 

CMYK 43 / 7 / 0 / 20

HEX #75BDCC

RGB 117 189 204

HSL 190.34, 0.46%, 0.63%

LAB 72.59, -18.63, -14.63

 

Description

Color code: RGB 175 117 204 | qconv.com Color code: RGB 175 117 204 | qconv.com - big

Since the color values are relatively high compared to others, this hue appears lighter to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 175 red, 117 green and 204 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
175 117 204 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, 14 cyan, 43 magenta, none yellow and 20 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
14% 43% 0% 20% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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