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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone RGB 175 109 193 it is the complementary color RGB 80 146 62. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color RGB 175 109 193. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the color tone RGB 175 109 193: RGB 180 109 188, RGB 197 127 207, RGB 214 145 226, RGB 231 163 245 and RGB 248 181 255

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color RGB 175 109 193. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the color tone RGB 175 109 193: RGB 175 109 193, RGB 158 91 174, RGB 141 73 155, RGB 124 55 136 and RGB 107 37 117

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 9 / 44 / 0 / 24

HEX #AF6DC1

RGB 175 109 193

HSL 287.14, 0.4%, 0.59%

LAB 55.99, 40.32, -33.54

 

Complementary color

CMYK 45 / 0 / 58 / 43

HEX #50923E

RGB 80 146 62

HSL 107.14, 0.4%, 0.41%

LAB 54.67, -37.71, 37.52

 

CMYK 4 / 42 / 0 / 26

HEX #B46DBC

RGB 180 109 188

HSL 293.92, 0.37%, 0.58%

LAB 56.36, 40.83, -30.06

 

CMYK 5 / 39 / 0 / 19

HEX #C57FCF

RGB 197 127 207

HSL 292.5, 0.45%, 0.65%

LAB 62.97, 40.07, -30.42

 

CMYK 5 / 36 / 0 / 11

HEX #D691E2

RGB 214 145 226

HSL 291.11, 0.58%, 0.73%

LAB 69.5, 39.33, -30.75

 

CMYK 6 / 33 / 0 / 4

HEX #E7A3F5

RGB 231 163 245

HSL 289.76, 0.8%, 0.8%

LAB 75.93, 38.62, -31.05

 

CMYK 3 / 29 / 0 / 0

HEX #F8B5FF

RGB 248 181 255

HSL 294.32, 1%, 0.85%

LAB 81.96, 36.25, -27.03

 

CMYK 9 / 44 / 0 / 24

HEX #AF6DC1

RGB 175 109 193

HSL 287.14, 0.4%, 0.59%

LAB 55.99, 40.32, -33.54

 

CMYK 9 / 48 / 0 / 32

HEX #9E5BAE

RGB 158 91 174

HSL 288.43, 0.34%, 0.52%

LAB 49.26, 41.1, -33.23

 

CMYK 9 / 53 / 0 / 39

HEX #8D499B

RGB 141 73 155

HSL 289.76, 0.36%, 0.45%

LAB 42.45, 41.85, -32.83

 

CMYK 9 / 60 / 0 / 47

HEX #7C3788

RGB 124 55 136

HSL 291.11, 0.42%, 0.37%

LAB 35.59, 42.47, -32.28

 

CMYK 9 / 68 / 0 / 54

HEX #6B2575

RGB 107 37 117

HSL 292.5, 0.52%, 0.3%

LAB 28.73, 42.74, -31.44

 

CMYK 9 / 44 / 0 / 24

HEX #AF6DC1

RGB 175 109 193

HSL 287.14, 0.4%, 0.59%

LAB 55.99, 40.32, -33.54

 

CMYK 2 / 44 / 0 / 25

HEX #BC6CC0

RGB 188 108 192

HSL 297.14, 0.4%, 0.59%

LAB 57.29, 44.56, -30.82

 

CMYK 0 / 44 / 5 / 25

HEX #C06CB6

RGB 192 108 182

HSL 307.14, 0.4%, 0.59%

LAB 57.38, 43.96, -24.93

 

CMYK 0 / 44 / 13 / 25

HEX #C06CA8

RGB 192 108 168

HSL 317.14, 0.4%, 0.59%

LAB 56.84, 41.56, -17.68

 

CMYK 0 / 44 / 20 / 25

HEX #C06C9A

RGB 192 108 154

HSL 327.14, 0.4%, 0.59%

LAB 56.35, 39.32, -10.3

 

CMYK 9 / 44 / 0 / 24

HEX #AF6DC1

RGB 175 109 193

HSL 287.14, 0.4%, 0.59%

LAB 55.99, 40.32, -33.54

 

CMYK 9 / 43 / 0 / 4

HEX #DD8AF4

RGB 221 138 244

HSL 286.98, 0.83%, 0.75%

LAB 69.53, 48.6, -40.52

 

CMYK 10 / 43 / 0 / 84

HEX #241728

RGB 36 23 40

HSL 285.88, 0.27%, 0.12%

LAB 10.12, 10.49, -9.06

 

CMYK 9 / 44 / 0 / 64

HEX #53335B

RGB 83 51 91

HSL 288, 0.28%, 0.28%

LAB 26.63, 22.19, -18.24

 

CMYK 9 / 44 / 0 / 44

HEX #81508E

RGB 129 80 142

HSL 287.42, 0.28%, 0.44%

LAB 41.78, 31.58, -26.17

 

CMYK 9 / 44 / 0 / 24

HEX #AF6DC1

RGB 175 109 193

HSL 287.14, 0.4%, 0.59%

LAB 55.99, 40.32, -33.54

 

CMYK 0 / 44 / 43 / 25

HEX #C06C6E

RGB 192 108 110

HSL 358.57, 0.4%, 0.59%

LAB 55.13, 33.51, 13.64

 

CMYK 44 / 0 / 27 / 25

HEX #6CC08C

RGB 108 192 140

HSL 142.86, 0.4%, 0.59%

LAB 71.41, -37.2, 18.42

 

CMYK 9 / 44 / 0 / 24

HEX #AF6DC1

RGB 175 109 193

HSL 287.14, 0.4%, 0.59%

LAB 55.99, 40.32, -33.54

 

CMYK 0 / 9 / 44 / 25

HEX #C0AE6C

RGB 192 174 108

HSL 47.14, 0.4%, 0.59%

LAB 71.26, -2.72, 36.16

 

CMYK 44 / 0 / 9 / 25

HEX #6CC0AE

RGB 108 192 174

HSL 167.14, 0.4%, 0.59%

LAB 72.19, -29.87, 1.11

 

CMYK 9 / 44 / 0 / 24

HEX #AF6DC1

RGB 175 109 193

HSL 287.14, 0.4%, 0.59%

LAB 55.99, 40.32, -33.54

 

CMYK 0 / 44 / 43 / 25

HEX #C06C6E

RGB 192 108 110

HSL 358.57, 0.4%, 0.59%

LAB 55.13, 33.51, 13.64

 

CMYK 34 / 0 / 44 / 25

HEX #7EC06C

RGB 126 192 108

HSL 107.14, 0.4%, 0.59%

LAB 71.7, -36.99, 35.77

 

CMYK 44 / 0 / 1 / 25

HEX #6CC0BE

RGB 108 192 190

HSL 178.57, 0.4%, 0.59%

LAB 72.63, -25.96, -6.96

 

CMYK 9 / 44 / 0 / 24

HEX #AF6DC1

RGB 175 109 193

HSL 287.14, 0.4%, 0.59%

LAB 55.99, 40.32, -33.54

 

CMYK 0 / 31 / 44 / 25

HEX #C0846C

RGB 192 132 108

HSL 17.14, 0.4%, 0.59%

LAB 60.6, 20.18, 22.25

 

CMYK 34 / 0 / 44 / 25

HEX #7EC06C

RGB 126 192 108

HSL 107.14, 0.4%, 0.59%

LAB 71.7, -36.99, 35.77

 

CMYK 44 / 13 / 0 / 25

HEX #6CA8C0

RGB 108 168 192

HSL 197.14, 0.4%, 0.59%

LAB 65.75, -13.06, -18.39

 

Description

Color code: RGB 175 109 193 | qconv.com Color code: RGB 175 109 193 | qconv.com - big

Since the color values are relatively high compared to others, this hue appears lighter to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 175 red, 109 green and 193 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
175 109 193 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, 9 cyan, 44 magenta, none yellow and 24 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
9% 44% 0% 24% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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