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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #8C7E22 it is the complementary color #7381DD. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #8C7E22. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #8C7E22 shade: #917E1D, #A29030, #B3A243, #C4B456 and #D5C669

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #8C7E22. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #8C7E22 shade: #8C7E22, #7B6C0F, #6A5A00, #594800 and #483600

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #8C7E22 shade: #8C7E22, #8C6122, #8C4522, #8C2822 and #8C2222

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #8C7E22 shade: #8C7E22, #7D8C22, #618C22, #448C22 and #278C22

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #8C7E22 shade matches the following richer shades: #8C7E22, #9A8814 and #A89206

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #8C7E22 shade: #8C7E22, #7E7330, #70693E, #625F4C and #53545A

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #8C7E22 shade: #8C4522, #8C6122, #8C7D22, #7D8C22 and #618C22

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #8C7E22 shade: #494212, #6A601A, #8C7E22, #AD9C2A and #CDB932

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #8C7E22 shade: #8C7E22, #228C29 and #53228C

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #8C7E22 shade: #8C7E22, #228C7D and #7D228C

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #8C7E22 shade: #8C7E22, #228C29, #22308C and #8C2285

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #8C7E22 shade: #8C7E22, #228C49, #22308C and #8C2265

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 0 / 10 / 76 / 45

HEX #8C7E22

RGB 140 126 34

HSL 52.08, 0.61%, 0.34%

LAB 52.52, -5.25, 48.93

 

Complementary color

CMYK 48 / 42 / 0 / 13

HEX #7381DD

RGB 115 129 221

HSL 232.08, 0.61%, 0.66%

LAB 56.65, 19.43, -48.72

 

CMYK 0 / 13 / 80 / 43

HEX #917E1D

RGB 145 126 29

HSL 50.17, 0.67%, 0.34%

LAB 52.98, -3.15, 51.35

 

CMYK 0 / 11 / 70 / 36

HEX #A29030

RGB 162 144 48

HSL 50.53, 0.54%, 0.41%

LAB 59.75, -4.4, 51.12

 

CMYK 0 / 9 / 63 / 30

HEX #B3A243

RGB 179 162 67

HSL 50.89, 0.46%, 0.48%

LAB 66.39, -5.4, 50.3

 

CMYK 0 / 8 / 56 / 23

HEX #C4B456

RGB 196 180 86

HSL 51.27, 0.48%, 0.55%

LAB 72.92, -6.23, 49.23

 

CMYK 0 / 7 / 51 / 16

HEX #D5C669

RGB 213 198 105

HSL 51.67, 0.56%, 0.62%

LAB 79.36, -6.91, 48.05

 

CMYK 0 / 10 / 76 / 45

HEX #8C7E22

RGB 140 126 34

HSL 52.08, 0.61%, 0.34%

LAB 52.52, -5.25, 48.93

 

CMYK 0 / 12 / 88 / 52

HEX #7B6C0F

RGB 123 108 15

HSL 51.67, 0.78%, 0.27%

LAB 45.59, -3.86, 48.43

 

CMYK 0 / 15 / 100 / 58

HEX #6A5A00

RGB 106 90 0

HSL 50.94, 1%, 0.21%

LAB 38.51, -2.1, 46.07

 

CMYK 0 / 19 / 100 / 65

HEX #594800

RGB 89 72 0

HSL 48.54, 1%, 0.17%

LAB 31.25, 0.14, 40.07

 

CMYK 0 / 25 / 100 / 72

HEX #483600

RGB 72 54 0

HSL 45, 1%, 0.14%

LAB 23.72, 2.57, 32.83

 

CMYK 0 / 10 / 76 / 45

HEX #8C7E22

RGB 140 126 34

HSL 52.08, 0.61%, 0.34%

LAB 52.52, -5.25, 48.93

 

CMYK 0 / 31 / 76 / 45

HEX #8C6122

RGB 140 97 34

HSL 35.66, 0.61%, 0.34%

LAB 44.58, 11.35, 41.14

 

CMYK 0 / 51 / 76 / 45

HEX #8C4522

RGB 140 69 34

HSL 19.81, 0.61%, 0.34%

LAB 37.75, 27.47, 34.09

 

CMYK 0 / 71 / 76 / 45

HEX #8C2822

RGB 140 40 34

HSL 3.4, 0.61%, 0.34%

LAB 32.28, 41.78, 28.11

 

CMYK 0 / 76 / 76 / 45

HEX #8C2222

RGB 140 34 34

HSL 0, 0.61%, 0.34%

LAB 31.43, 44.12, 27.16

 

CMYK 0 / 10 / 76 / 45

HEX #8C7E22

RGB 140 126 34

HSL 52.08, 0.61%, 0.34%

LAB 52.52, -5.25, 48.93

 

CMYK 11 / 0 / 76 / 45

HEX #7D8C22

RGB 125 140 34

HSL 68.49, 0.61%, 0.34%

LAB 55.31, -19.58, 51.13

 

CMYK 31 / 0 / 76 / 45

HEX #618C22

RGB 97 140 34

HSL 84.34, 0.61%, 0.34%

LAB 53.4, -31.37, 48.62

 

CMYK 51 / 0 / 76 / 45

HEX #448C22

RGB 68 140 34

HSL 100.75, 0.61%, 0.34%

LAB 51.95, -41.71, 46.71

 

CMYK 72 / 0 / 76 / 45

HEX #278C22

RGB 39 140 34

HSL 117.17, 0.61%, 0.34%

LAB 51.04, -49.03, 45.5

 

CMYK 0 / 10 / 76 / 45

HEX #8C7E22

RGB 140 126 34

HSL 52.08, 0.61%, 0.34%

LAB 52.52, -5.25, 48.93

 

CMYK 0 / 12 / 87 / 40

HEX #9A8814

RGB 154 136 20

HSL 51.94, 0.77%, 0.34%

LAB 56.61, -4.8, 57.49

 

CMYK 0 / 13 / 96 / 34

HEX #A89206

RGB 168 146 6

HSL 51.85, 0.93%, 0.34%

LAB 60.69, -4.08, 63.83

 

CMYK 0 / 10 / 76 / 45

HEX #8C7E22

RGB 140 126 34

HSL 52.08, 0.61%, 0.34%

LAB 52.52, -5.25, 48.93

 

CMYK 0 / 9 / 62 / 51

HEX #7E7330

RGB 126 115 48

HSL 51.54, 0.45%, 0.34%

LAB 48.15, -4.69, 37.78

 

CMYK 0 / 6 / 45 / 56

HEX #70693E

RGB 112 105 62

HSL 51.6, 0.29%, 0.34%

LAB 44.08, -4.01, 25.13

 

CMYK 0 / 3 / 22 / 62

HEX #625F4C

RGB 98 95 76

HSL 51.82, 0.13%, 0.34%

LAB 40.09, -2.34, 11.33

 

CMYK 8 / 7 / 0 / 65

HEX #53545A

RGB 83 84 90

HSL 231.43, 0.04%, 0.34%

LAB 35.83, 0.94, -3.63

 

CMYK 0 / 51 / 76 / 45

HEX #8C4522

RGB 140 69 34

HSL 19.81, 0.61%, 0.34%

LAB 37.75, 27.47, 34.09

 

CMYK 0 / 31 / 76 / 45

HEX #8C6122

RGB 140 97 34

HSL 35.66, 0.61%, 0.34%

LAB 44.58, 11.35, 41.14

 

CMYK 0 / 11 / 76 / 45

HEX #8C7D22

RGB 140 125 34

HSL 51.51, 0.61%, 0.34%

LAB 52.24, -4.7, 48.65

 

CMYK 11 / 0 / 76 / 45

HEX #7D8C22

RGB 125 140 34

HSL 68.49, 0.61%, 0.34%

LAB 55.31, -19.58, 51.13

 

CMYK 31 / 0 / 76 / 45

HEX #618C22

RGB 97 140 34

HSL 84.34, 0.61%, 0.34%

LAB 53.4, -31.37, 48.62

 

CMYK 0 / 10 / 75 / 71

HEX #494212

RGB 73 66 18

HSL 52.36, 0.6%, 0.18%

LAB 27.73, -3.6, 29.07

 

CMYK 0 / 9 / 75 / 58

HEX #6A601A

RGB 106 96 26

HSL 52.5, 0.61%, 0.26%

LAB 40.42, -4.7, 39.28

 

CMYK 0 / 10 / 76 / 45

HEX #8C7E22

RGB 140 126 34

HSL 52.08, 0.61%, 0.34%

LAB 52.52, -5.25, 48.93

 

CMYK 0 / 10 / 76 / 32

HEX #AD9C2A

RGB 173 156 42

HSL 52.21, 0.61%, 0.42%

LAB 64.02, -6.24, 57.96

 

CMYK 0 / 10 / 76 / 20

HEX #CDB932

RGB 205 185 50

HSL 52.26, 0.61%, 0.5%

LAB 74.77, -7.1, 66.28

 

CMYK 0 / 10 / 76 / 45

HEX #8C7E22

RGB 140 126 34

HSL 52.08, 0.61%, 0.34%

LAB 52.52, -5.25, 48.93

 

CMYK 76 / 0 / 71 / 45

HEX #228C29

RGB 34 140 41

HSL 123.96, 0.61%, 0.34%

LAB 50.99, -49.29, 42.63

 

CMYK 41 / 76 / 0 / 45

HEX #53228C

RGB 83 34 140

HSL 267.74, 0.61%, 0.34%

LAB 26.38, 44.15, -49.86

 

CMYK 0 / 10 / 76 / 45

HEX #8C7E22

RGB 140 126 34

HSL 52.08, 0.61%, 0.34%

LAB 52.52, -5.25, 48.93

 

CMYK 76 / 0 / 11 / 45

HEX #228C7D

RGB 34 140 125

HSL 171.51, 0.61%, 0.34%

LAB 52.48, -32.78, -0.43

 

CMYK 11 / 76 / 0 / 45

HEX #7D228C

RGB 125 34 140

HSL 291.51, 0.61%, 0.34%

LAB 32.7, 52.67, -39.34

 

CMYK 0 / 10 / 76 / 45

HEX #8C7E22

RGB 140 126 34

HSL 52.08, 0.61%, 0.34%

LAB 52.52, -5.25, 48.93

 

CMYK 76 / 0 / 71 / 45

HEX #228C29

RGB 34 140 41

HSL 123.96, 0.61%, 0.34%

LAB 50.99, -49.29, 42.63

 

CMYK 76 / 66 / 0 / 45

HEX #22308C

RGB 34 48 140

HSL 232.08, 0.61%, 0.34%

LAB 24.79, 28.13, -52.65

 

CMYK 0 / 76 / 5 / 45

HEX #8C2285

RGB 140 34 133

HSL 303.96, 0.61%, 0.34%

LAB 34.83, 54.79, -31.46

 

CMYK 0 / 10 / 76 / 45

HEX #8C7E22

RGB 140 126 34

HSL 52.08, 0.61%, 0.34%

LAB 52.52, -5.25, 48.93

 

CMYK 76 / 0 / 48 / 45

HEX #228C49

RGB 34 140 73

HSL 142.08, 0.61%, 0.34%

LAB 51.36, -44.9, 27.46

 

CMYK 76 / 66 / 0 / 45

HEX #22308C

RGB 34 48 140

HSL 232.08, 0.61%, 0.34%

LAB 24.79, 28.13, -52.65

 

CMYK 0 / 76 / 28 / 45

HEX #8C2265

RGB 140 34 101

HSL 322.08, 0.61%, 0.34%

LAB 33.26, 50.05, -13.71

 

Description

Color code: HEX #8C7E22 | qconv.com Color code: HEX #8C7E22 | qconv.com - big

Dark color: low color values appear darker.

The breakdown of the color into the RGB color system: of 255 maximum color components, 140 red, 126 green and 34 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
140 126 34 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, none cyan, 10 magenta, 76 yellow and 45 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
0% 10% 76% 45% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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