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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone RGB 174 223 207 it is the complementary color RGB 81 32 48. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color RGB 174 223 207. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the color tone RGB 174 223 207: RGB 179 223 202, RGB 196 241 221, RGB 213 255 240, RGB 230 255 255 and RGB 247 255 255

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color RGB 174 223 207. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the color tone RGB 174 223 207: RGB 174 223 207, RGB 157 205 188, RGB 140 187 169, RGB 123 169 150 and RGB 106 151 131

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 22 / 0 / 7 / 13

HEX #AEDFCF

RGB 174 223 207

HSL 160.41, 0.43%, 0.78%

LAB 85.14, -19.02, 2.65

 

Complementary color

CMYK 0 / 60 / 41 / 68

HEX #512030

RGB 81 32 48

HSL 340.41, 0.43%, 0.22%

LAB 20.03, 24.83, 0.78

 

CMYK 20 / 0 / 9 / 13

HEX #B3DFCA

RGB 179 223 202

HSL 151.36, 0.41%, 0.79%

LAB 85.31, -18.43, 5.58

 

CMYK 19 / 0 / 8 / 5

HEX #C4F1DD

RGB 196 241 221

HSL 153.33, 0.62%, 0.86%

LAB 91.63, -18.31, 4.88

 

CMYK 16 / 0 / 6 / 0

HEX #D5FFF0

RGB 213 255 240

HSL 158.57, 1%, 0.92%

LAB 96.8, -16.25, 2.69

 

CMYK 10 / 0 / 0 / 0

HEX #E6FFFF

RGB 230 255 255

HSL 180, 1%, 0.95%

LAB 98.26, -8.06, -2.77

 

CMYK 3 / 0 / 0 / 0

HEX #F7FFFF

RGB 247 255 255

HSL 180, 1%, 0.98%

LAB 99.42, -2.61, -0.92

 

CMYK 22 / 0 / 7 / 13

HEX #AEDFCF

RGB 174 223 207

HSL 160.41, 0.43%, 0.78%

LAB 85.14, -19.02, 2.65

 

CMYK 23 / 0 / 8 / 20

HEX #9DCDBC

RGB 157 205 188

HSL 158.75, 0.32%, 0.71%

LAB 78.73, -19.16, 3.35

 

CMYK 25 / 0 / 10 / 27

HEX #8CBBA9

RGB 140 187 169

HSL 157.02, 0.26%, 0.64%

LAB 72.22, -19.33, 4.07

 

CMYK 27 / 0 / 11 / 34

HEX #7BA996

RGB 123 169 150

HSL 155.22, 0.21%, 0.57%

LAB 65.58, -19.51, 4.84

 

CMYK 30 / 0 / 13 / 41

HEX #6A9783

RGB 106 151 131

HSL 153.33, 0.18%, 0.5%

LAB 58.82, -19.73, 5.66

 

CMYK 22 / 0 / 7 / 13

HEX #AEDFCF

RGB 174 223 207

HSL 160.41, 0.43%, 0.78%

LAB 85.14, -19.02, 2.65

 

CMYK 22 / 0 / 4 / 13

HEX #AEDFD6

RGB 174 223 214

HSL 168.98, 0.43%, 0.78%

LAB 85.32, -17.59, -0.78

 

CMYK 22 / 0 / 0 / 13

HEX #AEDFDF

RGB 174 223 223

HSL 180, 0.43%, 0.78%

LAB 85.56, -15.69, -5.19

 

CMYK 22 / 4 / 0 / 13

HEX #AED6DF

RGB 174 214 223

HSL 191.02, 0.43%, 0.78%

LAB 83.14, -11.11, -8.77

 

CMYK 22 / 8 / 0 / 13

HEX #AECEDF

RGB 174 206 223

HSL 200.82, 0.43%, 0.78%

LAB 81, -6.95, -11.95

 

CMYK 22 / 0 / 7 / 13

HEX #AEDFCF

RGB 174 223 207

HSL 160.41, 0.43%, 0.78%

LAB 85.14, -19.02, 2.65

 

CMYK 21 / 0 / 5 / 93

HEX #0F1312

RGB 15 19 18

HSL 165, 0.12%, 0.07%

LAB 5.52, -1.71, 0.05

 

CMYK 21 / 0 / 7 / 73

HEX #374641

RGB 55 70 65

HSL 160, 0.12%, 0.25%

LAB 28.31, -7.22, 1.03

 

CMYK 22 / 0 / 7 / 53

HEX #5E7970

RGB 94 121 112

HSL 160, 0.13%, 0.42%

LAB 48.54, -11.78, 1.72

 

CMYK 22 / 0 / 7 / 33

HEX #86ACA0

RGB 134 172 160

HSL 161.05, 0.19%, 0.6%

LAB 67.36, -15.4, 1.94

 

CMYK 22 / 0 / 7 / 13

HEX #AEDFCF

RGB 174 223 207

HSL 160.41, 0.43%, 0.78%

LAB 85.14, -19.02, 2.65

 

CMYK 22 / 19 / 0 / 13

HEX #AEB5DF

RGB 174 181 223

HSL 231.43, 0.43%, 0.78%

LAB 74.43, 6.45, -21.86

 

CMYK 0 / 16 / 22 / 13

HEX #DFBBAE

RGB 223 187 174

HSL 15.92, 0.43%, 0.78%

LAB 78.63, 10.89, 11.38

 

CMYK 22 / 0 / 7 / 13

HEX #AEDFCF

RGB 174 223 207

HSL 160.41, 0.43%, 0.78%

LAB 85.14, -19.02, 2.65

 

CMYK 8 / 22 / 0 / 13

HEX #CEAEDF

RGB 206 174 223

HSL 279.18, 0.43%, 0.78%

LAB 75.28, 20.44, -20.33

 

CMYK 0 / 8 / 22 / 13

HEX #DFCEAE

RGB 223 206 174

HSL 39.18, 0.43%, 0.78%

LAB 83.38, 0.88, 18.07

 

CMYK 22 / 0 / 7 / 13

HEX #AEDFCF

RGB 174 223 207

HSL 160.41, 0.43%, 0.78%

LAB 85.14, -19.02, 2.65

 

CMYK 22 / 19 / 0 / 13

HEX #AEB5DF

RGB 174 181 223

HSL 231.43, 0.43%, 0.78%

LAB 74.43, 6.45, -21.86

 

CMYK 0 / 22 / 15 / 13

HEX #DFAEBE

RGB 223 174 190

HSL 340.41, 0.43%, 0.78%

LAB 75.87, 20.31, -1.28

 

CMYK 0 / 3 / 22 / 13

HEX #DFD8AE

RGB 223 216 174

HSL 51.43, 0.43%, 0.78%

LAB 85.93, -4.28, 21.61

 

CMYK 22 / 0 / 7 / 13

HEX #AEDFCF

RGB 174 223 207

HSL 160.41, 0.43%, 0.78%

LAB 85.14, -19.02, 2.65

 

CMYK 18 / 22 / 0 / 13

HEX #B6AEDF

RGB 182 174 223

HSL 249.8, 0.43%, 0.78%

LAB 73.25, 12.78, -23.6

 

CMYK 0 / 22 / 15 / 13

HEX #DFAEBE

RGB 223 174 190

HSL 340.41, 0.43%, 0.78%

LAB 75.87, 20.31, -1.28

 

CMYK 4 / 0 / 22 / 13

HEX #D6DFAE

RGB 214 223 174

HSL 71.02, 0.43%, 0.78%

LAB 87.06, -11.15, 23.05

 

Description

Color code: RGB 174 223 207 | qconv.com Color code: RGB 174 223 207 | qconv.com - big

Since the color values are relatively high compared to others, this hue appears lighter to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 174 red, 223 green and 207 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
174 223 207 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, 22 cyan, none magenta, 7 yellow and 13 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
22% 0% 7% 13% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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