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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone RGB 174 162 72 it is the complementary color RGB 81 93 183. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color RGB 174 162 72. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the RGB 174 162 72 shade: RGB 179 162 67, RGB 196 180 86, RGB 213 198 105, RGB 230 216 124 and RGB 247 234 143

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color RGB 174 162 72. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the RGB 174 162 72 shade: RGB 174 162 72, RGB 157 144 53, RGB 140 126 34, RGB 123 108 15 and RGB 106 90 0

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the RGB 174 162 72 shade: RGB 173 161 72, RGB 173 134 72, RGB 173 107 72, RGB 173 80 72 and RGB 173 72 72

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the RGB 174 162 72 shade: RGB 173 161 72, RGB 157 173 72, RGB 130 173 72, RGB 103 173 72 and RGB 76 173 72

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The RGB 174 162 72 shade matches the following richer shades: RGB 173 161 72, RGB 192 176 52, RGB 212 191 33 and RGB 232 206 13

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the RGB 174 162 72 shade: RGB 173 161 72, RGB 153 146 92, RGB 133 130 112, RGB 113 115 132 and RGB 93 100 151

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the RGB 174 162 72 shade: RGB 173 106 72, RGB 173 132 72, RGB 173 159 72, RGB 159 173 72 and RGB 132 173 72

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the RGB 174 162 72 shade: RGB 114 107 48, RGB 143 134 60, RGB 173 161 72, RGB 189 178 97 and RGB 201 192 126

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the RGB 174 162 72 shade: RGB 174 162 72, RGB 72 173 79 and RGB 119 72 173

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the RGB 174 162 72 shade: RGB 174 162 72, RGB 72 173 159 and RGB 159 72 173

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the RGB 174 162 72 shade: RGB 174 162 72, RGB 72 173 79, RGB 72 86 173 and RGB 173 72 166

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the RGB 174 162 72 shade: RGB 174 162 72, RGB 72 173 109, RGB 72 86 173 and RGB 173 72 136

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 0 / 7 / 59 / 32

HEX #AEA248

RGB 174 162 72

HSL 52.94, 0.41%, 0.48%

LAB 65.99, -7.21, 47.42

 

Complementary color

CMYK 56 / 49 / 0 / 28

HEX #515DB7

RGB 81 93 183

HSL 232.94, 0.41%, 0.52%

LAB 42.76, 21.97, -49.28

 

CMYK 0 / 9 / 63 / 30

HEX #B3A243

RGB 179 162 67

HSL 50.89, 0.46%, 0.48%

LAB 66.39, -5.4, 50.3

 

CMYK 0 / 8 / 56 / 23

HEX #C4B456

RGB 196 180 86

HSL 51.27, 0.48%, 0.55%

LAB 72.92, -6.23, 49.23

 

CMYK 0 / 7 / 51 / 16

HEX #D5C669

RGB 213 198 105

HSL 51.67, 0.56%, 0.62%

LAB 79.36, -6.91, 48.05

 

CMYK 0 / 6 / 46 / 10

HEX #E6D87C

RGB 230 216 124

HSL 52.08, 0.68%, 0.69%

LAB 85.7, -7.48, 46.86

 

CMYK 0 / 5 / 42 / 3

HEX #F7EA8F

RGB 247 234 143

HSL 52.5, 0.87%, 0.76%

LAB 91.95, -7.98, 45.68

 

CMYK 0 / 7 / 59 / 32

HEX #AEA248

RGB 174 162 72

HSL 52.94, 0.41%, 0.48%

LAB 65.99, -7.21, 47.42

 

CMYK 0 / 8 / 66 / 38

HEX #9D9035

RGB 157 144 53

HSL 52.5, 0.5%, 0.41%

LAB 59.32, -6.34, 48.39

 

CMYK 0 / 10 / 76 / 45

HEX #8C7E22

RGB 140 126 34

HSL 52.08, 0.61%, 0.34%

LAB 52.52, -5.25, 48.93

 

CMYK 0 / 12 / 88 / 52

HEX #7B6C0F

RGB 123 108 15

HSL 51.67, 0.78%, 0.27%

LAB 45.59, -3.86, 48.43

 

CMYK 0 / 15 / 100 / 58

HEX #6A5A00

RGB 106 90 0

HSL 50.94, 1%, 0.21%

LAB 38.51, -2.1, 46.07

 

CMYK 0 / 7 / 58 / 32

HEX #ADA148

RGB 173 161 72

HSL 52.87, 0.41%, 0.48%

LAB 65.63, -7.11, 46.98

 

CMYK 0 / 23 / 58 / 32

HEX #AD8648

RGB 173 134 72

HSL 36.83, 0.41%, 0.48%

LAB 58.42, 7.63, 38.65

 

CMYK 0 / 38 / 58 / 32

HEX #AD6B48

RGB 173 107 72

HSL 20.79, 0.41%, 0.48%

LAB 51.69, 22.78, 30.5

 

CMYK 0 / 54 / 58 / 32

HEX #AD5048

RGB 173 80 72

HSL 4.75, 0.41%, 0.48%

LAB 45.76, 37.38, 22.98

 

CMYK 0 / 58 / 58 / 32

HEX #AD4848

RGB 173 72 72

HSL 0, 0.41%, 0.48%

LAB 44.21, 41.38, 20.97

 

CMYK 0 / 7 / 58 / 32

HEX #ADA148

RGB 173 161 72

HSL 52.87, 0.41%, 0.48%

LAB 65.63, -7.11, 46.98

 

CMYK 9 / 0 / 58 / 32

HEX #9DAD48

RGB 157 173 72

HSL 69.5, 0.41%, 0.48%

LAB 67.67, -20.14, 48.92

 

CMYK 25 / 0 / 58 / 32

HEX #82AD48

RGB 130 173 72

HSL 85.54, 0.41%, 0.48%

LAB 65.83, -30.99, 46.35

 

CMYK 40 / 0 / 58 / 32

HEX #67AD48

RGB 103 173 72

HSL 101.58, 0.41%, 0.48%

LAB 64.35, -40.73, 44.27

 

CMYK 56 / 0 / 58 / 32

HEX #4CAD48

RGB 76 173 72

HSL 117.62, 0.41%, 0.48%

LAB 63.25, -48.77, 42.71

 

CMYK 0 / 7 / 58 / 32

HEX #ADA148

RGB 173 161 72

HSL 52.87, 0.41%, 0.48%

LAB 65.63, -7.11, 46.98

 

CMYK 0 / 8 / 73 / 25

HEX #C0B034

RGB 192 176 52

HSL 53.14, 0.57%, 0.48%

LAB 71.22, -7.97, 61.81

 

CMYK 0 / 10 / 84 / 17

HEX #D4BF21

RGB 212 191 33

HSL 52.96, 0.73%, 0.48%

LAB 76.9, -7.71, 73.29

 

CMYK 0 / 11 / 94 / 9

HEX #E8CE0D

RGB 232 206 13

HSL 52.88, 0.89%, 0.48%

LAB 82.55, -7.08, 81.85

 

CMYK 0 / 7 / 58 / 32

HEX #ADA148

RGB 173 161 72

HSL 52.87, 0.41%, 0.48%

LAB 65.63, -7.11, 46.98

 

CMYK 0 / 5 / 40 / 40

HEX #99925C

RGB 153 146 92

HSL 53.11, 0.25%, 0.48%

LAB 59.98, -5.67, 29.55

 

CMYK 0 / 2 / 16 / 48

HEX #858270

RGB 133 130 112

HSL 51.43, 0.09%, 0.48%

LAB 54.16, -2.15, 10.16

 

CMYK 14 / 13 / 0 / 48

HEX #717384

RGB 113 115 132

HSL 233.68, 0.08%, 0.48%

LAB 48.81, 2.95, -9.57

 

CMYK 38 / 34 / 0 / 41

HEX #5D6497

RGB 93 100 151

HSL 232.76, 0.24%, 0.48%

LAB 43.76, 10.52, -28.74

 

CMYK 0 / 39 / 58 / 32

HEX #AD6A48

RGB 173 106 72

HSL 20.2, 0.41%, 0.48%

LAB 51.45, 23.34, 30.2

 

CMYK 0 / 24 / 58 / 32

HEX #AD8448

RGB 173 132 72

HSL 35.64, 0.41%, 0.48%

LAB 57.9, 8.75, 38.04

 

CMYK 0 / 8 / 58 / 32

HEX #AD9F48

RGB 173 159 72

HSL 51.68, 0.41%, 0.48%

LAB 65.08, -6.05, 46.37

 

CMYK 8 / 0 / 58 / 32

HEX #9FAD48

RGB 159 173 72

HSL 68.32, 0.41%, 0.48%

LAB 67.82, -19.3, 49.13

 

CMYK 24 / 0 / 58 / 32

HEX #84AD48

RGB 132 173 72

HSL 84.36, 0.41%, 0.48%

LAB 65.95, -30.21, 46.52

 

CMYK 0 / 6 / 58 / 55

HEX #726B30

RGB 114 107 48

HSL 53.64, 0.41%, 0.32%

LAB 44.67, -5.68, 33.53

 

CMYK 0 / 6 / 58 / 44

HEX #8F863C

RGB 143 134 60

HSL 53.49, 0.41%, 0.4%

LAB 55.29, -6.63, 40.33

 

CMYK 0 / 7 / 58 / 32

HEX #ADA148

RGB 173 161 72

HSL 52.87, 0.41%, 0.48%

LAB 65.63, -7.11, 46.98

 

CMYK 0 / 6 / 49 / 26

HEX #BDB261

RGB 189 178 97

HSL 52.83, 0.41%, 0.56%

LAB 71.91, -7.17, 42.51

 

CMYK 0 / 4 / 37 / 21

HEX #C9C07E

RGB 201 192 126

HSL 52.8, 0.41%, 0.64%

LAB 77.05, -6.55, 34.42

 

CMYK 0 / 7 / 59 / 32

HEX #AEA248

RGB 174 162 72

HSL 52.94, 0.41%, 0.48%

LAB 65.99, -7.21, 47.42

 

CMYK 58 / 0 / 54 / 32

HEX #48AD4F

RGB 72 173 79

HSL 124.16, 0.41%, 0.48%

LAB 63.2, -48.89, 39.25

 

CMYK 31 / 58 / 0 / 32

HEX #7748AD

RGB 119 72 173

HSL 267.92, 0.41%, 0.48%

LAB 40.53, 40.61, -46.78

 

CMYK 0 / 7 / 59 / 32

HEX #AEA248

RGB 174 162 72

HSL 52.94, 0.41%, 0.48%

LAB 65.99, -7.21, 47.42

 

CMYK 58 / 0 / 8 / 32

HEX #48AD9F

RGB 72 173 159

HSL 171.68, 0.41%, 0.48%

LAB 64.78, -32.71, -1.61

 

CMYK 8 / 58 / 0 / 32

HEX #9F48AD

RGB 159 72 173

HSL 291.68, 0.41%, 0.48%

LAB 45.67, 50.92, -38.29

 

CMYK 0 / 7 / 59 / 32

HEX #AEA248

RGB 174 162 72

HSL 52.94, 0.41%, 0.48%

LAB 65.99, -7.21, 47.42

 

CMYK 58 / 0 / 54 / 32

HEX #48AD4F

RGB 72 173 79

HSL 124.16, 0.41%, 0.48%

LAB 63.2, -48.89, 39.25

 

CMYK 58 / 50 / 0 / 32

HEX #4856AD

RGB 72 86 173

HSL 231.68, 0.41%, 0.48%

LAB 39.67, 21.22, -48.4

 

CMYK 0 / 58 / 4 / 32

HEX #AD48A6

RGB 173 72 166

HSL 304.16, 0.41%, 0.48%

LAB 47.33, 53.4, -31.4

 

CMYK 0 / 7 / 59 / 32

HEX #AEA248

RGB 174 162 72

HSL 52.94, 0.41%, 0.48%

LAB 65.99, -7.21, 47.42

 

CMYK 58 / 0 / 37 / 32

HEX #48AD6D

RGB 72 173 109

HSL 141.98, 0.41%, 0.48%

LAB 63.65, -44.06, 24.32

 

CMYK 58 / 50 / 0 / 32

HEX #4856AD

RGB 72 86 173

HSL 231.68, 0.41%, 0.48%

LAB 39.67, 21.22, -48.4

 

CMYK 0 / 58 / 21 / 32

HEX #AD4888

RGB 173 72 136

HSL 321.98, 0.41%, 0.48%

LAB 46.04, 48.6, -15.47

 

Description

Color code: RGB 174 162 72 | qconv.com Color code: RGB 174 162 72 | qconv.com - big

Bright color: high color values create a bright impression.

The breakdown of the color into the RGB color system: of 255 maximum color components, 174 red, 162 green and 72 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
174 162 72 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, none cyan, 7 magenta, 59 yellow and 32 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
0% 7% 59% 32% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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