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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone RGB 174 154 119 it is the complementary color RGB 81 101 136. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color RGB 174 154 119. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the color tone RGB 174 154 119: RGB 179 154 114, RGB 196 172 133, RGB 213 190 152, RGB 230 208 171 and RGB 247 226 190

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color RGB 174 154 119. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the color tone RGB 174 154 119: RGB 174 154 119, RGB 157 136 100, RGB 140 118 81, RGB 123 100 62 and RGB 106 82 43

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 0 / 11 / 32 / 32

HEX #AE9A77

RGB 174 154 119

HSL 38.18, 0.25%, 0.57%

LAB 64.52, 2.01, 21.1

 

Complementary color

CMYK 40 / 26 / 0 / 47

HEX #516588

RGB 81 101 136

HSL 218.18, 0.25%, 0.43%

LAB 42.51, 2, -21.77

 

CMYK 0 / 14 / 36 / 30

HEX #B39A72

RGB 179 154 114

HSL 36.92, 0.3%, 0.57%

LAB 64.89, 3.4, 24.44

 

CMYK 0 / 12 / 32 / 23

HEX #C4AC85

RGB 196 172 133

HSL 37.14, 0.35%, 0.65%

LAB 71.51, 2.88, 23.28

 

CMYK 0 / 11 / 29 / 16

HEX #D5BE98

RGB 213 190 152

HSL 37.38, 0.42%, 0.72%

LAB 78.02, 2.44, 22.2

 

CMYK 0 / 10 / 26 / 10

HEX #E6D0AB

RGB 230 208 171

HSL 37.63, 0.54%, 0.79%

LAB 84.42, 2.04, 21.18

 

CMYK 0 / 9 / 23 / 3

HEX #F7E2BE

RGB 247 226 190

HSL 37.89, 0.78%, 0.86%

LAB 90.73, 1.7, 20.22

 

CMYK 0 / 11 / 32 / 32

HEX #AE9A77

RGB 174 154 119

HSL 38.18, 0.25%, 0.57%

LAB 64.52, 2.01, 21.1

 

CMYK 0 / 13 / 36 / 38

HEX #9D8864

RGB 157 136 100

HSL 37.89, 0.23%, 0.5%

LAB 57.75, 2.52, 22.28

 

CMYK 0 / 16 / 42 / 45

HEX #8C7651

RGB 140 118 81

HSL 37.63, 0.27%, 0.43%

LAB 50.83, 3.13, 23.56

 

CMYK 0 / 19 / 50 / 52

HEX #7B643E

RGB 123 100 62

HSL 37.38, 0.33%, 0.36%

LAB 43.76, 3.9, 24.95

 

CMYK 0 / 23 / 59 / 58

HEX #6A522B

RGB 106 82 43

HSL 37.14, 0.42%, 0.29%

LAB 36.51, 4.89, 26.45

 

CMYK 0 / 11 / 32 / 32

HEX #AE9A77

RGB 174 154 119

HSL 38.18, 0.25%, 0.57%

LAB 64.52, 2.01, 21.1

 

CMYK 0 / 6 / 32 / 33

HEX #ACA175

RGB 172 161 117

HSL 48, 0.25%, 0.57%

LAB 66.17, -2.87, 24.4

 

CMYK 0 / 1 / 32 / 33

HEX #ACAA75

RGB 172 170 117

HSL 57.82, 0.25%, 0.57%

LAB 68.61, -7.69, 27.64

 

CMYK 4 / 0 / 32 / 33

HEX #A5AC75

RGB 165 172 117

HSL 67.64, 0.25%, 0.57%

LAB 68.6, -11.53, 27.53

 

CMYK 9 / 0 / 32 / 33

HEX #9CAC75

RGB 156 172 117

HSL 77.45, 0.25%, 0.57%

LAB 67.92, -15.05, 26.5

 

CMYK 0 / 11 / 32 / 32

HEX #AE9A77

RGB 174 154 119

HSL 38.18, 0.25%, 0.57%

LAB 64.52, 2.01, 21.1

 

CMYK 0 / 12 / 32 / 12

HEX #E1C79A

RGB 225 199 154

HSL 38.03, 0.54%, 0.74%

LAB 81.39, 2.6, 25.92

 

CMYK 0 / 10 / 33 / 92

HEX #15130E

RGB 21 19 14

HSL 42.86, 0.2%, 0.07%

LAB 5.93, -0.12, 2.94

 

CMYK 0 / 11 / 32 / 72

HEX #484031

RGB 72 64 49

HSL 39.13, 0.19%, 0.24%

LAB 27.48, 0.68, 10.45

 

CMYK 0 / 11 / 32 / 52

HEX #7B6D54

RGB 123 109 84

HSL 38.46, 0.19%, 0.41%

LAB 46.7, 1.38, 16

 

CMYK 0 / 11 / 32 / 32

HEX #AE9A77

RGB 174 154 119

HSL 38.18, 0.25%, 0.57%

LAB 64.52, 2.01, 21.1

 

CMYK 26 / 0 / 32 / 33

HEX #7FAC75

RGB 127 172 117

HSL 109.09, 0.25%, 0.57%

LAB 65.98, -25.85, 23.57

 

CMYK 24 / 32 / 0 / 33

HEX #8275AC

RGB 130 117 172

HSL 254.18, 0.25%, 0.57%

LAB 52.34, 17.08, -27.49

 

CMYK 0 / 11 / 32 / 32

HEX #AE9A77

RGB 174 154 119

HSL 38.18, 0.25%, 0.57%

LAB 64.52, 2.01, 21.1

 

CMYK 32 / 0 / 12 / 33

HEX #75AC98

RGB 117 172 152

HSL 158.18, 0.25%, 0.57%

LAB 66.18, -22.49, 4.54

 

CMYK 12 / 32 / 0 / 33

HEX #9875AC

RGB 152 117 172

HSL 278.18, 0.25%, 0.57%

LAB 54.42, 24.14, -24.1

 

CMYK 0 / 11 / 32 / 32

HEX #AE9A77

RGB 174 154 119

HSL 38.18, 0.25%, 0.57%

LAB 64.52, 2.01, 21.1

 

CMYK 26 / 0 / 32 / 33

HEX #7FAC75

RGB 127 172 117

HSL 109.09, 0.25%, 0.57%

LAB 65.98, -25.85, 23.57

 

CMYK 32 / 20 / 0 / 33

HEX #758AAC

RGB 117 138 172

HSL 217.09, 0.25%, 0.57%

LAB 57.01, 0.74, -20.37

 

CMYK 5 / 32 / 0 / 33

HEX #A375AC

RGB 163 117 172

HSL 290.18, 0.25%, 0.57%

LAB 55.57, 27.77, -22.24

 

CMYK 0 / 11 / 32 / 32

HEX #AE9A77

RGB 174 154 119

HSL 38.18, 0.25%, 0.57%

LAB 64.52, 2.01, 21.1

 

CMYK 32 / 0 / 27 / 33

HEX #75AC7D

RGB 117 172 125

HSL 128.73, 0.25%, 0.57%

LAB 65.57, -27.88, 18.57

 

CMYK 32 / 20 / 0 / 33

HEX #758AAC

RGB 117 138 172

HSL 217.09, 0.25%, 0.57%

LAB 57.01, 0.74, -20.37

 

CMYK 0 / 32 / 4 / 33

HEX #AC75A5

RGB 172 117 165

HSL 307.64, 0.25%, 0.57%

LAB 56.3, 29.43, -17

 

Description

Color code: RGB 174 154 119 | qconv.com Color code: RGB 174 154 119 | qconv.com - big

Since the color values are relatively high compared to others, this hue appears lighter to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 174 red, 154 green and 119 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
174 154 119 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, none cyan, 11 magenta, 32 yellow and 32 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
0% 11% 32% 32% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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