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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone RGB 174 235 187 it is the complementary color RGB 81 20 68. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color RGB 174 235 187. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the color tone RGB 174 235 187: RGB 179 235 182, RGB 196 253 201, RGB 213 255 220, RGB 230 255 239 and RGB 247 255 255

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color RGB 174 235 187. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the color tone RGB 174 235 187: RGB 174 235 187, RGB 157 217 168, RGB 140 199 149, RGB 123 181 130 and RGB 106 163 111

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 26 / 0 / 20 / 8

HEX #AEEBBB

RGB 174 235 187

HSL 132.79, 0.6%, 0.8%

LAB 87.97, -28.65, 17.18

 

Complementary color

CMYK 0 / 75 / 16 / 68

HEX #511444

RGB 81 20 68

HSL 312.79, 0.6%, 0.2%

LAB 18.66, 33.97, -15.22

 

CMYK 24 / 0 / 23 / 8

HEX #B3EBB6

RGB 179 235 182

HSL 123.21, 0.58%, 0.81%

LAB 88.15, -27.91, 20.06

 

CMYK 23 / 0 / 21 / 1

HEX #C4FDC9

RGB 196 253 201

HSL 125.26, 0.93%, 0.88%

LAB 94.4, -27.72, 19.15

 

CMYK 16 / 0 / 14 / 0

HEX #D5FFDC

RGB 213 255 220

HSL 130, 1%, 0.92%

LAB 96.34, -19.91, 12.3

 

CMYK 10 / 0 / 6 / 0

HEX #E6FFEF

RGB 230 255 239

HSL 141.6, 1%, 0.95%

LAB 97.86, -11.02, 4.88

 

CMYK 3 / 0 / 0 / 0

HEX #F7FFFF

RGB 247 255 255

HSL 180, 1%, 0.98%

LAB 99.42, -2.61, -0.92

 

CMYK 26 / 0 / 20 / 8

HEX #AEEBBB

RGB 174 235 187

HSL 132.79, 0.6%, 0.8%

LAB 87.97, -28.65, 17.18

 

CMYK 28 / 0 / 23 / 15

HEX #9DD9A8

RGB 157 217 168

HSL 131, 0.44%, 0.73%

LAB 81.63, -28.87, 18.11

 

CMYK 30 / 0 / 25 / 22

HEX #8CC795

RGB 140 199 149

HSL 129.15, 0.35%, 0.66%

LAB 75.2, -29.12, 19.09

 

CMYK 32 / 0 / 28 / 29

HEX #7BB582

RGB 123 181 130

HSL 127.24, 0.28%, 0.6%

LAB 68.66, -29.38, 20.14

 

CMYK 35 / 0 / 32 / 36

HEX #6AA36F

RGB 106 163 111

HSL 125.26, 0.24%, 0.53%

LAB 62, -29.64, 21.27

 

CMYK 26 / 0 / 20 / 8

HEX #AEEBBB

RGB 174 235 187

HSL 132.79, 0.6%, 0.8%

LAB 87.97, -28.65, 17.18

 

CMYK 26 / 0 / 17 / 8

HEX #ADEAC3

RGB 173 234 195

HSL 141.64, 0.59%, 0.8%

LAB 87.81, -27.03, 12.78

 

CMYK 26 / 0 / 12 / 8

HEX #ADEACE

RGB 173 234 206

HSL 152.46, 0.59%, 0.8%

LAB 88.06, -24.92, 7.39

 

CMYK 26 / 0 / 8 / 8

HEX #ADEAD8

RGB 173 234 216

HSL 162.3, 0.59%, 0.8%

LAB 88.3, -22.92, 2.5

 

CMYK 26 / 0 / 3 / 8

HEX #ADEAE2

RGB 173 234 226

HSL 172.13, 0.59%, 0.8%

LAB 88.55, -20.83, -2.36

 

CMYK 26 / 0 / 20 / 8

HEX #AEEBBB

RGB 174 235 187

HSL 132.79, 0.6%, 0.8%

LAB 87.97, -28.65, 17.18

 

CMYK 26 / 0 / 19 / 88

HEX #171F19

RGB 23 31 25

HSL 135, 0.15%, 0.11%

LAB 10.79, -5.25, 2.91

 

CMYK 26 / 0 / 21 / 68

HEX #3D5241

RGB 61 82 65

HSL 131.43, 0.15%, 0.28%

LAB 32.72, -12.07, 7.39

 

CMYK 26 / 0 / 20 / 48

HEX #62856A

RGB 98 133 106

HSL 133.71, 0.15%, 0.45%

LAB 52.3, -18.17, 10.64

 

CMYK 26 / 0 / 21 / 28

HEX #88B892

RGB 136 184 146

HSL 132.5, 0.25%, 0.63%

LAB 70.59, -23.65, 14.26

 

CMYK 26 / 0 / 20 / 8

HEX #AEEBBB

RGB 174 235 187

HSL 132.79, 0.6%, 0.8%

LAB 87.97, -28.65, 17.18

 

CMYK 26 / 10 / 0 / 8

HEX #ADD2EA

RGB 173 210 234

HSL 203.61, 0.59%, 0.8%

LAB 82.33, -6.87, -15.83

 

CMYK 0 / 26 / 21 / 8

HEX #EAADB9

RGB 234 173 185

HSL 348.2, 0.59%, 0.8%

LAB 76.61, 24.03, 2.66

 

CMYK 26 / 0 / 20 / 8

HEX #AEEBBB

RGB 174 235 187

HSL 132.79, 0.6%, 0.8%

LAB 87.97, -28.65, 17.18

 

CMYK 21 / 26 / 0 / 8

HEX #B9ADEA

RGB 185 173 234

HSL 251.8, 0.59%, 0.8%

LAB 73.64, 16.73, -28.97

 

CMYK 0 / 21 / 26 / 8

HEX #EAB9AD

RGB 234 185 173

HSL 11.8, 0.59%, 0.8%

LAB 79.16, 15.92, 12.82

 

CMYK 26 / 0 / 20 / 8

HEX #AEEBBB

RGB 174 235 187

HSL 132.79, 0.6%, 0.8%

LAB 87.97, -28.65, 17.18

 

CMYK 26 / 10 / 0 / 8

HEX #ADD2EA

RGB 173 210 234

HSL 203.61, 0.59%, 0.8%

LAB 82.33, -6.87, -15.83

 

CMYK 0 / 26 / 5 / 8

HEX #EAADDE

RGB 234 173 222

HSL 311.8, 0.59%, 0.8%

LAB 77.67, 30.02, -15.91

 

CMYK 0 / 16 / 26 / 8

HEX #EAC5AD

RGB 234 197 173

HSL 23.61, 0.59%, 0.8%

LAB 82.08, 9.57, 16.92

 

CMYK 26 / 0 / 20 / 8

HEX #AEEBBB

RGB 174 235 187

HSL 132.79, 0.6%, 0.8%

LAB 87.97, -28.65, 17.18

 

CMYK 26 / 18 / 0 / 8

HEX #ADBFEA

RGB 173 191 234

HSL 222.3, 0.59%, 0.8%

LAB 77.33, 3.25, -23.4

 

CMYK 0 / 26 / 5 / 8

HEX #EAADDE

RGB 234 173 222

HSL 311.8, 0.59%, 0.8%

LAB 77.67, 30.02, -15.91

 

CMYK 0 / 8 / 26 / 8

HEX #EAD8AD

RGB 234 216 173

HSL 42.3, 0.59%, 0.8%

LAB 86.81, -0.32, 23.48

 

Description

Color code: RGB 174 235 187 | qconv.com Color code: RGB 174 235 187 | qconv.com - big

Since the color values are relatively high compared to others, this hue appears lighter to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 174 red, 235 green and 187 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
174 235 187 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, 26 cyan, none magenta, 20 yellow and 8 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
26% 0% 20% 8% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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