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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone RGB 174 18 248 it is the complementary color RGB 81 237 7. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color RGB 174 18 248. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the color tone RGB 174 18 248: RGB 179 18 243, RGB 196 36 255, RGB 213 54 255, RGB 230 72 255 and RGB 247 90 255

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color RGB 174 18 248. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the color tone RGB 174 18 248: RGB 174 18 248, RGB 157 0 229, RGB 140 0 210, RGB 123 0 191 and RGB 106 0 172

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 30 / 93 / 0 / 3

HEX #AE12F8

RGB 174 18 248

HSL 280.7, 0.94%, 0.52%

LAB 47.25, 84.45, -78.73

 

Complementary color

CMYK 66 / 0 / 97 / 7

HEX #51ED07

RGB 81 237 7

HSL 100.7, 0.94%, 0.48%

LAB 83.09, -73.17, 79.26

 

CMYK 26 / 93 / 0 / 5

HEX #B312F3

RGB 179 18 243

HSL 282.93, 0.9%, 0.51%

LAB 47.61, 84.16, -75.3

 

CMYK 23 / 86 / 0 / 0

HEX #C424FF

RGB 196 36 255

HSL 283.84, 1%, 0.57%

LAB 52.08, 85.7, -74.61

 

CMYK 16 / 79 / 0 / 0

HEX #D536FF

RGB 213 54 255

HSL 287.46, 1%, 0.61%

LAB 56.09, 84.11, -68

 

CMYK 10 / 72 / 0 / 0

HEX #E648FF

RGB 230 72 255

HSL 291.8, 1%, 0.64%

LAB 60.5, 81.82, -60.78

 

CMYK 3 / 65 / 0 / 0

HEX #F75AFF

RGB 247 90 255

HSL 297.09, 1%, 0.68%

LAB 65.21, 79.05, -53.13

 

CMYK 30 / 93 / 0 / 3

HEX #AE12F8

RGB 174 18 248

HSL 280.7, 0.94%, 0.52%

LAB 47.25, 84.45, -78.73

 

CMYK 31 / 100 / 0 / 10

HEX #9D00E5

RGB 157 0 229

HSL 281.14, 1%, 0.45%

LAB 42.5, 80.73, -75.87

 

CMYK 33 / 100 / 0 / 18

HEX #8C00D2

RGB 140 0 210

HSL 280, 1%, 0.41%

LAB 38.25, 75.23, -72.03

 

CMYK 36 / 100 / 0 / 25

HEX #7B00BF

RGB 123 0 191

HSL 278.64, 1%, 0.37%

LAB 33.93, 69.64, -68.12

 

CMYK 38 / 100 / 0 / 33

HEX #6A00AC

RGB 106 0 172

HSL 276.98, 1%, 0.34%

LAB 29.52, 63.96, -64.15

 

CMYK 30 / 93 / 0 / 3

HEX #AE12F8

RGB 174 18 248

HSL 280.7, 0.94%, 0.52%

LAB 47.25, 84.45, -78.73

 

CMYK 15 / 93 / 0 / 3

HEX #D111F7

RGB 209 17 247

HSL 290.09, 0.93%, 0.52%

LAB 52.59, 89.04, -69.24

 

CMYK 0 / 93 / 0 / 3

HEX #F711F7

RGB 247 17 247

HSL 300, 0.93%, 0.52%

LAB 58.87, 94.8, -58.79

 

CMYK 0 / 93 / 15 / 3

HEX #F711D1

RGB 247 17 209

HSL 309.91, 0.93%, 0.52%

LAB 56.86, 89.76, -40.57

 

CMYK 0 / 93 / 31 / 3

HEX #F711AA

RGB 247 17 170

HSL 320.09, 0.93%, 0.52%

LAB 55.15, 85.34, -20.65

 

CMYK 30 / 93 / 0 / 3

HEX #AE12F8

RGB 174 18 248

HSL 280.7, 0.94%, 0.52%

LAB 47.25, 84.45, -78.73

 

CMYK 30 / 93 / 0 / 83

HEX #1F032C

RGB 31 3 44

HSL 280.98, 0.87%, 0.09%

LAB 4.86, 21.51, -20.35

 

CMYK 29 / 93 / 0 / 63

HEX #43075F

RGB 67 7 95

HSL 280.91, 0.86%, 0.2%

LAB 16.36, 40.8, -37.38

 

CMYK 30 / 92 / 0 / 43

HEX #660B92

RGB 102 11 146

HSL 280.44, 0.86%, 0.31%

LAB 27.13, 56.18, -52.24

 

CMYK 30 / 93 / 0 / 23

HEX #8A0EC5

RGB 138 14 197

HSL 280.66, 0.87%, 0.41%

LAB 37.39, 70.79, -65.88

 

CMYK 30 / 93 / 0 / 3

HEX #AE12F8

RGB 174 18 248

HSL 280.7, 0.94%, 0.52%

LAB 47.25, 84.45, -78.73

 

CMYK 0 / 93 / 81 / 3

HEX #F71130

RGB 247 17 48

HSL 351.91, 0.93%, 0.52%

LAB 52.27, 77.55, 47.7

 

CMYK 93 / 0 / 68 / 3

HEX #11F74E

RGB 17 247 78

HSL 135.91, 0.93%, 0.52%

LAB 85.6, -80, 64.72

 

CMYK 30 / 93 / 0 / 3

HEX #AE12F8

RGB 174 18 248

HSL 280.7, 0.94%, 0.52%

LAB 47.25, 84.45, -78.73

 

CMYK 0 / 31 / 93 / 3

HEX #F7AA11

RGB 247 170 17

HSL 39.91, 0.93%, 0.52%

LAB 75.18, 18.1, 76.63

 

CMYK 93 / 0 / 31 / 3

HEX #11F7AA

RGB 17 247 170

HSL 159.91, 0.93%, 0.52%

LAB 86.77, -65.97, 23.61

 

CMYK 30 / 93 / 0 / 3

HEX #AE12F8

RGB 174 18 248

HSL 280.7, 0.94%, 0.52%

LAB 47.25, 84.45, -78.73

 

CMYK 0 / 93 / 81 / 3

HEX #F71130

RGB 247 17 48

HSL 351.91, 0.93%, 0.52%

LAB 52.27, 77.55, 47.7

 

CMYK 62 / 0 / 93 / 3

HEX #5EF711

RGB 94 247 17

HSL 99.91, 0.93%, 0.52%

LAB 86.48, -73.43, 81.23

 

CMYK 93 / 0 / 13 / 3

HEX #11F7D8

RGB 17 247 216

HSL 171.91, 0.93%, 0.52%

LAB 87.78, -55.07, 1.23

 

CMYK 30 / 93 / 0 / 3

HEX #AE12F8

RGB 174 18 248

HSL 280.7, 0.94%, 0.52%

LAB 47.25, 84.45, -78.73

 

CMYK 0 / 78 / 93 / 3

HEX #F73711

RGB 247 55 17

HSL 9.91, 0.93%, 0.52%

LAB 54.6, 69.83, 62.81

 

CMYK 62 / 0 / 93 / 3

HEX #5EF711

RGB 94 247 17

HSL 99.91, 0.93%, 0.52%

LAB 86.48, -73.43, 81.23

 

CMYK 93 / 15 / 0 / 3

HEX #11D1F7

RGB 17 209 247

HSL 189.91, 0.93%, 0.52%

LAB 77.54, -29.06, -30.51

 

Description

Color code: RGB 174 18 248 | qconv.com Color code: RGB 174 18 248 | qconv.com - big

This color makes magenta stand out from the other colors. The values representing the red and blue hue are greater than the third value. They are close together and exceed the value of the green hue. Since the color values are relatively high compared to others, this hue appears lighter to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 174 red, 18 green and 248 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
174 18 248 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, 30 cyan, 93 magenta, none yellow and 3 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
30% 93% 0% 3% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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