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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone RGB 174 155 150 it is the complementary color RGB 81 100 105. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color RGB 174 155 150. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the color tone RGB 174 155 150: RGB 179 155 145, RGB 196 173 164, RGB 213 191 183, RGB 230 209 202 and RGB 247 227 221

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color RGB 174 155 150. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the color tone RGB 174 155 150: RGB 174 155 150, RGB 157 137 131, RGB 140 119 112, RGB 123 101 93 and RGB 106 83 74

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 0 / 11 / 14 / 32

HEX #AE9B96

RGB 174 155 150

HSL 12.5, 0.13%, 0.64%

LAB 65.47, 6.13, 5.16

 

Complementary color

CMYK 23 / 5 / 0 / 59

HEX #516469

RGB 81 100 105

HSL 192.5, 0.13%, 0.36%

LAB 41.03, -5.91, -5.21

 

CMYK 0 / 13 / 19 / 30

HEX #B39B91

RGB 179 155 145

HSL 17.65, 0.18%, 0.64%

LAB 65.8, 7.22, 8.5

 

CMYK 0 / 12 / 16 / 23

HEX #C4ADA4

RGB 196 173 164

HSL 16.88, 0.21%, 0.71%

LAB 72.43, 6.82, 7.65

 

CMYK 0 / 10 / 14 / 16

HEX #D5BFB7

RGB 213 191 183

HSL 16, 0.26%, 0.78%

LAB 78.94, 6.46, 6.86

 

CMYK 0 / 9 / 12 / 10

HEX #E6D1CA

RGB 230 209 202

HSL 15, 0.36%, 0.85%

LAB 85.35, 6.14, 6.1

 

CMYK 0 / 8 / 11 / 3

HEX #F7E3DD

RGB 247 227 221

HSL 13.85, 0.62%, 0.92%

LAB 91.65, 5.84, 5.38

 

CMYK 0 / 11 / 14 / 32

HEX #AE9B96

RGB 174 155 150

HSL 12.5, 0.13%, 0.64%

LAB 65.47, 6.13, 5.16

 

CMYK 0 / 13 / 17 / 38

HEX #9D8983

RGB 157 137 131

HSL 13.85, 0.12%, 0.56%

LAB 58.69, 6.51, 5.98

 

CMYK 0 / 15 / 20 / 45

HEX #8C7770

RGB 140 119 112

HSL 15, 0.11%, 0.49%

LAB 51.77, 6.95, 6.86

 

CMYK 0 / 18 / 24 / 52

HEX #7B655D

RGB 123 101 93

HSL 16, 0.14%, 0.42%

LAB 44.67, 7.46, 7.83

 

CMYK 0 / 22 / 30 / 58

HEX #6A534A

RGB 106 83 74

HSL 16.88, 0.18%, 0.35%

LAB 37.38, 8.08, 8.91

 

CMYK 0 / 11 / 14 / 32

HEX #AE9B96

RGB 174 155 150

HSL 12.5, 0.13%, 0.64%

LAB 65.47, 6.13, 5.16

 

CMYK 0 / 9 / 14 / 31

HEX #AFA097

RGB 175 160 151

HSL 22.5, 0.13%, 0.64%

LAB 66.89, 3.92, 6.66

 

CMYK 0 / 7 / 14 / 31

HEX #AFA397

RGB 175 163 151

HSL 30, 0.13%, 0.64%

LAB 67.68, 2.27, 7.79

 

CMYK 0 / 5 / 14 / 31

HEX #AFA797

RGB 175 167 151

HSL 40, 0.13%, 0.64%

LAB 68.74, 0.1, 9.3

 

CMYK 0 / 2 / 14 / 31

HEX #AFAB97

RGB 175 171 151

HSL 50, 0.13%, 0.64%

LAB 69.81, -2.07, 10.81

 

CMYK 0 / 11 / 14 / 32

HEX #AE9B96

RGB 174 155 150

HSL 12.5, 0.13%, 0.64%

LAB 65.47, 6.13, 5.16

 

CMYK 0 / 11 / 14 / 12

HEX #E1C8C2

RGB 225 200 194

HSL 11.61, 0.34%, 0.82%

LAB 82.49, 7.79, 6.2

 

CMYK 0 / 10 / 14 / 92

HEX #151312

RGB 21 19 18

HSL 20, 0.08%, 0.08%

LAB 6.04, 0.64, 0.88

 

CMYK 0 / 11 / 14 / 72

HEX #48403E

RGB 72 64 62

HSL 12, 0.07%, 0.26%

LAB 27.82, 3.02, 2.47

 

CMYK 0 / 11 / 14 / 52

HEX #7B6E6A

RGB 123 110 106

HSL 14.12, 0.07%, 0.45%

LAB 47.5, 4.35, 4.07

 

CMYK 0 / 11 / 14 / 32

HEX #AE9B96

RGB 174 155 150

HSL 12.5, 0.13%, 0.64%

LAB 65.47, 6.13, 5.16

 

CMYK 6 / 0 / 14 / 31

HEX #A5AF97

RGB 165 175 151

HSL 85, 0.13%, 0.64%

LAB 70.1, -7.92, 11.12

 

CMYK 14 / 11 / 0 / 31

HEX #979CAF

RGB 151 156 175

HSL 227.5, 0.13%, 0.64%

LAB 64.52, 2.15, -10.48

 

CMYK 0 / 11 / 14 / 32

HEX #AE9B96

RGB 174 155 150

HSL 12.5, 0.13%, 0.64%

LAB 65.47, 6.13, 5.16

 

CMYK 14 / 0 / 11 / 31

HEX #97AF9C

RGB 151 175 156

HSL 132.5, 0.13%, 0.64%

LAB 69.21, -12.03, 6.97

 

CMYK 11 / 14 / 0 / 31

HEX #9C97AF

RGB 156 151 175

HSL 252.5, 0.13%, 0.64%

LAB 63.59, 6.64, -11.84

 

CMYK 0 / 11 / 14 / 32

HEX #AE9B96

RGB 174 155 150

HSL 12.5, 0.13%, 0.64%

LAB 65.47, 6.13, 5.16

 

CMYK 6 / 0 / 14 / 31

HEX #A5AF97

RGB 165 175 151

HSL 85, 0.13%, 0.64%

LAB 70.1, -7.92, 11.12

 

CMYK 14 / 3 / 0 / 31

HEX #97AAAF

RGB 151 170 175

HSL 192.5, 0.13%, 0.64%

LAB 68.33, -5.54, -4.82

 

CMYK 9 / 14 / 0 / 31

HEX #A097AF

RGB 160 151 175

HSL 262.5, 0.13%, 0.64%

LAB 63.92, 8.01, -11.31

 

CMYK 0 / 11 / 14 / 32

HEX #AE9B96

RGB 174 155 150

HSL 12.5, 0.13%, 0.64%

LAB 65.47, 6.13, 5.16

 

CMYK 10 / 0 / 14 / 31

HEX #9EAF97

RGB 158 175 151

HSL 102.5, 0.13%, 0.64%

LAB 69.59, -10.47, 10.32

 

CMYK 14 / 3 / 0 / 31

HEX #97AAAF

RGB 151 170 175

HSL 192.5, 0.13%, 0.64%

LAB 68.33, -5.54, -4.82

 

CMYK 5 / 14 / 0 / 31

HEX #A797AF

RGB 167 151 175

HSL 280, 0.13%, 0.64%

LAB 64.52, 10.43, -10.35

 

Description

Color code: RGB 174 155 150 | qconv.com Color code: RGB 174 155 150 | qconv.com - big

Since the color values are relatively high compared to others, this hue appears lighter to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 174 red, 155 green and 150 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
174 155 150 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, none cyan, 11 magenta, 14 yellow and 32 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
0% 11% 14% 32% C M Y K



Brands

This color is used by at least one manufactures. Here you can see which:

15% - Muir & Osborne |...
Link: http://www.muirandosborne.co.uk

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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